Camden · Entertainment · Farming · Heritage · Leisure · Local History · Tourism

Showtime in Camden

The annual festival of farming returns the to the Camden Show ground at the end of March again. The show has been the most important country festival in the district for over 100 years. In the early days it was a celebration of agricultural modernism, by the inter-war period it had matured into a permanent part of the local landscape. The Second World War and the poor state of show finances saw the show disappear for the duration of the conflict. It is now strong than ever and not to be missed on Friday 20 March and Saturday 21 March 2015.

Camden Show Ring 1986 Camden Images

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Camden Show Histories

There have been two histories produced of the Camden Show. The first was on the centenary of the show in 1986 and written by local identity Dick Nixon from the Camden Historical Society.

Cover Dick Nixon’s Camden Show History produced on the its centenary in 1986. (IWillis)

The second history of the Camden Show was written by Neville Clissold on the 125 anniversary of the show in 2011.

Cover of the 125 anniversary edition of the Camden Show written by Neville Clissold. (IWillis)

Camden Show 1890s

The early years of the Camden Show were big community events when everyone came to town.

Panorama of the Camden Show in the 1890s. One of the biggest changes in the grandstand on the opposite side of the show ring that burnt down in the early 20th century. A new grandstand was built on the left hand side of the ring in this image. The current show pavilion is on opposite side of the show ring. St John’s church is centre rear on the hill and there is an absence of trees that now mark this same view from behind the current sports club.(Camden Images)

Guess who you meet at the show, the Premier in 2014

It is amazing who you bump into at the Camden Show. Historical society volunteers John Wrigley OAM, Bettie Small PHF and Len Channell, with Peter Hayward in the background, greeted Premier of New South Wales, the Hon. Barry O’Farrell, the Member for Camden, Mr Chris Patterson, MP, and Camden Mayor,  Clr Lara Symkowiak. The dignitaries just walked into the pavilion to look at the arts and crafts put in by competitors and who should they meet but the enthusiastic members of the historical society. The encounter didn’t phase society members one bit and they just took it all in their stride. Usually volunteers just meet friends they have not seen since last years show and this was a real surprise. The historical society has been fortunate to be able to have a stall in the show pavilion for many years. It has been located in amongst the cakes, flowers, sewing, knitting and other rural crafts.  The stall sells the latest publications, takes new memberships and renewals and answers lots of local history questions.

Camden Show with the Camden Historical Society stall amongst the arts and crafts displays. Special guests Mr OFarrell Premier NSW and Member for Camden Mr C Patterson and Mayor L Symkowiak. Camden Historical Society John Wrigley OAM, Bettie Small  and Len Channell, with Peter Hayward  CHS 2014

Mud and Slush in 2014

The 2014 Camden Show featured mud and storms as a special event. It rained on Friday afternoon with a thunderstorm that arrived around 4.00 pm from the south-west. It caught many people unawares and created a mud bath in many parts of the showground. It dumped about 15 mm in about an hour. On Saturday morning show officials were out and about puting down woodchip over the worst patches and straw on other patches. Patrons who wore boots were well prepared to walk around in the mud. On Saturday there was a steady rain from about 4.00 pm with a short storm that came in over the Burragorang Valley and Southern Highlands, and provided drizzle around right through the fireworks.

Camden Show in 2014 on Saturday morning after a heavy shower of rain on Friday afternoon. (I Willis, 2014)

2014 Camden Show

The 2014 Camden Show was the usual lively affair and this map of the showground illustrates the range of events and activities.

2014 Camden Show Map (Camden Show Society)
2014 Camden Show schedule of events flyer (Camden Show Society)
2014 Camden Show programme schedule of events flyer (Camden Show Society)

Show Merchandise 2013

This is the price list for show merchandise in 2013. Did you buy your tie?

Merchandise available for sale at the 2013 Camden Show (Camden Show Society)

Miss Camden Showgirl

The Miss Showgirl competition is in many ways an anachronism from the past. It has survived for over 45 years under the onslaught of feminism, post-modernism, globalization and urbanisation. A worthy feat indeed.

The competition is still popular and the local press are always strong supporters. Show time, the show ball and Miss Showgirl are representative of notions around Camden’s rurality. People use the competition as a lens through which they can view the past, including the young women who enter it. In 2008 Showgirl Lauren Elkins ‘was keen’, she said, ‘to get into the thick of promoting the town and its rural heritage’. Camden people yearn for a past when the primary role of town was to service the surrounding farmers and their needs. Miss Showgirl is part of the invocation of rural nostalgia.

 Miss Camden Showgirl

1962 Helen Crace
1963 Helen Crace
1964 Sue Mason
1965 Barbara Duck
1966 Dawn Dowle
1967 Jenny Rock
1968 Heather Mills
1969 Michelle Chambers

1970 Joyce Boardman
1971 Anne Macarthur-Stanham
1972 Kerri Webb
1973 Anne Fahey
1974 Sue Faber
1975 Janelle Hore
1976 Jenny Barnaby
1977 Patsy Anne Daley
1978 Julie Wallace
1979 Sandra Olieric

1980 Fiona Wilson
1981 Louise Longley
1982 Melissa Clowes
1983 Illa Eagles
1984 Leanne Reily
1985 Rebecca Py
1986 Jenny Rawlinson

1987 Jayne Manns

1988 Monique Mate
1989 Linda Drinnan
1990 Tai Green
1991 Toni Leeman
1992 Susan Lees
1993 Belinda Bettington
1994 Miffy Haynes
1995 Danielle Halfpenny
1996 Jenianne Garvin
1997 Michelle Dries

1998 Belinda Holyoake
1999 Lyndall Reeves
2000 Katie Rogers
2001 Kristy Stewart
2002 Margaret Roser
2003 Sally Watson
2004 Danielle Haack
2005 Arna Daley
2006 Victoria Travers
2007 Sarah Myers
2008 Fiona Boardman
2009 Lauren Elkins
2010 Adrianna Mihajlovic
2011 Hilary Scott

2012 April Browne

2013 Isabel Head

2014 Jacinda Webster

Read more about Miss Showgirl in Camden and elsewhere in NSW
Read more about nostalgia for Camden’s rural past

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Camden · Colonial Camden · Heritage · Historical consciousness · history · Local History · Macarthur · Place making · sense of place · Uncategorized

The soul of a country town, St Johns Church, Camden

On the hill overlooking the Camden town centre is a church building that represents the historic, moral and emotional heart of community. It would not be an exaggeration to say that the church represents the soul of the town, which was built below it on the Nepean River floodplain in the mid-19th century.

St Johns Church Camden 2005 IWillis

Metaphor for the order and stability

The church is a metaphor for the order and stability that it represented on the wilds of the colonial frontier. It was at the centre of the original proposal for the English-style village of Camden in the 1830s along with a court house and a gaol.

 

For the Macarthurs of Camden Park estate the church was the centre of their moral and spiritual conservatism. The church, as part of similar early 19th English estate villages, represented stability and order that the Macarthur required of the new community on their estate. More than this the church was a central part of the landscape vistas of the village from Camden Park House.

James Macarthur Belgenny

James Macarthur view of the world

The church, according to Alan Atkinson, was representative of James Macarthur religious view of the world where faith emanated from the ‘joint initiative of all classes’. Macarthur maintained that ‘collective and mutual dependence’ was an essential part of the ‘Christian spirit’ that would  be a ‘symbol off for their reliance on each other’. [i]

 

The church cause was promoted by James and William Macarthur and appealed to neighbours and employees for a fund for the construction of the church. By 1835 the Macarthurs subscribed £500 of a total of £644 from estate workers and neighbours.

 

The building of the church coincided with Governor Bourke’s  Church Act of 1836 which offered a subsidy for the building of churches in the colony of New South Wales. The Macarthur applied for a subsidy of £1000 of the total cost of £2500.[ii]

St Johns Church Camden around 1900 (Camden Images)

The church was constructed by with local bricks and timbers and was consecrated in 1849. Hector Abrahams states that St Johns church:

In its architectural innovation and picturesque placement in a controlled landscape, it is among the most important parish churches in Australia.[iii]

Camden religious precinct

The church and its grounds are located in a religious precinct that includes the rectory and stables (1859), church hall (1906), and a cemetery. While the church was originally proposed in a ‘classical’ style it was eventually constructed in the Gothic Revival style which became popular in Sydney at the time. Sydney architect Hector Abrahams maintains that St Johns ,was the first Gothic Revival church in the colony of New South Wales’ when finished in 1844.

Gothic revival

Gothic revival looked back to the glory of the medieval period, in contrast to neo-classical styles which were popular at the time. To its supporters Gothic architecture was representative of true Christian values that were being destroyed by the Industrial Revolution. Gothic architecture was aligned with the conservatism of the Macarthurs rather than the republicanism of the French and American revolutionary wars and neoclassicism. Its popularity was partly driven in the colony of New South Wales by the re-building of the British Houses of Parliament in 1834 which evoked a romantic age.

St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

Camden’s Englishness

Over the subsequent decades St John’s church has become a representation of Camden’s Englishness. Probably the first reference to St John’s church and its Englishness was in the Anglican newspaper the Sydney Guardian when it stated

it’s graceful and really well proportioned spire presents a cheering object to the up country traveller, as it breaks the dull outline of bush hill carrying the mind back to scenes well remembered and deeply loved by all English hearted folk (Sydney Guardian quoted in Clive Lucas Stapleton & Partners, St. John’s Anglican Church Precinct Menangle Road, Camden Conservation Management Plan, 2004, Sydney, p.44)

In 1926 the church was in the forefront of the mind of Eldred Dyer who wrote in the Sydney Morning Herald that Camden was reminiscent of English parish church towns. He wrote that as he stepped out and walked around the town centre he lifted his:

 eyes to the old church as it stands in beauty on its hill, and In a flash you are transported to some old English church town. In a moment, if you have understanding, you and in a flash you are transported to some old English church town.[iv]

To a travel writer for the  Sydney Mail in 1926 the church was the dominant English-style landscape feature on a road trip through the area:.

the shapely and lofty steeple of its church raising itself above the copse of frees on the hilltop and giving the little township a quaintly European aspect.[v]

 

The church has become central to all representations of the Camden township from its inception, and what it means to be born and bred in the district. The church is the fundamental icon is the community’s sense of place and identity.

Vista of St Johns Church from the Nepean River Floodplain 1910 Postcard (Camden Images)

Church symbolism

The church symbolism is central in tourism literature, business promotions, stories of the town, its history and a host of other representations of the district.

The church continues to dominate the town centre skyline and the minds and hearts of all Camden folk. Here hoping that this continues for another century.

Notes

[i] Atkinson, Alan.  Camden / Alan Atkinson  Australian Scholarly Publishing North Melbourne, Vic  2008  http://www.loc.gov/catdir/toc/fy0904/2008431682.html  pp.30-32

[ii] Atkinson, Alan.  Camden / Alan Atkinson  Australian Scholarly Publishing North Melbourne, Vic  2008  http://www.loc.gov/catdir/toc/fy0904/2008431682.html  pp.30-32

[iii] Hector Abrahams, Christian church architecture, Dictionary of Sydney, 2010, http://dictionaryofsydney.org/entry/christian_church_architecture, viewed 16 March 2017

[iv] Sydney Morning Herald (NSW : 1842 – 1954), Saturday 28 August 1926, page 9

[v] Sydney Mail (NSW : 1912 – 1938), Wednesday 11 August 1926, page 46

Attachment to place · Colonialism · Edwardian · Entertainment · Heritage · Leisure · Memorials · Monuments · Parks · Place making · sense of place · Tourism · Uncategorized · Victorian

A space of memories and monuments

The CHN blogger was recently out and about and re-discovered a lovely urban space in central Goulburn on the New South Wales southern tablelands. Known as Belmore Park since the mid-19th century the park has a formal symmetrical layout. This is typical of many 19th century Victorian urban parks with paths crossing it on the diagonal for promenading and adding to the balance of the space. The park is abutted by lovingly conserved 19th century architecture and the Victorian designed railway station which all add to the ambience of the precinct in the town’s heritage centre.

Pleasant view across the picturesque Belmore Park Goulburn on a Sunday morning in March 2017 (IWillis)

The origin of urban parks has been traced to a number of sources. At its simplest is was an open space that became the  village green or they were grassed fields and stadia in Greek cities, or they were an open area with a grove of sacred trees. By the medieval period they were open grassed areas within or adjacent to a village where the lord allowed the common villagers to graze their animals. Some were royal hunting parks that date from ancient days  where the king walled off a section of forest to keep out poachers. From the 18th century French and British noblemen were aided by landscape designers like Capability Brown to design private parks and pleasure grounds. The Italians had their piazza, which was usually paved. In the UK the establishment of Birkenhead Park in 1843, Central Park in New York in the mid 1850s, Philadelphia’s urban park system in the 1860s and Sydney’s Governors’ Domain and Hyde Park all had an influence.

Market Square

Belmore Park was Goulburn’s Market Square from the 1830s, and renamed Belmore Square in 1869 in honor of the visit of Lord and Lady Belmore on the opening of the railway at Goulburn, and a picket fence was built around the square. In the early twentieth century it was the site of a small zoo, perhaps reflecting the zoo in the Sydney Botanic Gardens or the Botanic Gardens in Hobart, which was part of the notion of creating a ‘pleasure ground’. Belmore Square was re-dedicated as the Belmore Botanic Gardens in 1899. During the 20th century  the park became a landscape of monuments and memorials, similar to Hyde Park in Sydney, and other urban parks around Australia.

View of a rare Boer War Memorial to Goulburn veterans from the South African War. The monument was erected in 1904 and unveiled by the mayor WR Costley. It is one a handful of war memorials to the Boer War in Australia. 2017 (IWillis)

A landscape of monuments and memorials

Boer War Memorial in Belmore Park Goulburn. The memorial consists of three sections: a wide base of three Bundanoon sandstone steps; a square die with the dedication and inscriptions on marble plaques flanked by corner pilasters with ionic capitals; and a statue of a mounted trooper with rifle and bandolier built of Carrara marble and carved in Italy. 2017 (IWillis)
The band rotunda was built in 1897 to commemorate the reign of Queen Victoria. Band rotundas were a common park furniture in many urban parks throughout Australia. Banding was a popular pastime in the late 19th century and all self-respecting communities had a town band. Goulburn had a host of bands from the 1860s and the the Goulburn Model Brass Band performed in Belmore Park in 1891. The Goulburn City Band was formed in 1870 and was still performing in the First World War. This rotunda is High Victorian and designed by Goulburn architect EC Manfred. (Image 2017 IWillis)
This is the Knowlman Monument to commemorate Goulburn Mayor J Knowlman in 1910. He was mayor from 1899 to 1900. The column typifies uprightness, honour, eternity and rest. (Images 2017 IWillis)
This is a view of the Hollis Fountain erected in 1899 to Dr LT Hollis who was the MLA for Goulburn from 1891 to 1898. It is a highly decorative Victorian style concrete fountain that duplicates a similar fountain in St Leonards Park North Sydney that celebrates the Queen Victoria’s Diamond Jubilee (60th year of reign). Designed by FW Grant of Sydney firm Grant and Cocks. (Image 2017 IWillis)
Colonialism · Convicts · Cowpastures · Elderslie · Heritage · history · Settler colonialism · Uncategorized

Convicts in the Cowpastures, an untold story

 

The story of European settlement in the Cowpastures is intimately connected to the story of the convicts and their masters. This story has not been told and there is little understanding of the role of the convicts in the Cowpastures district before 1840.  Who were they? What did they do? Did they stay in the district?

View near Woolwich in Kent shewing [sic] the employment of the convicts from the hulks, c. 1800 (State Library of NSW)
View near Woolwich in Kent shewing [sic] the employment of the convicts from the hulks, c. 1800 (State Library of NSW)

Part of a global story

The convicts were a form of forced labour, with a global history that goes back to Roman times. Amongst those who were landed were human souls who were part of the dark story of banishment and exile. The story of convicts and banishment is an integral part of the European colonialism from the 16th century and the rise of labour camps. The story parallels that of slavery. Convicts came to New South Wales after the British lost the American colonies in the revolutionary wars in the 1780s.

Convicts in the Australian colonies

The convicts that ended up the in Cowpastures district were part of the 160,000 who were transported to the Australian colonies from England, Wales, Ireland and the British colonies. Convicts were usually employed in a number of ways by the colonial authorities: assignment; government work gangs; Tickets of Leave; Conditional Pardon; and an Absolute Pardon with complete freedom to do as they wished including returning to Britain.

Generally speaking most convict women could be classified as domestic servants, while male convicts had a host of skills with town trades dominating over rural workers.  The literacy rates and skills of convicts were the same or better than the English and Irish working classes.

Map of Cowpastures SMH 13 August 1932
Map of Cowpastures SMH 13 August 1932

The Cowpastures district

The Cowpastures district was an ill-defined area that included Governor Hunter’s government reserve from 1795.   The reserve covered an area that generally south of the Nepean River between Stonequarry Creek (Picton), The Oaks and Menangle to the east. By 1840 the Cowpastures district had become a general locality name that extended north of the Nepean River to include Narellan and Bringelly.

View upon the Nepean River, at the Cow Pastures New South Wales 1824-1825 Joseph Lycett
View upon the Nepean River, at the Cow Pastures New South Wales 1824-1825 Joseph Lycett

Stories of Convicts

The best short reference of the convicts in the Cowpastures is Ken Williams’ 1824 Cawdor Bench of Magistrates Population, Land and Stock Book (2011), where he lists the names and masters. Williams indicates that in the Cowpasture in 1824 there were 430 convicts and of them 15 were women, who were listed as domestic servants.[1]  Elizabeth Villy indicates that the stock books indicates 29 landholders, who were mostly absentee landlords.[2]

The best account to date of the activities of the convicts in the Cowpastures is Elizabeth Villy’s The Old Razorback Road (2011). She states that in the 1820s in the last days of the Cowpastures Government Reserve there were around 550 convicts assigned to settlers including around 100 at Camden Park estate. These men were employed as shepherds and labourers, who were clearing land, and preparing ground for ploughing and growing pasture.[3]

Convicts and civil works in the Cowpastures

The Great South Road was one of the major civil engineering projects in the Cowpastures district that employed convicts. A major bridge (Cowpasture Bridge) was constructed by convicts across the Nepean River mid-way between the river crossings at the Home Farm at Belgenny and  the Hassalls at Macquarie Grove.  Villy details how the bridge was built by a team of convicts between 1824 and 1826. The construction was supervised by convict Samuel Wainwright, a Cheshire carpenter, who arrived on the Neptune in 1818. Villy lists 24 convicts who worked on the bridge construction between 1827 and 1829.[4]

The other major project was The Great South Road itself and in the Cowpastures section Villy estimates that around 400 men worked on the road. Her research indicates that they left no surviving records and many just ‘melted into society at the conclusion of their sentences’ (p.67).  The ethnography of the convicts up to 1828 were mainly English, with smaller numbers of Welsh and Scots. From this time as more Irish were sent out the ratio English to Irish was around half and half. If the convicts misbehaved they were punished by whipping and the Cawdor Bench imposed punishments up to 50 lashes. Mostly they involved insolence, absconding, drunkenness and laziness. On the Camden-Stonequarry road section there were no portable stockades or vans. Villy provides interesting accounts of the activities of individual convicts, their punishments and the convict lifestyle of the road gangs. [5]

John Hawdon Australian Town and Country Journal (Sydney, NSW : 1870 - 1907), Saturday 18 January 1879, page 17
John Hawdon Australian Town and Country Journal (Sydney, NSW : 1870 – 1907), Saturday 18 January 1879, page 17

Elderslie

Convicts were part of the John Oxley’s Elderslie enterprise and when John Hawdon leased it in 1828 off Francis Irvine he was impressed the range of trades amongst the 30 ‘government men’ who worked on Elderslie. He was not deterred by dark Gothic notions of the penal settlement and expressed his frustration with the attitude of his countrymen in a letter home.[6] Hawdon felt that the dark stories and fear about the colony were over-rated. He wrote:

‘I am aware of the feeling you all have at home about us having so many convicts around us. Your fears, I can assure you are most unfounded’.[7]

Elderslie according to Alan Atkinson supported 9 convicts when Oxley sold the grant to Francis Irvine in 1827.[8] At Macquarie Grove under Samual Hassall there were 30 convicts with 3 families of children.[9]

Denbigh

Reverend Thomas Hassall who purchased Denbigh in 1826 on the death of Charles Hook had 20 convicts, according to his son James Hassall in his In Old Australia, Records and Reminiscences from 1794. The worked from six in the morning in summer and from eight in winter until sundown. The convicts were managed by a Scottish overseer and they carried out the farming activities on the property. The rations included tea, sugar, meat, flour or when which they ground for themselves on a small steel mill.[10]

Denbigh Homestead Open Day 2015 IWillis
Denbigh Homestead Open Day 2015 IWillis

Kirkham

At the time of the 1828 Census at ‘Kirkham’, which had 54 people including 44 convicts. (SRNSW NRS 1273 1828 Census).

Birling

Birling’ was a 1000 acre granted to Robert Lowe in 1812. According to the 1814 muster, Robert Lowe employed seven assigned convicts which had increased to 21 by the 1822 muster, while by 1828 this had dropped to 12 convicts.(SRNSW)

The Cowpastures Convict and Settler Database

A number of members of the Camden Historical Society drew together a database of names of convicts and settlers in the Cowpastures in the early part of the 19th century in the 1990s. The data was  drawn from a variety of sources including convict musters. On extracting the names of convicts the following information is now available for a number of gentry properties in the Cowpastures District prior to 1840 and include: Brownlow Hill  – 44 convicts between 1823 and 1828. In 1823 there were 11 convicts assigned to Peter Murdoch who had the Glendaural grant, which later became part of Brownlow Hill; Denbigh – 8 convicts in 1828; Kirkham – 103 convicts between 1814 and 1830 with a mix of skill including ploughman, shepherds, millers, and general labourers; Macquarie Grove – 28 convicts in 1828 with skills including ploughman, wheelwright, labourer and house servants; Matavai (Cobbitty) – 14 convicts in 1828 who included blacksmith, sawyer, labourers and house servants; Wivenhoe – 6 convicts in 1828 who included a cooper and shoemaker. The database is located at the Camden Museum.

Notes

[1] Ken Williams, 1824 Cawdor Bench of Magistrates Population, Land and Stock Book, A Biographical Register of the Inhabitants residing in the Cowpastures, Picton & District Historical and Family History Society, Picton, 2011.

[2] Elizabeth Villy, The Old Razorback Road, Life on the Great South Road between Camden and Picton 1830-1930, Rosenberg, Dural, 2011. p. 35.

[3] Villy, The Old Razorback Road, pp. 34-35.

[4] Villy, The Old Razorback Road.pp. 62-65

[5] Villy, The Old Razorback Road.pp. 66-90.

[6] The Sydney Morning Herald, Saturday 26 October 1929, p 13.

[7] The Sydney Morning Herald, Saturday 26 October 1929, p 13.

[8] Alan Atkinson, Camden, Farm and Village Life in Early New South Wales, OUP, Melb, 1988, p.20. Peter Mylrea, Camden District, A History to the 1840s, Camden Historical Society, 2002, p.34.

[9]  Atkinson, Camden,  p.20

[10] James S Hassall, In Old Australia Records and Reminiscences from 1794, RS Hews,  Brisbane, 1902 (BiblioBazaar, 2015), pp. 4-5