Anzac · Attachment to place · Community Health · community identity · Cultural Heritage · First World War · Heritage · Historical consciousness · history · Local History · Macarthur · Medical history · Menangle Army Camp · Modernism · myths · Narellan Military Camp · Philanthropy · Place making · Red Cross · Ruralism · Second World War · sense of place · Volunteering · Volunteerism · war · War at home · Women's Writing

1918 Australia Day

By 1918 the war had been dragging on into its fourth year. Soldier casualties were large and still growing.  Patriotic fundraising was a major focus for those at home and the Australia Day fundraisers had been important since their establishment in 1915.

 

The first Australia Day was held in 1915 on the 30 July as a fundraising for the Gallipoli casualties as they returned to Australia. January 26 was known as ‘Anniversary Day’, ‘Foundation Day’ and ‘Regatta Day’. Australia Day was not fixed on January 26 until 1935 when there was agreement of all states and territories and the imminent approach of the 1938 Sesquicentennial celebrations.

Australia Day in 1918 in Camden

In early 1918 Camden Red Cross workers supported the national Australia Day appeal, which aimed ‘to relieve the sufferings of Australia’s men who are suffering that Australia shall be free’. (Camden News 18 April 1918) Camden mayor George Furner called a public meeting on 23 March at a not so well attended meeting of the Camden Red Cross sewing circle. An organising committee was formed of the Camden Red Cross and  council officers. The fundraising activities were to include the sale of badges and buttons, a Red Cross drive, a public subscription, a prayer service, a lecture and a door-knock of the town area.

Red Cross Australia Day 1918 fundraising emu Pinterest
A Red Cross button sold on Australia Day in 1918 for patriotic fundraising for the Australian troops. This button was to raise funds for the Strathalbyn Red Cross branch in 1918. Every little town and village across Australia sold buttons for the same wartime appeal. (Pinterest)

 

The Australian Day activities started with the united prayer service (2 April) held at the Forester’s Hall in Camden run by the Protestant clergy. It started at 11.30am with Rev. Canon Allnutt from St Paul’s church at Cobbitty, Rev CJ King from St John’s church in Camden and Rev GC Percival from the Camden Methodist Church. All businesses in Camden were shut for the duration of the service and there was ‘an attentive and earnest gathering both town and country’. (Camden News, 4 April 1918)

 

A public lecture was presented by Senior Chaplain Colonel James Green (8 April) held at the Foresters’ Hall on his experiences on the Somme battlefield in France.  The Red Cross ‘drive’ started the same week (9 April) and resulted in the sale of Red Cross badges to the value of £54 with only 200 left to be sold before the market day (23 April).

 

A Red Cross market day was held on 30 April and the Camden press maintained that ‘with so many gallant sons in the battlefields; her women folk have since the very outbreak of war have nobly done their part of war work’.  Flags and bunting were draped around the bank corner and were supplemented with Allies’ flags and lines of Union Jacks in the ‘finest’ local display and music was provided by the Camden District Band. The displays were opened by Enid Macarthur Onslow and in her words touched a ‘solemn’ note when she spoke of the ‘sacrifices mothers and women’ towards the war effort and the responsibilities of those who stayed at home. The whole event was a huge success and raised £225, which made a cumulative total of £643 in the appeal to that point.

Red Cross Australia Day 1918 fundraising Vickers Machine Gun Pinterest
A button that was sold on Australia Day 1918 as a patriotic fundraising effort the Australian Red Cross. This button shows an Australian soldier with a Vickers Machine Gun ready for action. (Pinterest)

 

The Camden Red Cross branch then conducted a raffle, with first prize being an Australian Flag autographed by Earl Kitchener. The Camden press maintained

that if you haven’t got a ticket in the Kitchener Flag yet you will have one by the end of May unless you hide from the Red Cross ladies in town. They want to sell a lot and they are not going to let you go until they have extracted a two shilling piece from you. (Camden News, 9 May 1918)

And the reporter was not exaggerating. The total effort of the Camden Red Cross for the Australia Day appeal came to £748, which also included donations from Sibella Macarthur Onslow of £100, Mrs WH Faithfull Anderson of £25 and £100 from the Camden Red Cross. (Camden News, April and May 1918) [In todays worth that is about $100,000 from a population of around 1700]

Australia Day at Menangle and Narellan

The Menangle Red Cross decided that ‘a big effort’ was needed and a garden fete (18 May) was organised by Helen Macarthur Onslow, Enid’s daughter, at her home Gilbulla. The fete was opened in front of a large crowd by the wife of the New South Wales Governor, Lady Margaret Davidson. The New South Wales governor, Sir Walter Davidson, presented two engraved watches to two local returned soldiers. The fete raised a total of £85 and the total Menangle Red Cross collections were well over £100.

 

The Narellan Red Cross put on a concert at the Narellan Parish Hall (27 April) and tickets were 2/- and 1/- and raised £51. Together the sale of Red Cross Drive Badges and donations the branch  raised £80. Out at the Douglas Park Red Cross the branch ran a social and raised £22. (Camden News, April and May 1918)

 

Learn more 

Learn more about local Red Cross activities during the First World War.

Cover[3]
The story of the Camden District Red Cross  from 1914 to 1945 is told in this book published by the Camden Historical Society. It tells the story of Red Cross branches at Camden, Menangle, The Oaks, Bringelly, Mount Hunter, Oakdale and the Burragorang Valley.
Advertisements
Anzac · Attachment to place · Australia · Camden · Country Women's Association · Cultural Heritage · Cultural icon · CWA · Heritage · Historical consciousness · Historical thinking · history · Local History · Place making · Red Cross · Second World War · sense of place · Volunteering · Volunteerism · war · War at home

CWA Camouflage Netting Volunteers

Stories of netting volunteers

A Camden netting volunteer, Elaine, remembered volunteering for duty at the Camden netting centre when she was 15 years old. She recalled that the netting effort was organised and supervised by Rita Tucker. She stated that she had left school and attended the centre on a weekly basis with a group of friends.

Elaine maintained that Camden men ‘were away and we were doing our bit’ for the war effort. She stated that Camden women ‘all had to do something to help our boys’ and they took up netting as part of their civic and patriotic duty. Elaine reported that, for her, netting was not hard work and she enjoyed going with her friends. She maintained that they worked ‘long hours’ and ‘didn’t really worry about it’.

 

CamNetMaking_AWM007671
Australian women making camouflage nets during the Second World War. These volunteering efforts greatly assisted the war effort. (AWM007671) cc

 

Another net making volunteer, Ida, recalls that netting was ‘hard work’, but ‘she went with her friends, and it was her bit for the war effort’. She helped at a netting circle located above a shop in Campsie, attending on a Wednesday nights after work, but could not recall who organised it.

Ida maintains that at around eighteen years of age, ‘there was not much else to do’ and all the boys ‘were either too old or too young’. Another netter, Kerry worked during the day as a clerk and attended the Nowra netting centre after work at the age of eighteen. The Nowra centre was located above a shop in the main street and she considered that netting was her ‘patriotic duty’.

Another Nowra netter, Grace, lived at home on a dairy farm. In 1942, when she was seventeen years old, she went with a friend to the Nowra netting centre for ‘a couple of hours’ a week on a Tuesday afternoon. She would catch the train from Berry to Nowra, attend classes at Nowra Technical College, then attend netting where there would be between ’10-15 other women’.

Grace recalls that as the netters had ‘to be careful making [the] knots’, she found them ‘hard and difficult to make… as they had to be stable and couldn’t move’. In hindsight, she ‘didn’t think [that she] ever got very proficient at it’, but she still went along ‘to help the war effort, for company and a chat’. Rita, a volunteer at the Armidale Teacher’s College netting centre in 1941, maintained that ‘we were expected to do our bit for the war effort – it all helped’.

Netting Centres at Campbelltown and Narellan

The Camden CWA camouflage netting centre was assisted by sub-branches at Campbelltown and Narellan, which were established after the joint CWA-WVS meeting in December 1941. These sub-branches provided a small but steady stream of nets to add to the Camden effort. By February 1942 the Campbelltown News reported that the ‘sub-centres’ were providing ’24 nets a month’ to the ‘urgent’ appeals from the military authorities for nets.

In June 1942 Mrs Una Swan reported that thirty-four nets had been sent from Campbelltown, and Narellan was working well. By late 1942 ‘Campbelltown was [still] keeping our end up’ according to Mrs Swan, and in March 1943 supplied sixteen nets. The Narellan netting effort was under the leadership of Eliza Byrne, who was the wife of the local publican at Narellan, and president of the Narellan Red Cross.

Camden was the largest netting centre in the area, and the only CWA branch, and following directives from the CWA Handicrafts Committee, distributed netting twine to the smaller netting centres at Campbelltown, Narellan and Buxton.

Net making finishes

The enthusiasm in Camden for netting waned and in 1943 the output was ‘negligible’ according to Tucker, but Swan made ‘herself responsible to complete all unfinished nets by the end of the year’. The winding down of netting activity started in September 1943 and Dorothy Inglis of the State Handicrafts Committee advised branches ‘to complete all on hand as quickly as possible’.

Mrs Swan reported at the October CWA meeting that ‘no official word had been received to cease making nets’. In October, Francis Forde, the Minister for the Army announced the end of net making, which sent ‘shock waves’ throughout the CWA. The Camden netting centre eventually closed in February 1944, after operating for over two and half years, with Una Swan finishing the last of the nets.

With the cessation of netting the New South Wales CWA Handicrafts Committee looked for alternative ways to hold the netting groups together. The Army requested that the New South Wales CWA branches assist in the re-conditioning of Army clothing. In November 1943 the Camden CWA received a request from the Army at Liverpool and the women considered the request at their December meeting.

By the end of 1943 no arrangements for sewing had been made with the Liverpool Army Camp authorities, although the women expected to make a start early in 1944. Camden CWA president Rita Tucker felt that the ‘matter… must be discussed thoroughly at a branch meeting, when it will be seen if it is possible to rise to the occasion’.

In the end the Camden CWA did not proceed with the project. According to the New South Wales Women’s Voluntary Services reconditioning military clothing ‘did not attract the same enthusiasm’ as making camouflage nets.

By 1944 women who undertook wartime volunteering started looking ahead to the time after the war when their communities would need their time and effort.

Learn more

CWA and other conservative women’s organisations in wartime Camden @ UOW research

 

Aesthetics · Architecture · Attachment to place · Camden · community identity · Cultural Heritage · Cultural icon · Elderslie · Heritage · Historical consciousness · history · Landscape aesthetics · Local History · Modernism · Place making · sense of place · Urban growth · urban sprawl · Urbanism

Mid-20th Century Modernism in Elderslie

Modernism was a transnational force that embraced the Camden community.

The lands releases in the Camden suburb of Elderslie in 1960s have produced a number of houses that have expressed mid-20th century modernism. The house designs were taken from the book of project homes of the day and were quite progressive.

Elderslie 64 Macarthur Road 2010 IWillis
The Hennings house built at the beginning of the 1960s by a local businesman at 64 Macarthur Road. It occupied a prominent position and was influenced by the American West Coast Ranch style of housing. The house was demolished in 2011. (I Willis, 2010)

 

Australian architects including Robin Boyd were expressing Australian modernism. These architects were commissioned by housing developers like Lend Lease to design their housing estates.  One such development was the Lend Lease Appletree Estate at Glen Waverley in Melbourne. Another Lend Lease land release and group of show homes were at their 1962 Kingsdene Estate in Carlingford,

The Elderslie homes were built by the miners who worked in the Burragorang Valley and they wanted new modern houses. They generated the wealth that funded the urban growth of the  Camden suburbs of Elderslie and South Camden.

Elderslie was one of the original land grants to John Oxley in 1816. The area has been dominated by farming, particularly orchards and vineyards.

Elderslie examples of 1960s modernism include houses in Luker Street characterised by low-pitched rooves, open planned but restrained design, with lots of natural light streaming in full length glass panels adjacent to natural timbers and stone. There are also ranch style houses in River Road with open planning and wide frontages to the street, some architect designed.

Wrought iron work, Elderslie NSW 1960s (I Willis)
House in Macarthur Road Elderslie showing wrought iron work popular in the 1960s. A number of houses were built in this style based on the mining boom from the Burragorang Valley coal mines. (I Willis, 2010)

 

These houses are all located in and amongst Federations style farming houses of the Edwardian period. The Federation style houses were on large blocks of land that were sub-divided during the 1960s.

The now demolished Henning’s house in Macarthur Road (image) is an example of open planned ranch style. Other modernist designs are the blocks of flats in Purcell Street, with use of decorative wrought iron railings.

Sunset Avenue in Elderslie was a new land release with a mix of 1960s modern low-pitched roof open planned houses interspersed with New South Wales Housing Commission fibro construction homes.

Other land releases of the 1960s were the New South Wales Housing Commission 1960s fibro houses some of which are located in Burrawong Road and Somerset Street.

Elderslie Fibro Cottages
Modern fibro cottages in Burrawong Crescent Elderslie built around the 1960s. (I Willis, 2005)
Aesthetics · Art · Attachment to place · British colonialism · Camden · Camden Museum · Colonial Camden · Colonialism · community identity · Cowpastures · Edwardian · England · Farming · Historical consciousness · Historical Research · Historical thinking · history · Interwar · Landscape aesthetics · Local History · Macarthur · Modernism · Monuments · NSW History K-10 Syllabus · Place making · Ruralism · Schools · sense of place · Settler colonialism · Tourism · Urbanism · Victorian

The Cowpastures, GLAM and schools

Young visitors to the Camden Museum love the model of the HMS Sirius, in the ground floor display area. HMS Sirius was the flagship of the First Fleet in 1788 under its commanding officer Captain John Hunter. He was later promoted to NSW Governor and in 1795 he visited the local area in search of the wild cattle and named the area the Cow Pastures Plains.

Camden Museum Macarthur Anglican School Visit7 Sirius 2018Apr
School visit by Macarthur Anglican Students viewing the HMS Sirius model 2018 (MAS)

 

The story of the Cowpastures is one of the many told in the displays at the volunteer-run Camden Museum and the Wollondilly Heritage Centre, all part of the Macarthur region’s GLAM sector.

So what is the GLAM sector? For the uninitiated it is Galleries, Libraries, Archives and Museums. The acronym GLAM appeared at the 2003 annual conference of the Australian Society of Archivists.

Organisations that make up the GLAM sector are cultural institutions which have access to knowledge as their main purpose and care for collections of any kind.

One of the key roles of GLAM sector organisations is to allow their visitors to learn things, in both formal (aka classroom) and informal settings. For the visitor this can come in a vast array of experiences, contexts and situations.

The Macarthur region has a number of galleries, museums and libraries. They are mostly small organisations, some with paid staff, others volunteer-run.

 

The local GLAM scene

There is the volunteer-run Camden Museum a social history museum. While out at The Oaks is the pioneer village setting of the Wollondilly Heritage Centre and at Campbelltown the Glenalvon house museum.

camden-library museum
Camden Library Museum in John Street Camden 2016 (I Willis)

 

Local council galleries and libraries have the advantage of paid staff. The Alan Baker Art Gallery is located in the Camden historic town house Macaria. At Campbelltown there is the innovative Campbelltown Arts Centre and its futuristic styling.

The local council libraries and their collections fulfil a number of roles and provide a range of services to their communities.

On a larger scale the state government-run historic Belgenny Farm is Australia’s oldest intact set of colonial farm buildings in the Cowpastures established by John and Elizabeth Macarthur.  A number of other colonial properties are also available for inspection.

 

Doing more with less

Doing more with less is the mantra of volunteer-run organisations. They all have collections of objects, artefacts, archives, paintings, books and other things. Collections of knowledge.

Collections are generally static and a bit stiff. There is a distance between the visitor and the collection. Visitor immersion in these knowledge collections is generally through storytelling of one sort or another.

Camden Museum Macarthur Anglican School Visit6 2018Apr
Story telling by a volunteer at the Camden Museum for a school visit by Macarthur Anglican School (MAS, 2018)

 

The more dynamic the immersion the more memorable the visitor experience. An immersive experience will be informative, exciting and enjoyable.

This is certainly the aim of school visits. Teachers aim to immerse their school students in these collections in a variety of ways through storytelling. Hopefully making the student visit educational, memorable and enjoyable.

 

The learning framework

Local schools connect with local stories through the New South Wales History K-10 Syllabus. A rather formal bureaucratic beast with complex concepts and contexts. Local schools vary in their approach to the units of work within the syllabus.

 

NSW History K-10 Syllabus

Topics

Early Stage 1      Personal and Family Historians

Stage 1                The Past in the Present.

Stage 2                 Australian History: Community and Remembrance. First Contacts.

Stage 3                 Australian History: Colonial and National.

Stage 4                 World History: Ancient, Medieval and Modern.

Stage 5                 Global History: The Modern World and Australia.

 

Field trip

One of the types of engagement recommended by the History Syllabus are field trips through site studies. These can come in all shapes and sizes.

One type of field trip can include taking in local museums and galleries.

Camden Museum Macarthur Anglican School Visit2 2018Apr
School visit by Macarthur Anglican School students outside the Camden Library being told story by a museum volunteer (MAS, 2018)

 

One approach

Stage 2 History -Topic: From Colonisation to Now

Mrs Kathryn Pesic from Macarthur Anglican School visited the Camden Museum with her Year 4 students.

Mrs Pesic said, ‘The students visit was integral in engaging the students and directing them to an area of interest’.

The school teachers posed a number of Key Inquiry Questions throughout the unit of work.  The museum visit, according to Mrs Pesic, was the final part of the unit that started with a broad study of Sydney and narrowed to Camden. The students then had a ‘project’ to complete back at school.

Mrs Pesic reported that the teachers felt that they ‘had achieved the outcomes that they had set for their museum visit’.

 

 

Another approach

Another local school Stage 2 group recently visited the museum, the gallery and had a walk around the Camden town centre. They too addressed the same unit of work from the History Syllabus.

Camden Macaria Gallery MawarraPS Visit 2018April11 lowres
A school visit to the Alan Baker Art Gallery being told a story by the gallery curator (ABAG, 2018)

 

Storytelling – the past in the present

The integration of local studies and inquiry-based learning by school students calls for imagination and creativity. What results is an opportunity to tell the Camden story through a narrative that gives a perspective on the past in the present.

There have been generations of story tellers in the Cowpastures and Camden district since the Dreamtime. Young people can have meaningful engagement with these folk through local GLAM organisations, ‘that cannot always be obtained in the classroom’, says Mrs Pesic.

 

The cows and more. So what do they offer?

All this activity takes place in the former Cowpastures named by Governor Hunter in 1795. This country was formerly Benkennie of the Dharawal people. The Cowpastures is one of Australia’s most important colonial sites.

Under European dispossession the Cowpastures became part of the Macarthur family’s Camden Park Estate from which the family carved out the private township of Camden with streets named after its founders – Macarthur, Elizabeth, John, Edward.

Camden John St (1)
St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

 

The English-style Camden town centre has evolved and illustrates a number of historical architectural styles since 1840 – Victorian, Edwardian, Inter-war, Mid-20th century Modernism.

The Camden district (1840-1973) tells stories of hope and loss around farming and mining in the hamlets and villages across the region. New arrivals hoped for new beginnings in a settler society while the loss of the Burragorang Valley, the Camden Railway and a landscape aesthetic created sorrow for some.

Map Camden District[1]
The extent of the Camden District in 1939 showing the township of Camden in the eastern part of the district (I Willis, 1996)

The Macarthur region (1973 +) named after the famous family and the infamous Macarthur growth centre. The area is on Sydney’s rural-urban fringe and made up of Camden, Campbelltown and Wollondilly Local Government Areas.

 

The more things change the more they stay the same

The Cowpastures and Camden districts, now the Macarthur region, are some of the fastest changing landscapes in Australia. There is a need by the community to understand how the past created the present and today’s urban growth.

Camden Aerial View 1990s CIPP
The AEH Group is using images like this to promote their development at Camden Central. This images was taken in the early 1990s by PMylrea and shows the town with Argyle Street to the right of the image. St John’s Anglican Church is in the left of the image. The old Camden High site is to right of the town centre. This image clearly shows how the town centre is surrounded by the Nepean River floodplain. (CIPP)

 

There is a need for creative and innovative solutions and ways to deliver the Camden and Macarthur stories. These are only limited by our imagination.

 

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
Aesthetics · Attachment to place · Camden · Camden Museum · Colonial Camden · Colonialism · Cowpastures · Entertainment · Heritage · Historical consciousness · Historical Research · history · Leisure · Local History · Macarthur · Place making · sense of place · Settler colonialism · Tourism · Trust

GLAM, trusted sources and the local museum

In these days of fake news and social media hype people have lost trust in many public institutions. Social media is king and the prominence of news can be driven by clicks and algorithms.

 

Trust is difficult concept to define and measure. It is a fragile belief that people and institutions can be relied upon to be ethical and responsible. Trust is critical in the effective functioning of a democracy.

 

It is more important than ever that there are sources that are trustworthy and produce credible evidence-based information, particularly around scientific and cultural issues.

 

Dr. David J. Skorton is the 13th Secretary of the Smithsonian Institute in Washington DC states in reference to recent controversies:

More and more, the trustworthiness of information is based on the perceived trustworthiness of the source. Libraries and museums are considered honest purveyors of information and places for conversation on issues of local and national significance. Today’s museums are dynamic learning hubs, using the power of art and artifacts to engage, teach and inspire. Museums touch lives and transform the way people see the world and each other.

One group of trusted institutions are museums, galleries and libraries, and within these are local community and folk museums, pioneer villages and house museums. They are genuinely authentic.

camden-library museum
Camden Library Museum in John Street Camden. The Camden Museum is a volunteer-run local social history museum that tells the story of the Cowpastures and Camden Districts. It has a significant collection of local artefacts and objects, archives and image collection. (I Willis, 2016)

 

 The landscape of local museums is one of the characteristics of rural and regional Australia. These local museums are managed and conducted by a host of local community organisations.  According to the National Museum of Australia there are over 1,000 local and provincial museums across Australia.

 

Local museums tell local truths and are trusted sources of local stories and histories.  Local museums are stores of memory that are built on nostalgia and contribute to well-being of the community. They are sites of volunteerism and strengthening of community. They promote local tourism, local employment, skill enhancement and training opportunities for local people.

Aust Day 2018 Museum Open Frances&Harry
Two local sages on Australia Day 2018 at the Camden Museum. Frances and Harry are two larger than life local characters who are well known local identities. They have spent their life devoted to their community. They have a vast trove of local stories and knowledge that they willing share with others. (I Willis)

 

Centred on local history local museums are not fake. They are are honest and straightforward. What you see is what you get.

 

 The local museum tells local stories about local identities and local events, and are driven by local patriotism, parochialism and localism. They celebrate local traditions, myths and commemorations.

 

The local museum can vary from world class to cringingly kitsch, from antiquarian and to professional.  Individuals create them from ‘mad ambition’ and shear enthusiasm.

 

For all their foibles they can build trust within a community. The local museum can help to build resilience through strengthening community identity and a sense of place. Local museums are a trusted local institutions, contribute to a dynamic democracy and active citizenship.

 

This post was originally published on the ISAA blog.

Architecture · Attachment to place · Camden · camden council · community identity · Heritage · Historical consciousness · Historical Research · Historical thinking · history · Local History · Memorials · Monuments · Place making · Ruralism · sense of place · Sydney's rural-urban fringe · Tourism · Town planning · Urban growth · Urban Planning · Victorian

Address to Camden Council supporting a motion for a heritage protection sub-committee

In October 2016 historian and author Dr Ian Willis addressed a Council Council general meeting. He spoke in support of a motion proposed by Councillor Cagney for the formation of a heritage protection sub-committee.

Camden Macaria CHS1571
An exterior view of Macaria in the 1980s during the occupancy of Camden Council. During the 1970s the Camden Council Library Service occupied the building. (Camden Images)

 

Dr Willis stated:

Camden Council Public Address

25 October 2016

ORDINARY COUNCIL  ORD11

NOTICE OF MOTION

SUBJECT: NOTICE OF MOTION – HERITAGE PROTECTION SUB-COMMITTEE

FROM: Cr Cagney

TRIM #: 16/300825

I would like to thank the councillors for the opportunity to address the meeting this evening.

I would like to speak in support of the motion put by Councillor Cagney.

I think that a section 355 sub-committee on Heritage Protection is long over due in the Camden Local Government Area.

A panel of councillors, experts and community members could give sound and constructive advice to Camden Council on local issues of substance related to local heritage.

This could contribute to the Council’s knowledge of heritage matters within the community.

The proposed Heritage Protection sub-committee could allow stakeholders a platform to voice their concerns around any proposed development that effected any issues concerning heritage in the Local Government Area.

The proposed Heritage Protection sub-committee could seek the view of external experts on contentious heritage matters within the Local Government Area.

The proposed sub-committee could provide considered advice to Council on matters of heritage concern to the community.

Perhaps provide more light that heat on matters of community concern.  Such advice might lower the noise levels around proposed development around heritage issues that have arisen in recent months.

In 2010 I wrote an article that appeared in Fairfax Media which I called ‘Heritage, a dismal state of affairs’. It was in response to an article by journalist Jonathan Chancellor about the neglected state of Camden’s heritage lists.

In the article I quoted Sylvia Hales view expressed in the National Trust Magazine that in New South Wales there had been ‘the systematic dismantling of heritage protection’ over the past five years.

I also quoted the view of Macquarie University geographer Graeme Alpin who wrote in Australian Quarterly that ‘heritage listing at the local level does not provide much protection at all’’.

I expressed the view at the time that there needed to be a ‘ thorough and considered assessment of historic houses’. And that

The current political climate in NSW is not conducive to the protection of historic houses. Heritage is not a high priority.

Six years later I have not changed my view.

The proposed sub-committee could give greater prominence to the Camden Heritage Inventory, similar to Campbelltown Council and Wollondilly Council.

In 2015 I wrote a post on my blog that I called ‘Camden Mysterious Heritage List’ in frustration after spending a great deal of time and effort trying to find the heritage inventory on the Council’s website. It is still difficult to find.

In conclusion, the proposed Heritage Protection sub-committee would be a valuable source of advice for council and provide a platform for the community to express their view around heritage issues.

 

Camden Council approves formation of a Heritage Advisory Committee

Camden Narellan Advertiser HAC 2017June7 lowres
Camden-Narellan Advertiser 2 June 2017, p.16.

 

 

Macarthur Chronicle HAC 2017May11
Macarthur Chronicle Camden Wollondilly Edition, 16 May 2017, p18.
Attachment to place · Colonialism · Communications · Heritage · Historical consciousness · Historical Research · Historical thinking · history · Local History · Local newspapers · Newspapers · Place making · sense of place

A short history of a major provincial daily newspaper

UOW historian Dr Ian Willis contributed a short article on the history of Wollongong’s  Illawarra Mercury to the compendium A Companion to the Australian Media in 2014. The Companion was edited by Professor Bridget Foley and assisted by an eminent Editorial Advisory Board.

Newspaper Illawarra Mercury 1856Jan7

 

 

The history article written by Dr Willis follows:

Illawarra Mercury

One of the Australia’s most important provincial newspapers, the Illawarra Mercury has been defined by parochialism and localism since its foundation in October 1855 by Thomas Garrett (1830–91).

Initially a weekly, the Mercury cost sixpence, and had a print run of 200. Garrett had pooled his resources with W.F. Cahill, who left after three months, to be replaced in 1856 by Thomas’s father, John, a Primitive Methodist. By 1856 the Mercury had become a six-column broadsheet and was distributed to Dapto, Jamberoo, Kiama and Shoalhaven by express coach.

Involvement in community affairs and politics has characterised Mercury proprietors. John Garrett was elected Wollongong’s first mayor in 1859 and the editor, John Curr, was elected Wollongong’s first town clerk. Garret’s son, Thomas, was also a politician.

Thomas took over the paper in 1862, and soon formed a partnership with Archibald Campbell, before selling out to Joseph Hart in 1867. Campbell was the sole owner from 1883 until his death in 1903; he was elected Member for Illawarra in 1891.

In 1888 the Mercury was a tri-weekly of four pages, which featured a weekly serial. By 1901, it was published twice weekly. On Campbell’s death in 1903, his wife, Margaret, assumed control until Shellharbour local Edward Allen purchased the paper in 1905 and improved the news content. He was elected the Member for Illawarra in 1904, continuing a trend.

An Irishman, Standish R. Musgrave, bought the Mercury from Allen in 1911 and ran it until his death in 1943. He assumed the editorship, increased sports coverage and published an edition each Friday. Soon after becoming managing director of the newly formed Illawarra Newspapers Co. Ltd in 1919, Musgrave also purchased the Bulli Times and established the Port Kembla Pilot. By 1932 the Mercury had competition from 2WL, established in 1931. Wilfrid S. Musgrave succeeded his father as managing director and editor. In 1950 he converted the Mercury to a daily, a mark of modernity for a provincial centre, and changed the masthead to the Illawarra Daily Mercury.

The Musgraves were active members of the New South Wales Country Press Association for over 40 years. They mixed with the barons of the country press who sought to restrict competition, and had sympathies with the New England New State Movement and the Old Guard.

However, the Mercury was making substantial losses when it was purchased by R.A.G. Henderson, the managing director of John Fairfax & Sons, in 1959. During the next decade, circulation doubled to over 25,000. In 1968, the Henderson family merged the Mercury with its main opposition, the South Coast Times, and appointed John Richardson executive editor. The following year Fairfax became the major shareholder for a cost of $2.4 million. Under David Lonsdale’s editorship, the newspaper became less parochial and more inclined to take on major community issues.

Peter Newell became editor in 1976, then executive editor in 1978 and finally general manager in 1985. Illawarra Newspapers Holdings Pty Ltd launched a new weekly, the Wollongong-Shellharbour Advertiser, in 1982. The Mercury introduced computer-based story-composition, and in 1986 pioneered the use of colour in daily newspapers in Australia.

Journalists Bill Simpson and Carol Johnstone won Walkley Awards in 1986–87. However, the Mercury was labelled a ‘screaming red-top tabloid’ by James Hooke, Fairfax’s managing director of NSW operations, and in the early 1990s was regularly pilloried by ABC television’s Media Watch.

Innovation continued, with the Mercury producing its first electronically assembled editorial page composed by computer in 1994, and being printed on state-of-the-art printing presses alongside the Sydney Morning Herald and the Australian Financial Review at Chullora from 1999. The Mercury was awarded PANPA Newspaper of the Year in 2006 and Walkley Awards were won by Mercury  journalists in 2003, 2008 and 2010 and photographers in in 2008–09. The Mercury’s circulation in 2013 was 18,229.

References:

  1. Souter, Company of Heralds (1981);

  2. Illawarra Mercury, 15–16 October 2005;

  3. Kirkpatrick, ‘Guts-and-glory, murder and more during the Mercury’s 150 years’, PANPA Bulletin (September 2005).

 

Newspaper Illawarra Mercury 1955Nov16
The front page of the centenary edition supplement of the Illawarra Mercury 16 November 1955.