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Going to London

Going to London

Thousands of young single Australian born women travelled to London and beyond from the mid-to-late 19th century.  This pilgrimage, as historian Angela Woollacott has called it, was a life-changing journey for these women. They were both tourist and traveller and many worked their passage throughout their journey.

Suters Archive Travel Diary5 2019 SSuters lowres
A typical trip diary kept by the young women who travelled to London in the 1950s as they explored the world. They were both tourist and travellers as they broke stereotypes and gender expectations in Australian and the UK. (S Suters)

 

Their travels illustrate the links between metropole and the periphery, between the settler societies and the imperial centre that have been little explored by scholars of history. These young women were both insiders and outsiders, both colonials and part of the heritage of colonizers. The dichotomy of their position provides an interesting position as they explored the transnational relationship between Australia and the UK.

These women occupied a space between metropolitan centre of London and their shared British heritage and notions of England as ‘home’ yet at the same time they were outsiders in England and other parts of the British Empire that they visited in Colombo and Aden.

There has been some recent scholarship that explores the Australian diaspora in the United Kingdom around issues of imperialism, expatriation, globalisation, national identity and overseas citizenship.

London Tower of London 2006 PPikous-Flckr
The Tower of London was a popular tourist attraction for young Australian born women who travelled to London and beyond. These women acted as both tourist and traveller in their journey of exploration.  (P Pikous, 2006)

 

In the 19th century colonial born women from well-off families went husband-hunting in England. By the early 20th century the list of women travelling to the United Kingdom started to include creative-types including actors, writers, artists, musicians, and singers. One of the most famous being Dame Nellie Melba.

In the mid-20th century following the Second World War young working women from modest backgrounds started to explore the world and head for London.  There were a number of Camden women who undertook this journey during the 1950s that are the subject of a history project.

Travelling to London

Dr Ian Willis explores the transnational journey undertaken by these in paper accepted at the 2019 Australian Historical Asssociation conference in Toowoomba and the 2019 Redefining Australia and New Zealand at the University of Warsaw.

38th Australian Historical Association Conference 2019, Local Communities, Global Networks, University of Southern Queensland, Toowoomba, 8-12 July 2019.

Title of Paper

Tourist or traveller: the journey of an Australian country girl to London in 1954.

Abstract

In 1954 Shirley Dunk, a young country woman from the small community of Camden in New South Wales, exercised her agency and travelled to the United Kingdom with her best friend and work colleague, Beth Jackman. This was a journey to the home of their forefathers and copied the activities of other Camden women. Some of the earliest of these journeys were undertaken by Camden’s elite women in the late 19th century when they developed imperial networks that functioned on three levels – the local, the provincial and the metropole.

This research project will use a qualitative approach where there is an examination of Shirley’s journey archive complimented with supplementary interviews. The archive consisted of personal letters, diaries, photographs, scrapbooks, ship menus and other ephemera and was recently presented to me. It was a trove of resources which documented Shirley’s 12 months away from home and, during interviews, allowed her to vividly relive her memories of the journey.   Shirley nostalgically recalled the sense of adventure that she and Beth experienced as they left Sydney for London by ship and their travels throughout the United Kingdom and Europe.

The paper will attempt to address some of the questions posed by the journey and how she reconciled these forces as an actor on a transnational stage through her lived experience as a tourist and traveller. Shirley’s letters home were reported in the country press and were reminiscent of soldier’s wartime letters when they acted as tourists in foreign lands.

The narrative will show that Shirley was exposed to the cosmopolitan nature of the metropole, as were earlier generations of local women who journeyed to London. The paper will explore how Shirley was subject to the forces of urbanism, modernity and consumerism at a time when rural women were presented with representations of domesticity and other ‘ideal’ gender stereotypes.

 

Camden Shirley Rorke Beth Jackman 1953 Clintons SRorke_adjusted
Two Camden women who headed for London in the mid-1950s were Shirley Dunk and her best friend Beth Jackman. This image  shows their workplace in the Clintons Motors Showroom at 16 Argyle Street, Camden where they both worked at sales assistants in 1953.   (S Rorke)

 

2nd Biennial International Conference on Redefining Australia and New Zealand, Changes, Innovations, Reversals, University of Warsaw, Warsaw, Poland, 16-17 September 2019.

Title of Paper

An Australian country girl goes to London.

Abstract

In 1954 a young country woman from New South Wales, Shirley Dunk, exercised her agency and travelled to London. This was a journey to the home of their forefathers and copied the activities of other country women who made similar journeys. Some of the earliest of these journeys were undertaken by the wives and daughters of the rural gentry in the 19th century when they developed imperial networks that functioned on three levels – the local, the provincial and the metropole.

This research project will use a qualitative approach where there is an examination of Shirley’s journey archive complimented with supplementary interviews. The archive consisted of personal letters, diaries, photographs, scrapbooks, ship menus and other ephemera and was recently presented to me. It was a trove of resources which documented Shirley’s 12 months away from home and, during interviews, allowed her to vividly relive her memories of the journey.   Shirley nostalgically recalled the sense of adventure that she experienced as she left Sydney for London by ship and her travels throughout the United Kingdom and Europe.

The paper will attempt to address some of the questions posed by the journey and how she reconciled these forces as an actor on a transnational stage through her lived experience as a tourist and traveller. Shirley’s letters home were reported in the country press and were reminiscent of soldier’s wartime letters home that described their tales as tourists in foreign lands.

The narrative will show that Shirley, as an Australian country girl, was exposed to the cosmopolitan nature of the metropole, as were earlier generations of women. The paper will explore how Shirley was subject to the forces of urbanism, modernity and consumerism at a time when rural women were presented with representations of domesticity and other ‘ideal’ gender stereotypes.

 

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A contested sacred site in the historic landscape of the Cowpastures

Place and St John’s Anglican Church

St John’s church is a contested site where there is competition around the ownership of the dominant narrative surrounding a former horse paddock. The paddock in question lies between St John’s Anglican Church and the former Rectory, all part of the St John’s Church precinct.

St Johns Church
St Johns Church Camden around 1900 (Camden Images)

Church authorities want to sell the horse paddock to fund a new worship centre.

There has been a chorus of objection from some in the Camden community over the potential sale. Community angst has been expressed at public meetings, protests, placards, and in articles in the press.

camden st johns church paddock 1907 cipp
Camden Rectory & Horse Paddock 1907 with Menangle Road on right hand side of image (Des & Pru Fowles/Camden Images)

 

The principal actors (stakeholders) have taken up positions around the issue include: churchgoers, non-churchgoers (residents, outsiders, ex-Camdenites, neighbours), the parish, local government, state government, and the Macarthur family.

The former horse paddock looks like an unassuming vacant block of land in central Camden. So why has there been so much community angst about is possible sale?

camden st johns fjoss image 7 (5)
St Johns Anglican Church showing former horse paddock in front of the church (2018 C Cowell)

 

The simple answer is that the community ascribes representations of a church beyond the building being a place of worship. Yet this raises a paradox for the owners of these religious sites. Generally speaking different faiths put worship and the spiritual interests of their followers ahead of their property portfolio.

This paradox has created angst in some communities when the owners of religious buildings and sites want to sell them, for example, in Tasmania in 2018 or other examples discussed by Graeme Davison.

 

Unraveling a paradox

Historian Graeme Davison in his book The Use and Abuse of Australian History has highlighted the different representations that a communities have ascribed to local churches. They have included:

  • a symbol of the continuity and community rather than a relic of their faith;
  • a local shrine where the sense of family and local piety are given tangible form;
  • ‘a metaphor of the postmodern condition’;
  • a ‘kind of absent present, a site now unoccupied but irreplaceable and unable to be rebuilt;
  • a transcendence and spiritual continuity in a post-Christian society. (pp. 146-161)

So the question here is, are any of Davison’s representations applicable to Camden’s St Johns Church?

camden st_johns_church02
St Johns Anglican Church Camden 2018 (I Willis)

 

Cultural landscape

St John’s church is the centre of Camden’s cultural landscape, its cultural heritage and the narrative around the Camden story. I wrote in the Sydney Journal in 2008 that

 St John’s church is the basis of the town’s iconic imagery and rural mythology and remains the symbolic heart of Camden.

In 2012 I extended this and said that community icons, including St John’s, have

 have become metaphors for the continuity of values and traditions that are embedded in the landscapes of place.

In this dispute the actors, as others have done,

have used history and  heritage, assisted by geography and aesthetics, to produce a narrative that aims to preserve landscape identity.

The actors in the dispute want to preserve the landscape identity of the area  by preserving the church precinct including the horse paddock.

 

A world long gone

The church precinct is  a metaphor for a world long gone, an example of the past in the present. In Davison’s eyes ‘a symbol of continuity and community’.

St John’s Anglican Church is part of an English style landscape identity, that is, Camden’s Englishness. This is not new and was first recognised in 1828 by Englishman John Hawdon.

Hawdon saw a familiar landscape and called it a ‘little England’.  A type of English exceptionalism.

The colonial oligarchs had re-created an English-style landscape in the Cowpastures  that mirrored ‘home’ in England. The English took control of territory in a settler society.

The local Indigenous  Dharawal people were dispossessed and displaced by the English through the allocation of  land grants in the area.

The English subdued the frontier with violence as they did other part of the imperial world.

The Hawdon allegory was present when the town was established by the Macarthur family as a private venture on Camden Park Estate in 1840. The construction and foundation of St John’s church was part of the process of the building of the new town.

The first pictorial representation of this was  used in Andrew Garran’s 1886 Picturesque Atlas of Australasia where there is

an enduring image within the socially constructed concept of Camden’s rurality has been the unparalleled vista of the Camden village from the Macarthur’s hilltop Georgian mansion.  (Image below) The romantic image portrayed an idyllic English pastoral scene of an ordered farming landscape, a hive of industrious activity in a tamed wilderness which stressed the scientific and the poetic.

camden park 1886 garran
Engraving showing vista of Camden village from Camden Park House. Aspect is north-east with Cawdor centre distance and St John’s church right hand distance.  (Andrew Garran’s 1886 Picturesque Atlas of Australasia)

 

The hilltop location of the church was no accident.  St John’s church is ‘the moral heart’ of English-style ‘idyllic representations as the

 ‘citadel on the hill’ at the centre of the ‘village’. It acts as a metaphor for order, stability, conservatism and a continuity of values of Camden’s Anglophile past. The Nepean River floodplain keeps Sydney’s rural-urban fringe at bay by being the ‘moat around the village’ which occasionally was the site of a torrent of floodwater.

The hilltop location has spiritual significance with Biblical references to love, peace and righteousness.

 

A sense of place

St John’s church has had a central role in the construction of place and community identity in the town.

camden_johnst_chs0083
St John’s Anglican Church in its hilltop location at the top of John Street Camden. This image is by Charles Kerry in the 1890s (Camden Images)

 

The church and its hilltop location is an enduring colonial legacy and a representation of the power of the colonial gentry,  particularly the position of Camden Park Estate and the Macarthur family within the narrative of the Camden story.

Camden Park 1906 (Camden Images)
Camden Park House and Garden in 1906 is the home of the Macarthur family. It is still occupied by the Macarthur family and open for inspection in spring every year. (Camden Images)

 

Many Camden folk feel a sense of belonging to the church expressed by  memory, nostalgia, customs, commemorations, traditions, celebrations, values, beliefs and lifestyles.

The community feel that the church belongs to them as much as it belongs to the churchgoers within the church community.

Belonging is central to placeness. It is home and a site where there is a sense of acceptance, safety and security. Home as a place is an important source of stability.

An extension of this is the role of the church as a loved place  in terms laid out by Peter Read in his book, Returning to Nothing, The Meaning of Lost Places. As Veronica Strang writes, Read’s book:

makes it plain that the feelings engendered by the loss of place can be equated with those experienced in the loss of a close relative, friend or partner. This straightforward analogy helps to make visible the symbolic role of place in enabling human beings to confront issues of mortality.

camden st johns vista from mac pk 1910 postcard camden images
Vista of St Johns Church from Macarthur Park in 1910. Postcard. (Camden Images)

 

The church buildings and precinct are a shrine to a lost past and considered by many to be  sacred land. The sale of the former horse paddock has caused a degree community grief over the potential loss of sacred land.

St John’s church is an important architectural statement in the town centre and is one Australia’s earliest Gothic style churches.

 

So what does all this mean?

The place of St John’s church in the Camden community is a complex one. The story has many layers and means different things to different people, both churchgoers and non-churchgoers.

The church is a much loved place and the threatened loss of part of the church precinct generates feeling of grief and loss by many in community.

The legacy of the English landscape identity from the early 19th century and the establishment of the Cowpastures is very real and still has a strong presence in the community’s identity and sense of place. The English style Gothic church is a metaphor for the Hawdon’s ‘Little England’ allegory.

The Cowpastures was the fourth location of European settlement in Australia and the local area still has a strong Anglo-demographic profile. These contribute to re-enforce the iconic imagery projected by St John’s church combined with the story of a settler society and its legacy.

Check out this publication to read more about the Camden district.

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
Aesthetics · Art · Attachment to place · British colonialism · Camden · Camden Community Garden · Camden Park House and Garden · Camden Produce Market · Camden Town Farm · Campbelltown Art Centre · Colonial Camden · Colonialism · Community Health · community identity · Cultural Heritage · Cultural icon · England · Entertainment · Fashion · festivals · Heritage · Historical consciousness · history · Landscape aesthetics · Leisure · Living History · Local History · Macarthur · Memorials · Memory · Monuments · Moveable Heritage · Parks · Picton · Place making · Public art · sense of place · Settler colonialism · war

Gardens: a special place

The many faceted aspects of gardens

Gardens are practical, places of beauty, peaceful, have a pleasing aesthetic and are popular with people. Gardens across the Macarthur region certainly fulfil these elements.

Author Robert Harrison maintains that

The gardens that have graced this mortal Eden of ours are the best evidence of humanity’s reason for being on Earth. History without gardens would be a wasteland.

Humans have long turned to gardens—both real and imaginary—for sanctuary from the frenzy and tumult that surrounds them.

Harrison maintains that people wander through many types of gardens:

Real, mythical, historical, literary.

Camden Park House 2018 Flynns LForbes
The display of spring wisteria in the gardens at Camden Park House. The gardens are open in spring every year and are a magnificent display of vibrant colours. The gardens are part of the September Open Weekend at the property which provides one of the important intact colonial Victorian gardens in Australia. This image was taken by Lyn Forbes on the 2018 Open Weekend. (L Forbes, 2018)

 

Many say that gardens and connectedness to nature contribute to wellness

 

Wellness and wellbeing

Wellness is an area of growing public interest and is one the most popular sections of bookshops. A simple Google search of wellness reveals over 700 million search results.

The Wellness Institute says that wellness is:

a conscious, self-directed and evolving process of achieving full potential.

Why is wellness important?

The University of California Davis Student Health and Counselling Services states that wellness is important because:

it is important for everyone to achieve optimal wellness in order to subdue stress, reduce the risk of illness and ensure positive interactions.

The UCD states that there are eight areas to wellness: emotional; environmental; financial; intellectual; occupational; physical; social; spiritual.

Gardening and horticultural therapy or ecotherapy contributes to wellness through physical, psychological and social wellbeing.

 

Studies have shown that being connected to nature is linked to well-being. Gardening is a connection with nature. Some see it as a form of biophilia.

Biophilia

The hypothesis of biophilia says that people are connected to nature. The degree that nature is part of a person’s identity is ‘nature connectedness’.

The term biophilia was introduced by Edward O Wilson in his 1984 book Biophilia where he defined it as ‘”the urge to affiliate with other forms of life”.[3]

These ideas are not new and in ancient Greek mythology Gaia is the ancestral mother of all life and the personification of the Earth: the primal Mother Earth goddess.

In 1979 James Lovelock, in Gaia: A New Look at Life on Earth; his Gaia hypothesis which sees the Earth as a self-supporting organism.

Gardening has many of these elements and a direct connection to the earth.

 

A selection of gardens in the Macarthur region

Camden community garden

One active gardener maintains that this garden provides

therapy time, social interaction with other like-minded people and the satisfaction of growing your own produce. It is very peaceful down there and there is something about digging in the earth. It is fulfilling and a sense of joy seeing something grow from seed. There’s nothing like being able to pick and eat your own produce. The wide variety of colours of the flowers and vegetables in the garden builds mindfulness.

Camden Community Gardens[1]

 

Macarthur Park and garden

TripAdvisor

This is a park with varied places to wander through and enjoy, roses in abundance, opportunities for parties, weddings or friends, and 2 palm trees at one of the gates planted by Elizabeth Macarthur to add to the history!! Very pleasurable. (Val S, Camden)

 

A two minute stroll from the gorgeous township of Camden and you’ll find this little hidden gem. Beautifully maintained gardens in a tranquil setting make this spot just perfect for a short retreat from the rest of the world. no bustle, no shops no noise (except the occasional church bells), just peace and tranquility. (PThommo101, Camden)

 

I just loved the park with its wonderful rose garden and beautiful arbor. I was there to do a photo shoot and this park never fails to impress with its beautiful shadows and views (CamdenNSW)

Camden Mac Park
Camden’s Macarthur Park endowed to the residents of Camden by Sibella Macarthur Onslow in the early 20th century (I Willis, 2016)

 

The Australian Botanic Garden, Mount Annan

The Australian Plant Bank

TripAdvisor

A beautiful, restful place to take a Sunday stroll. Any time of the year there is always something on offer, but spring time is especially lovely. (Sue H, Sydney) 

It was wonderful to spend time here at the beginning of spring, (Matt H, Penang, Malaysia)

What a beautiful place for a picnic….the grounds are extensive and have an impressive display of Australian native plants….wattles, grevillea ,bottlebrush and eucalypts, to name but a few. (Lynpatch29, Sydney)

 I was very impressed it is beautiful (Camden NSW)

A tranquil space for a walk among native plants.  Your head is back in a good space. (Susie994, Canberra)

mt_annan_botanic_garden2
The Australian Botanic Gardens at Mount Annan showing a bed of paper daisies 2016 (ABG)

 

Sculpture Garden Western Sydney University Campbelltown

Maybe it is the walking around the picturesque landscape provided by the WSU grounds staff and gardeners. Maybe it is the landscape gardening and native vegetation set off by the water features. Maybe it is the quiet and solitude in the middle of a busy Campbelltown.

Whatever it is in the sculpture garden, whether provided by the permanent WSU sculpture collection or the exhibition works, the site has a positive serenity that is hard to escape. It certainly attracts the staff and students.

The exhibition makes up part of the programme linked to the WSU Art Collection.  Take yourself on a virtual tour of the WSU Art Collection.

Campbelltown WSU Sculptures 2018
The sculpture garden in the grounds of Western Sydney University Campbelltown are one of the best kept secrets of the Macarthur region. It is great to see the display of public art and there a host of display pieces to hold the interest of any art nerd. (IWillis)

 

Camden Park House & Garden

Japanese Garden at Campbelltown Arts Centre

The Japanese Gardens are a special gift from Koshigaya, Campbelltown’s Sister City in Japan, and are located in the grounds of the Campbelltown Arts Centre.

The Campbelltown Japanese Gardens celebrate the sister city relationship between Campbelltown and Koshigaya. The gardens were presented to Campbelltown by the citizens of Koshigaya on 10 April, 1988.

The Gardens symbolise the beliefs and religion of both Shinto, the indigenous religion of Japan, and Zen Buddhism.

The Campbelltown Japanese Gardens feature a traditional waterfall, koi pond, timber bridge, stonework pathways, lush plantings and a 16th Century designed teahouse, hand crafted by Japanese craftsmen.

The aim of the garden is to obtain quiet solitude. The design represents elegant simplicity, lending itself to contemplation and heightened awareness. (Campbelltown Arts Centre)

Campbelltown Arts Centre Japanese Garden3 2018 CAC
The Japanese Garden at the Campbelltown Arts Centre. The garden illustrates the ‘peaceful surrounds and tranquility of the traditional Japanese plants, designs and craftsmanship’. (CAC)

 

Picton Botanical Gardens

Picton Botanic Garden 2017 Pinterest
The Picton Botanical Gardens 2017.  The gardens were established in 1986 and covers 4.1 ha and has 90% native Australian plantings. (Pinterest)

Tripadvisor

The gardens are beautiful. (TamJel, North Sydney)

Well presented, peaceful park just what the doctor ordered.. (Gasmi, Sydney)

Purely by chance, I saw a signpost for the Picton Botanical Gardens. I drove down Regreme Road and discovered a beautiful, peaceful space adjacent to the oval. (Jennifer C, Belconnen, ACT)

 

Macarthur Centre for Sustainable Living

Mac Centres for Sust Living 2017 Mount Annan
The Macarthur Centre for Sustainable Living garden ‘The Centre  is a not-for-profit, community-driven organisation supported by local Macarthur Councils and the Royal Botanic Gardens & Domain Trust. MCSL is primarily an educational facility and model for sustainable technology’ (2017 MCSL)

 

Camden RSL Memorial Rose Garden

Camden RSL Memorial Rose Gdn 2017 CRSL
The Camden RSL Memorial Rose Garden is the site of the annual Anzac Day Dawn Service in Camden. It attracts thousands of people each year and is a site of memory and commemoration. The extensive rose garden has a memorial obelisk located in front of a columbarium.  (CRSL, 2017)

 

Rotary Cowpasture Reserve Garden

Camden Cowpasture Reserve Spring Flowers 2018
The Camden Rotary Cowpasture Reserve garden in spring 2018. The reserve wall was opened and dedicated on 19 February 1995 by Rear Admiral Peter Sinclair Governor NSW. The monument celebrates the Rotary Centenary and the service that Camden Rotary has provided to the community since 1947. (2018 I Willis)
British colonialism · Camden Museum · Colonial Camden · Colonialism · community identity · Convicts · Cultural Heritage · Elizabeth Farm · Farming · Georgian · Gothic · Governor Macquarie · Heritage · history · Landscape aesthetics · Local History · Macarthur · myths · Place making · Settler colonialism · Victorian

Celebrity author at Camden Museum

 

The Camden Museum hosted celebrity author Michelle Scott Tucker recently at a local book launch. The event attracted an enthusiastic audience of 50 members and guests to an engrossing talk from Tucker, the author of Elizabeth Macarthur, A Life at the Edge of the World.

Camden Museum MSTucker talking BookLaunch 2018Jun13
Michelle Scott Tucker spoke about her new book Elizabeth Macarthur A Life At the Edge of the World at the Camden Museum. She had the large audience sitting on the edge of their seats as she told the story of Elizabeth and her life in colonial New South Wales. The launch was held at the Camden Museum on Wednesday 13 June 2018 (I Willis, 2018)

 

Michelle delivered an eloquent and gripping lesson on Elizabeth Macarthur to an audience sitting on the edge of their seats. Tucker spoke for 40 minutes without notes and then handled a number of penetrating questions. Earlier in the day she had been interviewed on ABC Sydney Local Radio by James Valentine in wide ranging conversation about Macarthur that clearly impressed him. Tucker is an impressive media performer telling an engrossing story about her hidden subject of Elizabeth.

 

After the Museum talk there was a long line of those who had purchased books to have them signed by the author.  The most excited person in room was Camden Historical Society secretary Lee Stratton who drove into Surry Hills to pick up Michelle and then returned her to the city after the launch. Lee is a devoted fan and was not phased at all by her providing this generous effort.

Camden Museum MichelleScottTucker BookSigning 2018Jun13
Michelle Scott Tucker signing a copy of her new work Elizabeth Macarthur A Life At the Edge of the World at the Camden Museum. There was a long queue for book signing from the large audience of members and friends on Wednesday 13 June 2018 (I Willis, 2018)

 

Michelle Scott Tucker writes in an engaging and open style that is easily accessible by anyone interested in colonial Australia, women’s biography or just a great yarn. She takes a fresh look at an old story from a woman’s perspective, from the other side.

 

In the early 19th century the world was divided into the women’s private sphere and the public world inhabited by men.  Michelle Scott Tucker takes a look from the domestic private world of women. It is a form of radical history.

Book Elizabeth Macarthur 2018 Cover TextPub
The cover of Michelle Scott Tucker’s Elizabeth Macarthur A Life at the Edge of the World. The book was launched in Camden at the Camden Museum to a large and enthusiatic crowd of readers on Wednesday 13 June 2018 (Text Publishing)

 

Michelle’s analogy of her approach to the story is looking at the stitching on the back of tapestry, and inspecting the intricate nature of the threads. This gives you an insight into how the whole work is kept together from the hidden and dark shadows of the work. Without the stitching the work would fall apart, and so it was the Macarthur family enterprises in colonial New South Wales. Tucker draws the stitches together to create a story showing the colour and movement of colonial New South Wales.

 

Elizabeth Macarthur, the farmer’s daughter from Devon, married a cantankerous irascible army officer called John Macarthur when she was pregnant with her first child. Tucker draws an parallel with another Georgian story that of the women in the romantic novel Pride and Prejudice by Jane Austin. She makes the point that Elizabeth Macarthur, and husband John, were Georgian figures while her family were Victorians.

 

Tucker tells how Elizabeth Macarthur, heavily pregnant and with a small child at her side,  endured probably the worst journey out from England of any convict transport on the Second Fleet in the Scarborough. She nursed her husband back from illness that he suffered at the Cape and lost a child on the voyage out which was buried at sea. She suffered the social ignominy of sharing a cabin space with convict women well below her station in life.

Camden Museum MSTucker BookLaunch President Ian Willis with Michelle 2018Jun13 Lee Statton
The president of the Camden Historical Society Dr Ian Willis with Michelle Scott Tucker at the Camden launch of her new book Elizabeth Macarthur A Life at the Edge of the World. The launch was held at the Camden Museum on Wednesday 13 June 2018 (Lee Stratton)

 

Macarthur was not on her own and many colonial women endured the sea voyage from England with few comforts. Their diaries detail the trials and tribulations throughout the early years of the colony. One such figure in the Camden story was Caroline Husband who fell on hard times and fled their Hampstead Hill house near London with debt collectors in pursuit. She married pastoralist Henry Thomas and eventually lives at Wivenhoe, and her descendants grew up at Brownlow Hill.

 

The ever practical Elizabeth managed and developed the family business empire in colonial New South Wales while her husband was dealing with military charges in England. She entertained governors, politicians, businessmen, officers, while managing a large domestic staff, farm workers and convicts on their extensive landholdings. The role and influence of Elizabeth Macarthur as part of the story of settler colonialism in Australia and has been understated along with many other women of her time.

Camden Museum MSTucker BookLaunch Harry Warner Michelle and Frances Warner 2018Jun13 Lee Statton
Camden identities Frances and Harry Warner with author Michelle Scott Tucker at the Camden launch of Elizabeth Macarthur A Life at the Edge of the World. Frances and Harry have lived most of their lives at Camden Park and have been involved in a host of community activities over many years. Frances organised a small card gift for Michelle from Camden Park. The launch was held at the Camden Museum on Wednesday 13 June 2018. (Lee Stratton)

 

Tucker makes the point in an article for Inside Story that the story of Elizabeth Macarthur is not unique and that other colonial women made a significant contribution on their own. There was Esther Abrahams who ran Annandale, and Harriet King who raised a family and ran a property west of Parramatta. In Van Diemen’s Land (now Tasmania) a retail empire was developed by former convict Maria Lord, while Eliza Forlonge ran a pastoral empire.

 

Camden Park was an out-station in the Macarthur family empire and Elizabeth Macarthur never lived there. The mansion house was the home of her sons, William and James. Elizabeth lived at Elizabeth Farm at Parramatta all her life and died at their holiday home at Watsons Bay in her 80s.

Camden Museum MSTucker BookLaunch John Michelle and Edwina 2018Jun13 Lee Stratton
The owners of Camden Park House John and Edwina Macarthur Stanham with author Michelle Scott Tucker. The event was the Camden launch of Tucker’s Elizabeth Macarthur A Life At the Edge of the World held at Camden Museum on Wednesday 13 June 2018. (Lee Stratton)

 

Unlike many of her colonial contemporaries who viewed the Australian landscape as a Gothic world Elizabeth had a more sympathetic eye. She drew comparisons with England and in her letters home she stated that her around her home at Parramatta, she wrote:

The greater part of the country is like an English park, and the trees give to it the appearance of a wilderness, or shrubbery commonly attached to the habitations of people of fortune’.

Many of her contemporaries contributed to the English-style landscape aesthetic that was identified as early as 1828 by John Hawdon when he arrived in the Cowpastures. The Englishness of the Camden township is still evident and has shaped the landscape since the arrival of the Europeans.

 

Under Elizabeth’s gaze the colonial outpost of Sydney grew from a military garrison to a bustling colonial port in the South Pacific. Macarthur supported her husband, John, throughout his ordeals and never returned to England, despite having the means to do so. Her female descendants regularly traveled between Camden Park, Sydney and London and elsewhere, and benefited from the transnational networks that she and her family established in the early 19th century.

camden-library museum
The venue for the Camden launch of Michelle Scott Tucker’s Elizabeth Macarthur A Life at the Edge of the World on Wednesday 13 June 2018. Camden Library Museum in John Street Camden  (I Willis, 2016)

 

Elizabeth Macarthur is an important character in the Camden story and there are other Macarthur women in her family who played similar roles such as Elizabeth Macarthur Onslow, Sibella Macarthur Onslow and Enid Macarthur Onslow. All intelligent, strong and successful women. They were not alone in the Camden story and others that could be mentioned include Rita Tucker, Zoe Crookston, Clarice Faithful, amongst others.

 

Elizabeth Macarthur produced a family that founded the township of Camden, and created a pastoral and business empire that still endures today. She is celebrated in our local area with the Elizabeth Macarthur Agricultural Institute, Elizabeth Macarthur High School and roads and streets named after her and her family.

 

As Michelle Scott Tucker states of Elizabeth Macarthur, she  ‘played a crucial role in Australia’s colonial history. Hers is not a household name — but it ought to be’. Elizabeth Macarthur, A Life at the Edge of the World certainly goes a long way in this direction.

The book by Michelle Scott Tucker Elizabeth Macarthur, A Life at the Edge of the World is available at the Camden Museum.

Aesthetics · Attachment to place · Australia · British colonialism · Cawdor · Colonial Camden · Colonialism · community identity · Cowpastures · Cultural Heritage · Cultural icon · Governor Macquarie · Heritage · Historical consciousness · Historical Research · Historical thinking · history · Landscape aesthetics · Local History · Local newspapers · myths · Nepean River · Newspapers · Place making · sense of place · Settler colonialism

The Cowpastures Region 1795-1840

The Cowpastures emerged as a regional concept in the late 18th century starting with the story of the cattle of the First Fleet that escaped their captivity at the Sydney settlement. The region was a culturally constructed landscape that ebbed and flowed with European activity. It  grew around the government reserve established by Governors Hunter and King. It then developed into a generally used locality name centred on the gentry estates in the area.

 Regionalism in the Cowpastures

The geographers call this type of area a functional region. A functional region is based on horizontal linkages within a particular area that are to an extent self-contained.  The region was relatively self-cohesive when compared with linkages between regions.  The key concept is self-containment with respect to the activities of those within the particular area.

 

A useful way into a regional study like the Cowpastures is an environmental history, which is a multi-disciplinary approach. This would cover the physical and cultural landscapes. The boundaries of the Cowpastures region were both culturally derived and natural, where the landforms restricted and constrained European activity. The story of the Cowpastures regions has many layers of history that can be peeled back to unravel its bits and pieces.

 

The story of the wild cows and more, a cultural landscape

The story of the Cowpastures begins with the wild cows.  The First Fleet leaves England in 1787  and HMS Sirius which collected 4 cows and 2 bulls  at the Cape of Good Hope on the way out to New South Wales. They were Cape cattle.

 

The cattle did not think much of their new home and after their arrival they took off within 5 months of being landed and disappeared. The cattle  escaped and found heaven on the Indigenous managed pastures of the Nepean River floodplain.  The cattle occupied and seized the territory of the Indigenous people who were wary of these horned beasts.

 

Before the Cowpastures district was even an idea the area was the home for ancient Aboriginal culture based on Dreamtime stories.  The land of the Dharawal,  Gundangara and the Dharug.

After European occupation the Dharawal people became known as the Cowpastures tribe by 1805.

Map Aboriginal Groups Sydney 2005 Belgenny Farm lowres
Map showing Aboriginal Groups of the Sydney area including the Dharawal of the Cowpastures (2005, Belgenny Farm)

 

In 1795 the story of the cattle is told to a convict hunter by an Aboriginal, who then tells an officer and informs Governor Hunter. Hunter sends Henry Hacking, an old seaman, to check out the story. After confirmation Governor John Hunter and Captain Waterhouse, George Bass and David Collins head off from Parramatta, cross the Nepean River on 17 November 1795.   After climbing a hill (Mt Taurus) they spotted the cattle and named the area the Cowpastures. Governor John Hunter marked area on maps ‘Cow Pasture Plains’ in the region of Menangle  and elsewhere on maps south of Nepean.  By 1806 the herd had grown to 3,000.

Cowpastures cattle here Grafton 1875 SARNSW
Cattle similar to the horned wild cattle of the Cowpastures at Grafton in 1875 (State Archives and Records NSW)

 

The Europeans seized the territory occupied by the wild cattle,  allocated land grants for themselves and displaced the Indigenous occupants.  On their occupation they created a new land in their own vision of the world.  A countryside made up of large pseudo-English-style-estates, an English-style common called The Cowpasture Reserve and  government men to work it called convicts.  The route that Governor Hunter took became the track to the area became known as the Cowpastures Road, starting at Prospect Hill and progressing to the crossing of the Nepean River.

1824-view-of-cowpastures-joseph-lycett
View upon the Nepean River, at the Cow Pastures New South Wales 1824-1825 Joseph Lycett (SLNSW)

 

In 1803 Governor King issued a proclamation in July 1803 banning any unauthorised entry south of the Nepean River to stop poaching of the wild cattle. (The Sydney Gazette and New South Wales Advertiser, Sunday 10 July 1803 page 1) Governor King ordered that a constable be placed at the Cowpasture crossing of the Nepean River and that a small hut be built to house them. (Historic Records NSW Vol 5, pp. 719-720)  The government reserve for the wild cattle was strengthened under the Macquarie administration.

Government Cowpastures Reserve

Bigge Report 1822-1823

The government reserve was never really defined and was just a vague area occupied by the Wild Cattle.  The 1823 Bigge report described the Cowpastures this way:

The county of Camden contains the extensive tracts known by the name of the Cow Pasture, which which five of the cattle that were landed from His Majesty’s ship Sirius, soon after the first arrival of Governor Phillip, had strayed from their place of confinement. They were discovered in these tracts in the year 1795 by a convict, and appear to have been attracted to the spot, and to have continued there, from the superior quality of the herbage. Since that period their numbers have greatly increased: and they have latterly occupied the hilly ranges by which the Cow Pastures are backed on the south, and have been found in the deeper ravines of the hills of Nattai, and on the banks of the Bargo River. It does not appear, however, that they have penetrated beyond the Blue Mountains, or the barren tract that is called the Bargo Brush. The Cow Pastures extend northwards from the river Bargo to the junction of the river Warragumba and the Nepean. To the west they are bounded by some of the branches of the latter river and the hills of Nattai. They contain by computation about sixty thousand acres; and the soil, through varying in fertility, but always deepening  and improving on the banks and margin of the Nepean, consists of  a light sandy loam, resting upon a substratum of clay.

(JT Bigge, Report of the Commissioner of Inquiry on the state of agriculture and trade in the colony of NSW, 1823, Vol 3)

Public Buildings 1822 Bigge Report

At the centre of the government reserve

AT “CAWDOR”.

  1. A Brick Built House for the residence and accommodation of the Superintendant and principal Overseer of Government Stock in the Cow Pastures, reserving two rooms for the occasional accommodation of the Governor, with Kitchen and other necessary Out Offices, together with a good Kitchen Garden, well enclosed.
  2. A Weather-boarded House for the accommodation of the Subordinate Overseers and Stockmen.
  3. Four large paddock of 100 acres each enclosed with a strong Fence for the grazing of the Tame Cattle and Taming of the Wild Cattle, and cleared of the standing and dead Timber.
  4. A Tanning House and Tan Yard for Tanning the Hides of the Wild Bulls for the use of Government.
  5. Several other Paddocks and Stock-Yards enclosed for the Government Horses, Homed Cattle, and Sheep, grazing in other parts of the Government Grounds in the Cow Pastures. N.B.—Cawdor is the principal Run or Grazing Ground for the Government Horned Cattle and Sheep in the Cow Pastures on the western side of the Nepean River, consisting of about Fifteen thousand acresof land, and ought never to be alienated as long as it may be deemed expedient and advisable for the Government to possess and maintain Herds and Flocks.

(JT Bigge, Report of the Commissioner of Inquiry on the state of agriculture and trade in the colony of NSW, 1822, Vol 1)

 

End of Government Reserve

A regional identity had emerged by the time the government reserve was dissolved in the early 1820s and the land sold off.  The usage of the identity of the Cowpastures extended into the second half of the 19th century.

 

Extent of the Cowpastures region by the 1840s

The extent and boundaries of the Cowpastures by the 1840s were:

  • North – Bringelly Road – taking in the upper South Creek Catchment – west to Bents Basin and Warragamba River
  • East – Wilton Road north through Appin – ridge dividing Nepean and Georges River catchments – generally the Appin Road – following ridge line north dividing Bow Bowing Creek and South Creek.
  • South – Stonequarry Creek catchment – bordering Bargo Brush – line following Wilton Road in east – through Thirlmere – ridge line between Stonequarry Creek and Bargo River – west to Burragorang Valley
  • West – Burragorang Valley

 

Cowpastures Map 1840
The extent of the Cowpastures region in the 1840s (I Willis, 2018)

 

Usage of the Cowpastures name as a regional identity

The graph below is the usage of the locality name Cowpastures in newspapers listed on the National Library of Australia Trove Database in 2017 using QueryPic.

Graph of  usage of the name of Cowpastures

Cowpasture_QueryPic_Trove_Graph
Graph of the usage of the local names of Cowpastures in newspaper articles on the National Library of Australia Trove Database between 1795 and 1950 using QueryPic (I Willis, 2017)

The usage of the Cowpastures regional identity persisted into the late 19th century as these following newspaper extracts illustrated.

 

In 1836 Glendiver Estate at The Oaks was advertised for sale with the given address as The Cowpastures. The sale notice boasted that the estate was one of the finest dairy farms in the colony of New South Wales with ‘the finest soil’ and ‘abundance of water’. It was claimed that the owner could run ‘double the stock’ of any other part of the colony because of the ‘beautiful district’. The estate for sale came to 2390 acres. The estate had 70 acres under wheat the property suited a ‘wealthy grazier, horse or cattle-dealer’. (Australian (Sydney, NSW : 1824 – 1848), Friday 5 August 1836, page 4 (4))

 

In 1838 the estate of Narellan in the Cowpastures was advertised for sale on behalf of Francis Mowatt consisting of a desirable homestead and 800 acres of ‘rich productive’ land.  The property was fenced with 12 miles of fencing and watered by Narellan Creek. The property fronted the Cowpastures Road for ¾ of a mile. The ‘commodious and comfortable’ cottage has ‘out-offices’, ‘excellent stables in good repair’. The garden has extensive fruit trees and ‘grapery’. The sale also include household furniture, harnesses, saddlery, and ten horses. (Sydney Gazette and New South Wales Advertiser (NSW : 1803 – 1842), Saturday 3 February 1838, page 3)

 

Cowpasture Estates of 1840

In 1840 MD Hunter released the Cowpasture Estates on former properties owned by Sydney businessman John Dickson in the Sydney Monitor and Commercial Advertiser for auction by The Australian Auction Company.  The properties offered were Orielton, Nonorrah, Moorfield, Eastwood and Netherbyres with a total of 7000 acres. The properties were offered in lots ranging from 300 to 30 acres. The sale notice stated that Orielton had a ‘substantial Stone Barn, Threshing Mill and Offices’, Nonorrah boasted a ‘spacious and elegant Cottage with Gardens, Stables and Offices’. (Sydney Monitor and Commercial Advertiser (NSW : 1838 – 1841), Friday 5 June 1840, page 4 (4))

 

The northern extremity of the Cowpasture Estates was the Bringelly Road.  (Sydney Monitor and Commercial Advertiser, 16 July 1840)

Map Bringelly Cowpasture Estate Map 1847 Land of MD Hunter NLA
Map of the Cowpasture Estates at Bringelly on the land MD Hunter in 1847. ( National Library of Australia)

 

In 1843 the Sydney Morning Herald announced the presence of Charles Cowper in the Cowpasture district. Mr Cowper arrived at Mr James Chisholm’s  Gledswood and joined a procession of horses followed by carriages and gigs of around 150 men and women. Mr Cowper took a seat in Mr Hassall’s carriage. The procession headed for by Mr Hovel of Macquarie Grove. with Mr John Wild of Picton bringing up the rear of the carriages. The procession then moved  to Mr Chisholm’s house on his property Wivenhoe.  (Sydney Morning Herald (NSW : 1842 – 1954), Tuesday 11 July 1843, page 2)

 

In 1843 auctioneer Mr Stubbs announced the sale of the household effects, stock and farming implements for the insolvent estate of GCP Living of Raby in the Cowpastures. The stock included heifers, bullocks, calves, dairy cows, steers totalling 165 beasts and five horses. The farm equipment included dairy utensils, and transport equipment including carts, drays and wagons. (Sydney Morning Herald (NSW : 1842 – 1954), Monday 6 November 1843, page 4 (3))

 

In 1843 Mr Beck advertised the sale of furniture of the late Mr SR Swaine of Narellan of the Cowpastures. (Sydney Morning Herald (NSW : 1842 – 1954), Friday 15 December 1843, page 3)

 

The Camden District Council meeting in 1845 reported on the state of repair of the bridge across the Cowpasture River. (Weekly Register of Politics, Facts and General Literature (Sydney, NSW : 1843 – 1845), Saturday 14 June 1845)

 

In 1847 the Sydney Morning Herald reported on the population growth of the Cowpastures district which nearly reached 3000 people. The press reports described the schools in the villages of Narellan, Cobbitty and Camden, with the reporter visiting The Razorback and the properties of Raby, Gledswood and Harrington Park. The beauty of other properties mentioned in the story included Orielton, Wivenhoe, Denbigh, Matavai and Brownlow Hill. (Sydney Morning Herald (NSW : 1842 – 1954), Thursday 23 September 1847, page 2)

 

In 1870 the Australian Town and Country Journal reported a claim for compensation on the colonial government by a shepherd Hugh McGuire for services for supervising a team of men in the Cowpastures district. (Australian Town and Country Journal (Sydney, NSW : 1870 – 1907), Saturday 2 April 1870, page 10 (4))

 

In 1870 the Sydney Morning Herald reported on a flood in Camden which was located in the Cowpasture district. There was a heavy downpour with a violent gale continued through the Wednesday night on the 26 April. The lowlands presented ‘uniform sheet of flood water’ and were just below the ‘tow great floods of 1860’. (Sydney Morning Herald (NSW : 1842 – 1954), Wednesday 18 May 1870, page 7)

 

In 1877 the Sydney Morning Herald one letter writer that as  late 1870s the Nepean River was still known as the Cowpastures River.  (Sydney Morning Herald (NSW : 1842 – 1954), Saturday 24 March 1877, page 8)

 

In 1878 the Australian Town and Country Journal reported on the state of the town of Campbelltown and the surrounding area which was adjacent to the ‘fertile flats and alluvials’ of the Cowpastures. (Australian Town and Country Journal (Sydney, NSW : 1870 – 1907), Saturday 16 March 1878, page 20)

 

The Australian Town and Country Journal reported on the state of the wheat growing in the colony in 1882. The story stated that wheat for bread making used to be grown in the ‘Camden, the Cowpastures, Hawkesbury, Hunter, etc’. In these area hay production had replaced former wheat growing. (Australian Town and Country Journal (Sydney, NSW : 1870 – 1907), Saturday 2 September 1882, page 20)

Presentation The Cowpastures 2017Oct3

The end of Cowpastures region and a village is born

The beginning of the end of the Cowpastures region was the development of the Camden village  from 1840 by the Macarthur family on their estate of Camden Park   The Camden district eventually replaced the Cowpastures regional identity.

 

Revival of the Cowpastures during the Interwar period

The Sesqui-centenary of the colonial settlement of New South Wales sparked a revival of the story of the Cowpastures during the early 1930s.

 

1932_SMH_CowpastureCattle_map
Map of Cowpastures (SMH 13 August 1932)

  

There was also the revival of national pioneering heroes that it was felt provide a sound basis of the story of a new nation and one of those was John Macarthur of the Cowpastures. He was the ultimate Cowpastures Oligarch. He had many colleagues who also fitted this description.

640px-Macarthur_stamp_sheep_1934 (1)
1934 Australian Commemorative Postage Stamp (Australia Post)

Learn more

The Cowpastures Project

 

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
Aesthetics · Art · Attachment to place · British colonialism · Camden · Camden Museum · Colonial Camden · Colonialism · community identity · Cowpastures · Edwardian · England · Farming · Historical consciousness · Historical Research · Historical thinking · history · Interwar · Landscape aesthetics · Local History · Macarthur · Modernism · Monuments · NSW History K-10 Syllabus · Place making · Ruralism · Schools · sense of place · Settler colonialism · Tourism · Urbanism · Victorian

The Cowpastures, GLAM and schools

Young visitors to the Camden Museum love the model of the HMS Sirius, in the ground floor display area. HMS Sirius was the flagship of the First Fleet in 1788 under its commanding officer Captain John Hunter. He was later promoted to NSW Governor and in 1795 he visited the local area in search of the wild cattle and named the area the Cow Pastures Plains.

Camden Museum Macarthur Anglican School Visit7 Sirius 2018Apr
School visit by Macarthur Anglican Students viewing the HMS Sirius model 2018 (MAS)

 

The story of the Cowpastures is one of the many told in the displays at the volunteer-run Camden Museum and the Wollondilly Heritage Centre, all part of the Macarthur region’s GLAM sector.

So what is the GLAM sector? For the uninitiated it is Galleries, Libraries, Archives and Museums. The acronym GLAM appeared at the 2003 annual conference of the Australian Society of Archivists.

Organisations that make up the GLAM sector are cultural institutions which have access to knowledge as their main purpose and care for collections of any kind.

One of the key roles of GLAM sector organisations is to allow their visitors to learn things, in both formal (aka classroom) and informal settings. For the visitor this can come in a vast array of experiences, contexts and situations.

The Macarthur region has a number of galleries, museums and libraries. They are mostly small organisations, some with paid staff, others volunteer-run.

 

The local GLAM scene

There is the volunteer-run Camden Museum a social history museum. While out at The Oaks is the pioneer village setting of the Wollondilly Heritage Centre and at Campbelltown the Glenalvon house museum.

camden-library museum
Camden Library Museum in John Street Camden 2016 (I Willis)

 

Local council galleries and libraries have the advantage of paid staff. The Alan Baker Art Gallery is located in the Camden historic town house Macaria. At Campbelltown there is the innovative Campbelltown Arts Centre and its futuristic styling.

The local council libraries and their collections fulfil a number of roles and provide a range of services to their communities.

On a larger scale the state government-run historic Belgenny Farm is Australia’s oldest intact set of colonial farm buildings in the Cowpastures established by John and Elizabeth Macarthur.  A number of other colonial properties are also available for inspection.

 

Doing more with less

Doing more with less is the mantra of volunteer-run organisations. They all have collections of objects, artefacts, archives, paintings, books and other things. Collections of knowledge.

Collections are generally static and a bit stiff. There is a distance between the visitor and the collection. Visitor immersion in these knowledge collections is generally through storytelling of one sort or another.

Camden Museum Macarthur Anglican School Visit6 2018Apr
Story telling by a volunteer at the Camden Museum for a school visit by Macarthur Anglican School (MAS, 2018)

 

The more dynamic the immersion the more memorable the visitor experience. An immersive experience will be informative, exciting and enjoyable.

This is certainly the aim of school visits. Teachers aim to immerse their school students in these collections in a variety of ways through storytelling. Hopefully making the student visit educational, memorable and enjoyable.

 

The learning framework

Local schools connect with local stories through the New South Wales History K-10 Syllabus. A rather formal bureaucratic beast with complex concepts and contexts. Local schools vary in their approach to the units of work within the syllabus.

 

NSW History K-10 Syllabus

Topics

Early Stage 1      Personal and Family Historians

Stage 1                The Past in the Present.

Stage 2                 Australian History: Community and Remembrance. First Contacts.

Stage 3                 Australian History: Colonial and National.

Stage 4                 World History: Ancient, Medieval and Modern.

Stage 5                 Global History: The Modern World and Australia.

 

Field trip

One of the types of engagement recommended by the History Syllabus are field trips through site studies. These can come in all shapes and sizes.

One type of field trip can include taking in local museums and galleries.

Camden Museum Macarthur Anglican School Visit2 2018Apr
School visit by Macarthur Anglican School students outside the Camden Library being told story by a museum volunteer (MAS, 2018)

 

One approach

Stage 2 History -Topic: From Colonisation to Now

Mrs Kathryn Pesic from Macarthur Anglican School visited the Camden Museum with her Year 4 students.

Mrs Pesic said, ‘The students visit was integral in engaging the students and directing them to an area of interest’.

The school teachers posed a number of Key Inquiry Questions throughout the unit of work.  The museum visit, according to Mrs Pesic, was the final part of the unit that started with a broad study of Sydney and narrowed to Camden. The students then had a ‘project’ to complete back at school.

Mrs Pesic reported that the teachers felt that they ‘had achieved the outcomes that they had set for their museum visit’.

 

 

Another approach

Another local school Stage 2 group recently visited the museum, the gallery and had a walk around the Camden town centre. They too addressed the same unit of work from the History Syllabus.

Camden Macaria Gallery MawarraPS Visit 2018April11 lowres
A school visit to the Alan Baker Art Gallery being told a story by the gallery curator (ABAG, 2018)

 

Storytelling – the past in the present

The integration of local studies and inquiry-based learning by school students calls for imagination and creativity. What results is an opportunity to tell the Camden story through a narrative that gives a perspective on the past in the present.

There have been generations of story tellers in the Cowpastures and Camden district since the Dreamtime. Young people can have meaningful engagement with these folk through local GLAM organisations, ‘that cannot always be obtained in the classroom’, says Mrs Pesic.

 

The cows and more. So what do they offer?

All this activity takes place in the former Cowpastures named by Governor Hunter in 1795. This country was formerly Benkennie of the Dharawal people. The Cowpastures is one of Australia’s most important colonial sites.

Under European dispossession the Cowpastures became part of the Macarthur family’s Camden Park Estate from which the family carved out the private township of Camden with streets named after its founders – Macarthur, Elizabeth, John, Edward.

Camden John St (1)
St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

 

The English-style Camden town centre has evolved and illustrates a number of historical architectural styles since 1840 – Victorian, Edwardian, Inter-war, Mid-20th century Modernism.

The Camden district (1840-1973) tells stories of hope and loss around farming and mining in the hamlets and villages across the region. New arrivals hoped for new beginnings in a settler society while the loss of the Burragorang Valley, the Camden Railway and a landscape aesthetic created sorrow for some.

Map Camden District[1]
The extent of the Camden District in 1939 showing the township of Camden in the eastern part of the district (I Willis, 1996)

The Macarthur region (1973 +) named after the famous family and the infamous Macarthur growth centre. The area is on Sydney’s rural-urban fringe and made up of Camden, Campbelltown and Wollondilly Local Government Areas.

 

The more things change the more they stay the same

The Cowpastures and Camden districts, now the Macarthur region, are some of the fastest changing landscapes in Australia. There is a need by the community to understand how the past created the present and today’s urban growth.

Camden Aerial View 1990s CIPP
The AEH Group is using images like this to promote their development at Camden Central. This images was taken in the early 1990s by PMylrea and shows the town with Argyle Street to the right of the image. St John’s Anglican Church is in the left of the image. The old Camden High site is to right of the town centre. This image clearly shows how the town centre is surrounded by the Nepean River floodplain. (CIPP)

 

There is a need for creative and innovative solutions and ways to deliver the Camden and Macarthur stories. These are only limited by our imagination.

 

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
Attachment to place · British colonialism · Colonial Camden · Colonialism · community identity · Convicts · Cowpastures · Elderslie · England · Farming · Governor Macquarie · Heritage · Historical consciousness · history · Landscape aesthetics · Local History · Place making · sense of place · Settler colonialism · Victorian

The Cowpastures Project

The Cowpastures project is a community based collaborative research enterprise which is co-ordinated by UOW historian Dr Ian Willis.

 

Presentation The Cowpastures 2017Oct3

 

It is a long term venture which aims to reveal the intricacies of the Cowpastures district from 1795 to 1850.

The Dharawal people occupied the area for centuries.

 

Sydney1790_Aborgines in Port Jackson
Sydney 1790 Aborigines in Port Jackson (SLNSW)

 

The district was part of the Australian colonial settler society project driven by British colonialism.

There was the creation of the government reserve for the wild cattle between 1795 and 1823. After this period the Cowpastures became a regional locality that was in common usage well into the 19th century.

 

1824-view-of-cowpastures-joseph-lycett
View upon the Nepean River, at the Cow Pastures New South Wales 1824-1825 Joseph Lycett (SLNSW)

 

The British aimed the create an English-style landscape from their arrival in the area from 1790s. The earliest written acknowledgement of this by Englishman John Hawdon in 1828.

 

1932_SMH_CowpastureCattle_map
Map of the Cowpastures government reserve (SMH 13 August 1932)

 

I have published some material and there are a number of blog posts related to the project.

Learn more 

Camden Cowpastures Bicentenary Celebrations  (Blog)

‘Just like England’, a colonial settler landscape  (Peer-reviewed article)

Cowpastures and Beyond: Conference 2016  (Camden Area Family History Society)

Convicts in the Cowpastures (B;pg)

Governor Macquarie in the Cowpastures 1810 (Blog)

Governor Macquarie returns to the Cowpastures 1820 (Blog)

Mummel and a Cowpastures Patriarch (Blog)

The Cowpastures, just like a English landscape (Presentation)

The Cowpasture, just like an English landscape (Slideshare)

Viewing the landscape of the Cowpastures (Blog)

John Hawdon of Elderslie (Blog)

John Hawdon of Elderslie English Origins (Blog)

The Cowpastures at the Campbelltown Arts Centre (2017) (Exhibition)

The Came by Boat Exhibition Campbelltown Arts Centre (Exhibition Review, 2017)

John Macarthur the legend (Blog)