The Camden Museum hosted celebrity author Michelle Scott Tucker recently at a local book launch. The event attracted an enthusiastic audience of 50 members and guests to an engrossing talk from Tucker, the author of Elizabeth Macarthur, A Life at the Edge of the World.
Michelle delivered an eloquent and gripping lesson on Elizabeth Macarthur to an audience sitting on the edge of their seats. Tucker spoke for 40 minutes without notes and then handled a number of penetrating questions. Earlier in the day she had been interviewed on ABC Sydney Local Radio by James Valentine in wide ranging conversation about Macarthur that clearly impressed him. Tucker is an impressive media performer telling an engrossing story about her hidden subject of Elizabeth.
After the Museum talk there was a long line of those who had purchased books to have them signed by the author. The most excited person in room was Camden Historical Society secretary Lee Stratton who drove into Surry Hills to pick up Michelle and then returned her to the city after the launch. Lee is a devoted fan and was not phased at all by her providing this generous effort.
Michelle Scott Tucker writes in an engaging and open style that is easily accessible by anyone interested in colonial Australia, women’s biography or just a great yarn. She takes a fresh look at an old story from a woman’s perspective, from the other side.
In the early 19th century the world was divided into the women’s private sphere and the public world inhabited by men. Michelle Scott Tucker takes a look from the domestic private world of women. It is a form of radical history.
Michelle’s analogy of her approach to the story is looking at the stitching on the back of tapestry, and inspecting the intricate nature of the threads. This gives you an insight into how the whole work is kept together from the hidden and dark shadows of the work. Without the stitching the work would fall apart, and so it was the Macarthur family enterprises in colonial New South Wales. Tucker draws the stitches together to create a story showing the colour and movement of colonial New South Wales.
Elizabeth Macarthur, the farmer’s daughter from Devon, married a cantankerous irascible army officer called John Macarthur when she was pregnant with her first child. Tucker draws an parallel with another Georgian story that of the women in the romantic novelPride and Prejudice by Jane Austin. She makes the point that Elizabeth Macarthur, and husband John, were Georgian figures while her family were Victorians.
Tucker tells how Elizabeth Macarthur, heavily pregnant and with a small child at her side, endured probably the worst journey out from England of any convict transport on the Second Fleet in the Scarborough. She nursed her husband back from illness that he suffered at the Cape and lost a child on the voyage out which was buried at sea. She suffered the social ignominy of sharing a cabin space with convict women well below her station in life.
Macarthur was not on her own and many colonial women endured the sea voyage from England with few comforts. Their diaries detail the trials and tribulations throughout the early years of the colony. One such figure in the Camden story was Caroline Husband who fell on hard times and fled their Hampstead Hill house near London with debt collectors in pursuit. She married pastoralist Henry Thomas and eventually lives at Wivenhoe, and her descendants grew up at Brownlow Hill.
The ever practical Elizabeth managed and developed the family business empire in colonial New South Wales while her husband was dealing with military charges in England. She entertained governors, politicians, businessmen, officers, while managing a large domestic staff, farm workers and convicts on their extensive landholdings. The role and influence of Elizabeth Macarthur as part of the story of settler colonialism in Australia and has been understated along with many other women of her time.
Tucker makes the point in an article for Inside Story that the story of Elizabeth Macarthur is not unique and that other colonial women made a significant contribution on their own. There was Esther Abrahams who ran Annandale, and Harriet King who raised a family and ran a property west of Parramatta. In Van Diemen’s Land (now Tasmania) a retail empire was developed by former convict Maria Lord, while Eliza Forlonge ran a pastoral empire.
Camden Park was an out-station in the Macarthur family empire and Elizabeth Macarthur never lived there. The mansion house was the home of her sons, William and James. Elizabeth lived at Elizabeth Farm at Parramatta all her life and died at their holiday home at Watsons Bay in her 80s.
Unlike many of her colonial contemporaries who viewed the Australian landscape as a Gothic world Elizabeth had a more sympathetic eye. She drew comparisons with England and in her letters home she stated that her around her home at Parramatta, she wrote:
The greater part of the country is like an English park, and the trees give to it the appearance of a wilderness, or shrubbery commonly attached to the habitations of people of fortune’.
Under Elizabeth’s gaze the colonial outpost of Sydney grew from a military garrison to a bustling colonial port in the South Pacific. Macarthur supported her husband, John, throughout his ordeals and never returned to England, despite having the means to do so. Her female descendants regularly traveled between Camden Park, Sydney and London and elsewhere, and benefited from the transnational networks that she and her family established in the early 19th century.
Elizabeth Macarthur is an important character in the Camden story and there are other Macarthur women in her family who played similar roles such as Elizabeth Macarthur Onslow, Sibella Macarthur Onslow and Enid Macarthur Onslow. All intelligent, strong and successful women. They were not alone in the Camden story and others that could be mentioned include Rita Tucker, Zoe Crookston, Clarice Faithful, amongst others.
Camden artists forewarn with historic contrast of “war and peace” in exhibition.
Camden artists Greg Frawley and Roger Percy have an exhibition entitled “War and Peace” opening on the Thursday 7 June at Camden Library.
The two artists have very different styles of art, and both are hoping to send a message to the people of Camden with their use of imagery.
The inspiration for this collaborative exhibition took lots of thought and purpose.
Roger says of the exhibition,
I thought about the phrase ‘lest we forget’, and thought about what that could also apply to. We never think of now as being a time where things like war could happen, but if people who come look at the exhibition, older or young, and think ‘lest we forget to appreciate what we have. Greg and I have expressed the message through the medium.
“Greg has his war-influenced paintings and I have my various angles of our historic town. This gave us the idea of the contrast between war and peace” said Roger.
Both Greg and Roger have lived many years in the Camden area and have become passionate about the town.
“I’ve been painting Camden for about 20 years.” said Roger about what was different about this collection. “I started painting Camden from angles I had never done before… it was inspiring.”
Roger is the peace side of the exhibition, with use of watercolour and ink to create his landscapes of Camden.
“Roger’s work is very sensitive and reflective of a beautiful townscape – which is under threat.” said Greg about Roger’s work. “It is very timely… people have memories of historic Camden… we can only hope it doesn’t change.”
Roger has recently been appointed the position as the curator of the Alan Baker Art Gallery in Camden – a historic building that is now home to the posthumous collection of works by Baker, a local of Camden.
Roger said, “My works for this new exhibition started with a focus on the gallery, and it expanded to doing unique perspectives looking in to Camden.”
Greg said, “I lived here in the fifties as a kid, I would walk all over this place, back when the town wasn’t very big.”
“I love Camden, that’s why I came back to live here.”
Greg’s works are inspired by war and conflict from various perspectives beyond Camden, and is reflective of Australian history in combination with a mixture of artistic styles.
“I’m a bit of a split personality. I love my painting and I try and do it every day. And despite my commercial art, I try and fight with purpose with my work,” says Greg.
The painting above is called ‘Ceasefire Moon’. “I’ve taken it from the three wise monkeys – hear no evil, speak no evil, see no evil,” Greg said.
Greg acknowledged the patriotism of the Australian war efforts. “There was a level of ignorance with the soldiers, they didn’t question anything they did.”
The content of my paintings is a mix of childhood memories and imagined scenarios – of representation and semi-abstraction. Unable to tap into the depth of the real experience of WW1 and not wanting to copy existing images I developed compositions which reflect my personal thoughts on the contradictions of war.
The exhibition has an official opening on the Thursday 7 June starting at 6pm. The exhibition will be on display in the Camden Library for all of June during the library opening hours.
The exhibition showcases major works by significant Australian and international artists who have created sculptures especially for the site.
Looking at the sculpture garden created by the exhibition from the main roadway provides a pleasant enough vista. Once out of your car and on your feet walking the ground the vistas are marvellous.
The layout placement of the sculpture exhibition has been done with a creative flair that creates a landscape of the imagination. Simply it all works.
The site suits the exhibition. Its expansive space giving the sculptors the opportunity to create an aesthetic that sets off their work.
Tour and walk guide Monica outlined the trials and tribulations of getting heavy equipment onto the site to set up the artworks was a feat in itself. To the viewers in our party they were certainly impressed by it all.
Tour guide Monica said that the staff and students have started using the grounds around the lakes since the exhibition and sculpture park were created.
Well being and public art
Public art has a positive effect on the community and people’s self-esteem, self-confidence and well being. An article in The Guardian examined the well-being effect of public art on communities and stated:
Alex Coulter, director of the arts advocacy organisation Arts & Health South West believes that: “Particularly when you look at smaller communities or communities within larger cities, [public art] can have a very powerful impact on people’s sense of identity and locality.
Apparently it is the participatory side of getting community involvement that brings out the positive effects on people.
Maybe it is the walking around the picturesque landscape provided by the WSU grounds staff and gardeners. Maybe it is the landscape gardening and native vegetation set off by the water features. Maybe it is the quiet and solitude in the middle of a busy Campbelltown.
Whatever it is in the sculpture garden, whether provided by the permanent WSU sculpture collection or the exhibition works, the site has a positive serenity that is hard to escape. It certainly attracts the staff and students.
The CHN blogger was out and about recently and attended an informative and interesting talk at Belgenny Farm in the Home Farm meeting hall. The presentation was delivered by Peter Watson from the Howell Living History Farm in Lambertville, New Jersey, USA.
Mr Watson, an advocate of the living history movement, was the guest of the chairman of the Belgenny Farm Trust Dr Cameron Archer. Mr Watson was on a speaking tour and had attended a living history conference while in Australia.
Peter Watson and Howell Living History Farm
Peter Watson presented an interesting and far ranging talk about Howell Living History Farm in New Jersey and its programs. He was responsible for setting up the Howell Living History Farm.
Mr Watson said, ‘He initially worked in the US Peace Corps in West Africa and gained an interest in the living history movement through teaching farming methods.’
‘The 130 acre farm was gifted to the community in 1974 by a state politician with the aim of showing how farming used to be done in New Jersey.
Mr Watson said, ‘We took about 10 years to get going and deal with the planning process, which was tenuous for the government authorities who own the farm. Politics is not good or evil but just develops systems that do good for people. New Jersey state government have purchased development rights per acre from land developers.’
Howell Living History Farm is located within a one hour of around 15 million and the far has 65,000 visitors per year and 10,000 school children.
Mr Watson said, ‘The main aim at the farm is the visitor experience. The farm represents New Jersey farming between 1890 and 1910 – a moment in time.’
Mr Watson says, ‘We do not want to allow history to get in the way of an education experience for the visitor. The farm visitors are attracted by nostalgia which is an important value for them.
Most historic farms are museums, according to Mr Watson and he said, ‘At Howell Farm visitors become involved in activities.’
The farm uses original equipment using traditional methods and interpretation with living history.
The living history movement is concerned with authenticity and Mr Watson said, ‘Living history is a reservoir of ideas in adaptive research using comparative farming methods between decades.
Mr Watson illustrated his talk with a number of slides of the farm and its activities. He stressed to the relieved audience that the farm activities used replica equipment, not historic artefacts.
‘This is a different experience for school groups and we do not want to do up all the old buildings. Different farm buildings show a comparative history – 1790, 1800, 1850,’ Mr Watson said.
Stressing how the farm lives up the principles of the living history movement Mr Watson said, ‘The farm is a learning, education and entertainment facility using traditional farming methods that provide an authentic and ‘real’ experience. The farm seeks to preserve the traditional methods which have cultural value.’
Howell Farm’s educational programs engage students in the real, season activities of a working farm where hands-on learning experiences provide the answers to essential questions posed by the New Jersey and Pennsylvania State Standards of Social Studies, Language Arts, Science and the Next Generation Science Standards. The farm’s classic, mixed crop and livestock operations accurately portray the era of pre-tractor systems, creating a unique and inspiring learning environment where history, technology, science converge…and where past and present meet.
‘The farm is a guided experience and there are interpreters for visitors. Story telling at the farm is done in the 1st-person.’
‘The farm has a cooking programme for the farm crops it grows, which is popular with organic producers and supporters of organic farm products. Crops grown using traditional methods include oats, corn and wheat.’
‘The farm sells some its produce and it includes honey, corn meal, maple syrup, used horse shoes, wool, flour.
‘We sell surplus produce at a local market. Activities include apple peeling. There is a sewing guild every Tuesday and the women make costumes.’
‘The farm has an ice house which makes natural ice during winter. Mr Watson made the point that ice making in the US was a multi-million dollar industry in the 1900s.
The promotional information for the farm’s seasonal calendar program states:
Howell Farm’s calendar reflects the cycles of a fully functioning working farm in Pleasant Valley, New Jersey during the years 1890-1910. Programs enable visitors to see real farming operations up close, speak with farmers and interpreters, and in many instances lend a hand. Factors such as weather, soil conditions and animal needs can impact operations at any time, resulting in program changes that reflect realities faced by farmers then and now.
The farm has run a number of fundraising ventures and one of the more successful has been the maze.
Mr Watson said, ‘The farm maize crop has been cut into a dinosaur maze of four acres and used as a fundraiser, raising $35,000 which has been used for farm restoration work.’
‘The farm is a listed historic site with a number of restored buildings, which satisfy US heritage authorities to allow application for government grants,’ said Peter Watson.
‘Traditional farm fences in New Jersey were snake-rail fences which have been constructed using ‘hands-on’ public workshops.’
Mr Watson stressed, ‘The farm is an experience and we are sensitive about where food comes from. Animal rights are a problem and you have to be honest about farming practices.’
The Howell Living History Farm, also known as the Joseph Phillips Farm, is a 130 acres farm that is a living open-air museum near Titusville, in Hopewell Township, Mercer County, New Jersey. WikipediaArea: 53 ha. Operated by the Mercer County Park Commission.
The next prominent owner was Sydney banker and philanthropist Thomas Walker acquiring the property from Nichols sons in the 1840s. He commissioned Sydney architect Edmund Blacket to design a large two-storey Victorian mansion called Yaralla house. Walker died in 1886 and left the estate in trust to his only daughter Eadith.
Sydney architect Sir John Sulman was commissioned to extend the house to extend the house in the 1890s. He extended the second floor of the house and designed a number outbuildings including the dairy and stable buildings.
Yaralla House and the grounds are strikingly English-in-style and layout. The Arts and Crafts influenced Sulman buildings are set in idyllic setting of an English estate garden and park.
were sub-divided in 1908, 1912, and 1922, becoming estates of Federation and Californian bungalow homes built for soldiers after World War I.
Yaralla House was the ‘hub of Sydney society’ in the Interwar period, according to the Dictionary of Sydney. Eadith Walker who lived at the house during this period was a famous Sydney philanthopist and held many charity events on the property.
Yaralla House was a convalescent hospital after the Second World War and then fell into dis-repair. Much conservation work has been carried out in recent decades.
The property had many important visitors over the years from royalty to the vice-regal.
A ‘secret’ walking trail
The area has a ‘secret’ walking trail along the Sydney Harbour Foreshore. Well known to locals. Little known to outsiders. The walkway includes the Kokoda Track Memorial Walkway from Rhodes Railway Station to Concord Hospital (800 metres). It is all part of the Concord Foreshore Trail. This walk is described this way on the City of Canada Bay walks website:
This historic and peaceful walk stretches from McIlwaine Park in the Rhodes to Majors Bay Reserve in Concord. The route encircles the mangrove-fringed Brays Bay, Yaralla Bay and Majors Bay on the Parramatta River and goes around the former Thomas Walker Hospital ( a heritage listed building), Concord Repatriation General Hospital and the historically significant Yaralla Estate (one of the oldest estates in Sydney dating back to the 1790’s).
The Cowpastures emerged as a regional concept in the late 18th century starting with the story of the cattle of the First Fleet that escaped their captivity at the Sydney settlement. The region was a culturally constructed landscape that ebbed and flowed with European activity. It grew around the government reserve established by Governors Hunter and King. It then developed into a generally used locality name centred on the gentry estates in the area.
Regionalism in the Cowpastures
The geographers call this type of area a functional region. A functional region is based on horizontal linkages within a particular area that are to an extent self-contained. The region was relatively self-cohesive when compared with linkages between regions. The key concept is self-containment with respect to the activities of those within the particular area.
A useful way into a regional study like the Cowpastures is an environmental history, which is a multi-disciplinary approach. This would cover the physical and cultural landscapes. The boundaries of the Cowpastures region were both culturally derived and natural, where the landforms restricted and constrained European activity. The story of the Cowpastures regions has many layers of history that can be peeled back to unravel its bits and pieces.
The story of the wild cows and more, a cultural landscape
The story of the Cowpastures begins with the wild cows. The First Fleet leaves England in 1787 and HMS Sirius which collected 4 cows and 2 bulls at the Cape of Good Hope on the way out to New South Wales. They were Cape cattle.
The cattle did not think much of their new home and after their arrival they took off within 5 months of being landed and disappeared. The cattle escaped and found heaven on the Indigenous managed pastures of the Nepean River floodplain. The cattle occupied and seized the territory of the Indigenous people who were wary of these horned beasts.
Before the Cowpastures district was even an idea the area was the home for ancient Aboriginal culture based on Dreamtime stories. The land of the Dharawal, Gundangara and the Dharug.
After European occupation the Dharawal people became known as the Cowpastures tribe by 1805.
In 1795 the story of the cattle is told to a convict hunter by an Aboriginal, who then tells an officer and informs Governor Hunter. Hunter sends Henry Hacking, an old seaman, to check out the story. After confirmation Governor John Hunter and Captain Waterhouse, George Bass and David Collins head off from Parramatta, cross the Nepean River on 17 November 1795. After climbing a hill (Mt Taurus) they spotted the cattle and named the area the Cowpastures. Governor John Hunter marked area on maps ‘Cow Pasture Plains’ in the region of Menangle and elsewhere on maps south of Nepean. By 1806 the herd had grown to 3,000.
The Europeans seized the territory occupied by the wild cattle, allocated land grants for themselves and displaced the Indigenous occupants. On their occupation they created a new land in their own vision of the world. A countryside made up of large pseudo-English-style-estates, an English-style common called The Cowpasture Reserve and government men to work it called convicts. The route that Governor Hunter took became the track to the area became known as the Cowpastures Road, starting at Prospect Hill and progressing to the crossing of the Nepean River.
In 1803 Governor King issued a proclamation in July 1803 banning any unauthorised entry south of the Nepean River to stop poaching of the wild cattle. (The Sydney Gazette and New South Wales Advertiser, Sunday 10 July 1803 page 1) Governor King ordered that a constable be placed at the Cowpasture crossing of the Nepean River and that a small hut be built to house them. (Historic Records NSW Vol 5, pp. 719-720) The government reserve for the wild cattle was strengthened under the Macquarie administration.
Government Cowpastures Reserve
Bigge Report 1822-1823
The government reserve was never really defined and was just a vague area occupied by the Wild Cattle. The 1823 Bigge report described the Cowpastures this way:
The county of Camden contains the extensive tracts known by the name of the Cow Pasture, which which five of the cattle that were landed from His Majesty’s ship Sirius, soon after the first arrival of Governor Phillip, had strayed from their place of confinement. They were discovered in these tracts in the year 1795 by a convict, and appear to have been attracted to the spot, and to have continued there, from the superior quality of the herbage. Since that period their numbers have greatly increased: and they have latterly occupied the hilly ranges by which the Cow Pastures are backed on the south, and have been found in the deeper ravines of the hills of Nattai, and on the banks of the Bargo River. It does not appear, however, that they have penetrated beyond the Blue Mountains, or the barren tract that is called the Bargo Brush. The Cow Pastures extend northwards from the river Bargo to the junction of the river Warragumba and the Nepean. To the west they are bounded by some of the branches of the latter river and the hills of Nattai. They contain by computation about sixty thousand acres; and the soil, through varying in fertility, but always deepening and improving on the banks and margin of the Nepean, consists of a light sandy loam, resting upon a substratum of clay.
(JT Bigge, Report of the Commissioner of Inquiry on the state of agriculture and trade in the colony of NSW, 1823, Vol 3)
Public Buildings 1822 Bigge Report
At the centre of the government reserve
A Brick Built House for the residence and accommodation of the Superintendant and principal Overseer of Government Stock in the Cow Pastures, reserving two rooms for the occasional accommodation of the Governor, with Kitchen and other necessary Out Offices, together with a good Kitchen Garden, well enclosed.
A Weather-boarded House for the accommodation of the Subordinate Overseers and Stockmen.
Four large paddock of 100 acres each enclosed with a strong Fence for the grazing of the Tame Cattle and Taming of the Wild Cattle, and cleared of the standing and dead Timber.
A Tanning House and Tan Yard for Tanning the Hides of the Wild Bulls for the use of Government.
Several other Paddocks and Stock-Yards enclosed for the Government Horses, Homed Cattle, and Sheep, grazing in other parts of the Government Grounds in the Cow Pastures. N.B.—Cawdor is the principal Run or Grazing Ground for the Government Horned Cattle and Sheep in the Cow Pastures on the western side of the Nepean River, consisting of about Fifteen thousand acresof land, and ought never to be alienated as long as it may be deemed expedient and advisable for the Government to possess and maintain Herds and Flocks.
(JT Bigge, Report of the Commissioner of Inquiry on the state of agriculture and trade in the colony of NSW, 1822, Vol 1)
End of Government Reserve
A regional identity had emerged by the time the government reserve was dissolved in the early 1820s and the land sold off. The usage of the identity of the Cowpastures extended into the second half of the 19th century.
Extent of the Cowpastures region by the 1840s
The extent and boundaries of the Cowpastures by the 1840s were:
North – Bringelly Road – taking in the upper South Creek Catchment – west to Bents Basin and Warragamba River
East – Wilton Road north through Appin – ridge dividing Nepean and Georges River catchments – generally the Appin Road – following ridge line north dividing Bow Bowing Creek and South Creek.
South – Stonequarry Creek catchment – bordering Bargo Brush – line following Wilton Road in east – through Thirlmere – ridge line between Stonequarry Creek and Bargo River – west to Burragorang Valley
West – Burragorang Valley
Usage of the Cowpastures name as a regional identity
The graph below is the usage of the locality name Cowpastures in newspapers listed on the National Library of Australia Trove Database in 2017 using QueryPic.
Graph of usage of the name of Cowpastures
The usage of the Cowpastures regional identity persisted into the late 19th century as these following newspaper extracts illustrated.
In 1836 Glendiver Estate at The Oaks was advertised for sale with the given address as The Cowpastures. The sale notice boasted that the estate was one of the finest dairy farms in the colony of New South Wales with ‘the finest soil’ and ‘abundance of water’. It was claimed that the owner could run ‘double the stock’ of any other part of the colony because of the ‘beautiful district’. The estate for sale came to 2390 acres. The estate had 70 acres under wheat the property suited a ‘wealthy grazier, horse or cattle-dealer’. (Australian (Sydney, NSW : 1824 – 1848), Friday 5 August 1836, page 4 (4))
In 1838 the estate of Narellan in the Cowpastures was advertised for sale on behalf of Francis Mowatt consisting of a desirable homestead and 800 acres of ‘rich productive’ land. The property was fenced with 12 miles of fencing and watered by Narellan Creek. The property fronted the Cowpastures Road for ¾ of a mile. The ‘commodious and comfortable’ cottage has ‘out-offices’, ‘excellent stables in good repair’. The garden has extensive fruit trees and ‘grapery’. The sale also include household furniture, harnesses, saddlery, and ten horses. (Sydney Gazette and New South Wales Advertiser (NSW : 1803 – 1842), Saturday 3 February 1838, page 3)
Cowpasture Estates of 1840
In 1840 MD Hunter released the Cowpasture Estates on former properties owned by Sydney businessman John Dickson in the Sydney Monitor and Commercial Advertiser for auction by The Australian Auction Company. The properties offered were Orielton, Nonorrah, Moorfield, Eastwood and Netherbyres with a total of 7000 acres. The properties were offered in lots ranging from 300 to 30 acres. The sale notice stated that Orielton had a ‘substantial Stone Barn, Threshing Mill and Offices’, Nonorrah boasted a ‘spacious and elegant Cottage with Gardens, Stables and Offices’. (Sydney Monitor and Commercial Advertiser (NSW : 1838 – 1841), Friday 5 June 1840, page 4 (4))
The northern extremity of the Cowpasture Estates was the Bringelly Road. (Sydney Monitor and Commercial Advertiser, 16 July 1840)
In 1843 the Sydney Morning Herald announced the presence of Charles Cowper in the Cowpasture district. Mr Cowper arrived at Mr James Chisholm’s Gledswood and joined a procession of horses followed by carriages and gigs of around 150 men and women. Mr Cowper took a seat in Mr Hassall’s carriage. The procession headed for by Mr Hovel of Macquarie Grove. with Mr John Wild of Picton bringing up the rear of the carriages. The procession then moved to Mr Chisholm’s house on his property Wivenhoe. (Sydney Morning Herald (NSW : 1842 – 1954), Tuesday 11 July 1843, page 2)
In 1843 auctioneer Mr Stubbs announced the sale of the household effects, stock and farming implements for the insolvent estate of GCP Living of Raby in the Cowpastures. The stock included heifers, bullocks, calves, dairy cows, steers totalling 165 beasts and five horses. The farm equipment included dairy utensils, and transport equipment including carts, drays and wagons. (Sydney Morning Herald (NSW : 1842 – 1954), Monday 6 November 1843, page 4 (3))
In 1843 Mr Beck advertised the sale of furniture of the late Mr SR Swaine of Narellan of the Cowpastures. (Sydney Morning Herald (NSW : 1842 – 1954), Friday 15 December 1843, page 3)
The Camden District Council meeting in 1845 reported on the state of repair of the bridge across the Cowpasture River. (Weekly Register of Politics, Facts and General Literature (Sydney, NSW : 1843 – 1845), Saturday 14 June 1845)
In 1847 the Sydney Morning Herald reported on the population growth of the Cowpastures district which nearly reached 3000 people. The press reports described the schools in the villages of Narellan, Cobbitty and Camden, with the reporter visiting The Razorback and the properties of Raby, Gledswood and Harrington Park. The beauty of other properties mentioned in the story included Orielton, Wivenhoe, Denbigh, Matavai and Brownlow Hill. (Sydney Morning Herald (NSW : 1842 – 1954), Thursday 23 September 1847, page 2)
In 1870 the Australian Town and Country Journal reported a claim for compensation on the colonial government by a shepherd Hugh McGuire for services for supervising a team of men in the Cowpastures district. (Australian Town and Country Journal (Sydney, NSW : 1870 – 1907), Saturday 2 April 1870, page 10 (4))
In 1870 the Sydney Morning Herald reported on a flood in Camden which was located in the Cowpasture district. There was a heavy downpour with a violent gale continued through the Wednesday night on the 26 April. The lowlands presented ‘uniform sheet of flood water’ and were just below the ‘tow great floods of 1860’. (Sydney Morning Herald (NSW : 1842 – 1954), Wednesday 18 May 1870, page 7)
In 1877 the Sydney Morning Herald one letter writer that as late 1870s the Nepean River was still known as the Cowpastures River. (Sydney Morning Herald (NSW : 1842 – 1954), Saturday 24 March 1877, page 8)
In 1878 the Australian Town and Country Journal reported on the state of the town of Campbelltown and the surrounding area which was adjacent to the ‘fertile flats and alluvials’ of the Cowpastures. (Australian Town and Country Journal (Sydney, NSW : 1870 – 1907), Saturday 16 March 1878, page 20)
The Australian Town and Country Journal reported on the state of the wheat growing in the colony in 1882. The story stated that wheat for bread making used to be grown in the ‘Camden, the Cowpastures, Hawkesbury, Hunter, etc’. In these area hay production had replaced former wheat growing. (Australian Town and Country Journal (Sydney, NSW : 1870 – 1907), Saturday 2 September 1882, page 20)
The end of Cowpastures region and a village is born
The beginning of the end of the Cowpastures region was the development of the Camden village from 1840 by the Macarthur family on their estate of Camden Park The Camden district eventually replaced the Cowpastures regional identity.
Revival of the Cowpastures during the Interwar period
The Sesqui-centenary of the colonial settlement of New South Wales sparked a revival of the story of the Cowpastures during the early 1930s.
There was also the revival of national pioneering heroes that it was felt provide a sound basis of the story of a new nation and one of those was John Macarthur of the Cowpastures. He was the ultimate Cowpastures Oligarch. He had many colleagues who also fitted this description.
The Camden community was galvanised by the emergency created by the entry of Japan into the Pacific War on 7 December 1941 and the US declaration of war on 8 December.
Wardens and Air Raid Precautions
Stan Kelloway, Camden’s chief warden and mayor, called a public meeting which was held on Tuesday night at the town hall, 18 December 1941. He made an urgent appeal for wardens and volunteers for air raid precaution work in the town area.
Camden women held a joint emergency meeting on the same night at the Camden CWA Rooms in Murray Street. The meeting was chaired by Rita Tucker, with Grace Moore, the secretary of the Women’s Voluntary Service (WVS) acting as the meeting’s secretary.
The Camden District Hospital Women’s Auxiliary was represented by its president, Emma Furner, and the CWA Younger Set by Mary Sparkes and Anita Rapley. Apologies were received from Zoe Crookston, Mary Davies, Albine Terry and Hilda Moore. Mary Davies was the treasurer of the Camden Red Cross and the vice-president of the Camden Hospital Women’s Auxiliary, Albine Terry, Camden WVS treasurer and Camden Hospital Women’s Auxiliary vice-president, and Hilda Moore, the secretary of the Camden Red Cross.
There was much discussion at the meeting and a decision was taken to concentrate on making camouflage nets. The CWA and Women’s Voluntary Service, which were conducting separate camouflage netting meetings, decided to combine their separate netting efforts. The combined effort would be located at the CWA rooms on Monday and Tuesday nights, and Friday afternoons.
These arrangements were organised so that they did not conflict with existing service commitments, particularly the WVS and Red Cross sewing circles at the town hall. Camden volunteers were requested to bring ‘a hank of string for practice’. The Camden press maintained in December 1941 that ‘anyone who possibl[y] can is urged to take this opportunity of rendering national service in a time of crisis’. The meeting also asked volunteers to fill out forms for the Women’s Voluntary National Register and to cooperate with local wardens of the National Emergency Services.
National Emergency Services
The Camden press maintained in December that the ‘National Emergency Services can provide a job for practically every woman’, and forms for the Women’s Voluntary National Register were obtainable from Nancy Freestone, the assistant secretary of the WVS, at the town hall library.
The Women’s Voluntary National Register was established in New South Wales in early 1939. It was part of a federal government scheme to determine how many women would be able to provide ‘manpower’ and national service, if required, when the nation went to war.
The most efficient means of doing this was to tap into the pre-existing network of women’s clubs and organizations, and call upon their membership to provide the information. Clubs that affiliated with the register would collect the details of (eligible) volunteers from within their membership base and forward that information to the central register. Women would then be classified according to the type of work available, and the type of work they were suited to do.
Women, according to the Australian Women’s Register, who weren’t members of an organization could still volunteer through the state council headquarters, but clearly, ‘outsourcing’ much of the work to the organizations was a cost and time efficient method of operation.
An affair at the CWA
From December 1941 the manufacture of netting in Camden turned into a CWA affair. Reports on netting production from the Camden centre were sent to the state CWA Handicrafts Committee in Sydney, which co-ordinated the state netting effort for the CWA and received all the completed nets from the Camden centre.
The central CWA netting centre co-ordinated all organisational details, issued instructions to branches on the packing, despatched nets to Sydney and acted as a clearinghouse for the Army, which supplied all the twine and collected all the finished nets.
The New South Wales CWA journal The Countrywoman in New South Wales reported that by January 1942 the handicraft committee was supplying 230 country branches and over 100 suburban circles with twine for making nets.
When compared to netting efforts in some other country towns Camden’s output was relatively small. Between February 1941 and February 1944 the Camden netting centre made 578 nets. Una Swan acted as netting secretary and roped all nets, while Mary Poole acted as demonstrator.
At Nowra netting centre, which was a joint effort between Nowra CWA and Red Cross, and made 1,320 nets in the 2½ years that their centre was operational from mid-1941 to December 1943. Camden netting centre was never able to sustain the same effort as Nowra.
To the end of 1942 the Nowra centre had made 875 nets, while Camden’s centre had manufactured 489 nets. While at the Quirindi CWA local women made 14 camouflage nets in one week in March 1942 and by the end of the war had sent away 565 nets. Most country towns had similar voluntary patriotic projects.
The Camden centre was kept abreast of statewide netting activity by the Countrywoman, which issued monthly tallies of nets supplied to the Sydney CWA depot by netting centres, as well as reporting other related, netting information.
Read more about the CWA and other conservative women’s organisations in wartime Camden @ UOW research