Camden artists forewarn with historic contrast of “war and peace” in exhibition.
Camden artists Greg Frawley and Roger Percy have an exhibition entitled “War and Peace” opening on the Thursday 7 June at Camden Library.
The two artists have very different styles of art, and both are hoping to send a message to the people of Camden with their use of imagery.
The inspiration for this collaborative exhibition took lots of thought and purpose.
Roger says of the exhibition,
I thought about the phrase ‘lest we forget’, and thought about what that could also apply to. We never think of now as being a time where things like war could happen, but if people who come look at the exhibition, older or young, and think ‘lest we forget to appreciate what we have. Greg and I have expressed the message through the medium.
“Greg has his war-influenced paintings and I have my various angles of our historic town. This gave us the idea of the contrast between war and peace” said Roger.
Both Greg and Roger have lived many years in the Camden area and have become passionate about the town.
“I’ve been painting Camden for about 20 years.” said Roger about what was different about this collection. “I started painting Camden from angles I had never done before… it was inspiring.”
Roger is the peace side of the exhibition, with use of watercolour and ink to create his landscapes of Camden.
“Roger’s work is very sensitive and reflective of a beautiful townscape – which is under threat.” said Greg about Roger’s work. “It is very timely… people have memories of historic Camden… we can only hope it doesn’t change.”
Roger has recently been appointed the position as the curator of the Alan Baker Art Gallery in Camden – a historic building that is now home to the posthumous collection of works by Baker, a local of Camden.
Roger said, “My works for this new exhibition started with a focus on the gallery, and it expanded to doing unique perspectives looking in to Camden.”
Greg said, “I lived here in the fifties as a kid, I would walk all over this place, back when the town wasn’t very big.”
“I love Camden, that’s why I came back to live here.”
Greg’s works are inspired by war and conflict from various perspectives beyond Camden, and is reflective of Australian history in combination with a mixture of artistic styles.
“I’m a bit of a split personality. I love my painting and I try and do it every day. And despite my commercial art, I try and fight with purpose with my work,” says Greg.
The painting above is called ‘Ceasefire Moon’. “I’ve taken it from the three wise monkeys – hear no evil, speak no evil, see no evil,” Greg said.
Greg acknowledged the patriotism of the Australian war efforts. “There was a level of ignorance with the soldiers, they didn’t question anything they did.”
The content of my paintings is a mix of childhood memories and imagined scenarios – of representation and semi-abstraction. Unable to tap into the depth of the real experience of WW1 and not wanting to copy existing images I developed compositions which reflect my personal thoughts on the contradictions of war.
The exhibition has an official opening on the Thursday 7 June starting at 6pm. The exhibition will be on display in the Camden Library for all of June during the library opening hours.
By 1918 the war had been dragging on into its fourth year. Soldier casualties were large and still growing. Patriotic fundraising was a major focus for those at home and the Australia Day fundraisers had been important since their establishment in 1915.
The first Australia Day was held in 1915 on the 30 July as a fundraising for the Gallipoli casualties as they returned to Australia. January 26 was known as ‘Anniversary Day’, ‘Foundation Day’ and ‘Regatta Day’. Australia Day was not fixed on January 26 until 1935 when there was agreement of all states and territories and the imminent approach of the 1938 Sesquicentennial celebrations.
Australia Day in 1918 in Camden
In early 1918 Camden Red Cross workers supported the national Australia Day appeal, which aimed ‘to relieve the sufferings of Australia’s men who are suffering that Australia shall be free’. (Camden News 18 April 1918) Camden mayor George Furner called a public meeting on 23 March at a not so well attended meeting of the Camden Red Cross sewing circle. An organising committee was formed of the Camden Red Cross and council officers. The fundraising activities were to include the sale of badges and buttons, a Red Cross drive, a public subscription, a prayer service, a lecture and a door-knock of the town area.
The Australian Day activities started with the united prayer service (2 April) held at the Forester’s Hall in Camden run by the Protestant clergy. It started at 11.30am with Rev. Canon Allnutt from St Paul’s church at Cobbitty, Rev CJ King from St John’s church in Camden and Rev GC Percival from the Camden Methodist Church. All businesses in Camden were shut for the duration of the service and there was ‘an attentive and earnest gathering both town and country’. (Camden News, 4 April 1918)
A public lecture was presented by Senior Chaplain Colonel James Green (8 April) held at the Foresters’ Hall on his experiences on the Somme battlefield in France. The Red Cross ‘drive’ started the same week (9 April) and resulted in the sale of Red Cross badges to the value of £54 with only 200 left to be sold before the market day (23 April).
A Red Cross market day was held on 30 April and the Camden press maintained that ‘with so many gallant sons in the battlefields; her women folk have since the very outbreak of war have nobly done their part of war work’. Flags and bunting were draped around the bank corner and were supplemented with Allies’ flags and lines of Union Jacks in the ‘finest’ local display and music was provided by the Camden District Band. The displays were opened by Enid Macarthur Onslow and in her words touched a ‘solemn’ note when she spoke of the ‘sacrifices mothers and women’ towards the war effort and the responsibilities of those who stayed at home. The whole event was a huge success and raised £225, which made a cumulative total of £643 in the appeal to that point.
The Camden Red Cross branch then conducted a raffle, with first prize being an Australian Flag autographed by Earl Kitchener. The Camden press maintained
that if you haven’t got a ticket in the Kitchener Flag yet you will have one by the end of May unless you hide from the Red Cross ladies in town. They want to sell a lot and they are not going to let you go until they have extracted a two shilling piece from you. (Camden News, 9 May 1918)
And the reporter was not exaggerating. The total effort of the Camden Red Cross for the Australia Day appeal came to £748, which also included donations from Sibella Macarthur Onslow of £100, Mrs WH Faithfull Anderson of £25 and £100 from the Camden Red Cross. (Camden News, April and May 1918) [In todays worth that is about $100,000 from a population of around 1700]
Australia Day at Menangle and Narellan
The Menangle Red Cross decided that ‘a big effort’ was needed and a garden fete (18 May) was organised by Helen Macarthur Onslow, Enid’s daughter, at her home Gilbulla. The fete was opened in front of a large crowd by the wife of the New South Wales Governor, Lady Margaret Davidson. The New South Wales governor, Sir Walter Davidson, presented two engraved watches to two local returned soldiers. The fete raised a total of £85 and the total Menangle Red Cross collections were well over £100.
The Narellan Red Cross put on a concert at the Narellan Parish Hall (27 April) and tickets were 2/- and 1/- and raised £51. Together the sale of Red Cross Drive Badges and donations the branch raised £80. Out at the Douglas Park Red Cross the branch ran a social and raised £22. (Camden News, April and May 1918)
Learn more about local Red Cross activities during the First World War.
Historian Dr Ian Willis is presenting a conference paper on the role local newspapers of the Picton, Camden and Campbelltown area during the First World War. He will show how these small provincial newspapers acted as an archive for the stories from the First World War on the homefront. Community wartime activities will be placed in the context of the international setting of the war.
Small rural communities are an often overlooked part of the wartime landscape of the First World War at home. Local newspapers, or community newspapers, recorded ‘the doings’ of their communities in inordinate detail. Their reportage extended from the local to the provincial and the international by owner/editors who were local identities.
Country newspapers provide an archive record of the First World War that is identifiably different from the large metropolitan daily newspapers of the war period. The local newspaper has a number of differences that are related to their localness and parochialism, their relationship to their readership, their promotion of the community and their approach to the news of the war.
The local newspaper recorded the subtleties of local patriotism and wartime voluntarism and fundraising, the personal in soldier’s letters, the progress of the war and a host of other issues. For the astute researcher country newspapers provide glimpses into wartime issues around gender, class, sectarianism, and other aspects of rural life. All coloured by local sensibilities and personalities. The local newspaper was a mirror to its community and central to the construction of place making and community identity in small towns, villages and hamlets.
These characteristics are not unique to rural Australia and are shared by rural and regional newspapers of other English speaking countries. Recent developments in archival research like Trove provide invaluable access to these resources across Australia. Country newspapers provide a different story of the war at home from an often forgotten sector of society.
The local newspapers that will be used as a case study for this conference paper include:
The Camden News
The Picton Post
The Campbelltown Herald
Local and provincial newspapers are an understudied area of the First World War and this conference paper will address this gap in the historical literature.
Learn moreabout local newspapers in the Macarthur region and elsewhere:
Out at Menangle it has been brought to my attention that three First World War Honour Roll photographic montages have re-appeared after many years.
The honour rolls are framed photographs of local Menangle men who served during the First World War. Across the three framed montages there are photographs of 31 Menangle diggers.
Meaning of photographs
The Menangle photographs carry a special meaning and memory from the past. These individual portrait images are simple yet poignant reminder to today’s generations of the incredible loss of young men in the Great War.
The wartime photographs of Menangle men are a reminder of a less innocent period in Australia’s past. The men appear relaxed and without airs and graces. They look straight ahead without the weight of the world on their shoulders and carnage that lay before them.
A number of the Menangle men in the photographic montage were killed in action.
The website Camden Remembers has many photographs of local diggers from the First World War.
Menangle School of Arts
The Menangle framed photos were hanging in pride of place in the front rooms at the Menangle School of Arts for decades. The rooms were used as a library and meeting rooms.
The individual who originally organised the framed Menangle photographs certainly went to a large amount of effort and expense to put the photographic montages together.
The framed photographs were taken away for restoration when the hall was renovated and toilets added to the hall in the late 1970s.
The framed honour rolls montages recently re-appeared after many years.
The aim is to have the honour rolls restored and replaced in the School of Arts after the hall has had conservation work completed.
Menangle Honour Roll Photographic Montage No 1
Menangle Honour Roll Photographic Montage No 1
Hawkey MC, Major JM
Macarthur Onslow, Captain AW
Macarthur Onslow, Lieut JA
Menangle Honour Roll Photographic Montage No 2
Menangle Honour Roll Photographic Montage No 2
Onslow Thompson, Lieut Colonel AJ
Menangle Honour Roll Photographic Montage No 3
Menangle Honour Roll Photographic Montage No 3
Macarthur Onslow, Brigadier General GM
List of Menangle diggers from honour roll photographic montages (alphabetic order)
Hawkey, Major JM
Macarthur Onslow, Brigadier General GM
Macarthur Onslow, Captain AW
Macarthur Onslow, Lieut JA
Onslow Thompson, Lieut Colonel AJ
Menangle War Memorial Wall Plaque at St James Anglican Church Menangle
Inscription on memorial plaque:
CAPT A W MACARTHUR ONSLOW 16TH LANCERS YPRES
Lt COL A J ONSLOW THOMPSON 4TH BN AIF GALLIPOLI
CORPORAL R J HAWKEY 6TH AIF PALESTINE
SIGNALLER B GALF 3RD BATTALION AIF FRANCE
PRIVATE J E WILLIAMS 56TH BATTN AIF FRANCE
1914 – 1918
1939 – 45
Flt. Sgt J.D. PRATT R.A.A.F
Memorial Plaque, St James Anglican Church Menangle, Wall of Remembrance (B Peacock, 2018)
The Camden Australia Day celebrations opened with the awards at the Camden Civic Centre where the winners of the Camden Citizen of the Year were announced for 2018. At a national level there has been a debate about the date and the day. What does it mean? When should it be celebrated? Should it be celebrated at all?
The day, the 26th January, is the foundation of the military penal settlement at Sydney Cove in 1788 and the anniversary of the coup d’etat against the Bligh colonial administration popularly known as the Rum Rebellion. By 1804, according to the National Australia Day Council, the day was being referred to as Foundation Day or First Landing Day in the Sydney Gazette. On the 30th anniversary in 1818 Governor Macquarie declared a public holiday. In 1838 the 26th January was celebrated as the Jubilee of the British occupation of New South Wales and the 2nd year of the Sydney Regatta that was held on the day. The annual Sydney Anniversary Regattas started in 1837.
On the centenary of the First Fleet’s arrival at Sydney Cove in 1888 the day was known as Anniversary Day or Foundation Day and festivities were joined by Tasmania, Victoria, Queensland, Western Australia, South Australia and New Zealand. In 1915 Australia Day was shifted to the 30th July to assist fundraising for the Red Cross and other patriotic funds after the commencement of the Gallipoli campaign.
It was not until the Australian Bicentennial that all states agreed to celebrate the 26th as Australia Day rather than as a long weekend. At the time Aboriginal Australians renamed Australia Day ‘Invasion Day’ and there has been debate about it ever since.
In 2018 the Camden town centre there was the annual street parade for the Australia Day celebrations with lots of keen participants. The town crier, Steve Wisby, led the enthusiastic crowd in a rendition of the national anthem and then a rejoinder of Aussie, Aussie, Aussie, OOyy, OOyy, OOyy. The parade included historical groups, school groups, community groups, a number of local bands, and emergency services.
A large crowd lined Argyle Street to watch the parade organised by the Camden Lions Club and the many community groups and businesses that took part in it.
Early in the day celebrations began with the Camden Australia Day Citizen of the Year. The 2018 Camden Australia Day Citizen of the Year was David Funnell. David has been a local businessman for many years and he is a descendant from one of the original European colonial settler families in the Cowpastures area. He was a councillor on Camden Council (1977-1980, 2004-2012) and a member of a number of community organisations.
The other Camden Australia Day Award winners were:
Community Group of the Year — Everyone Can Dance Charity and Camden Lioness
Community Event of the Year — The Macarthur Lions Australia Day Parade
Young Sportsperson of the Year — Amy and Natalie Sligar
Sportsperson of the Year — Maddison Lewis
Young Citizen of the Year — Lubna Sherieff.
These people are true local identities who all have stories to tell that become part of Camden’s sense of place and contribute to the the development of community identity.
The Camden Museum was open for Australia Day and by the end of the day hundreds of visitors had inspected the museum and its wonderful collection of local artefacts and memoriabilia.
The Camden Historical Society volunteer coordinator reports that there were 644 visitors to the museum on the day made up of adults and children. The visitors were looked after by 10 society volunteers who roamed around the museum making sure that the day went smoothly and did a sterling job answering their many questions.
Fresh air was the order of the day for patients at the newly opened Carrington Centennial Hospital for Convalescents and Incurables at Camden in 1890. The hospital followed the latest methods in medical practice and building architecture from Victorian England based on the writings and approach advocated by Florence Nightingale.
Victorian England hospitals
By the late 19th century Victorian England had over 300 Convalescent hospital. They were one of a variety of specialist hospitals that appeared in Victorian England. They included consumptive hospitals, fever hospitals, ophthalmic hospitals, lying-in hospitals, venereal disease hospitals, orthopaedic hospitals, lunatic asylums, fistula infirmary, invalid asylums, as well as those catering for different groups of people for instance seamen’s hospitals, German hospital, children’s hospitals and others.
British historian Eli Anders states that in England convalescent homes were built as the seaside or in the countryside away from the dirty polluted cities. They were to be places of rest, nourishment and recuperation where there was plenty of fresh and healthy air. Medical practices dictated that fresh air and exercise were the order of the day.
Camden’s fresh country air
The location of Carrington fitted this model. It was located in the picturesque countryside with views over the Nepean River floodplain on a hill to catch lots of fresh country air. Camden was considered a healthy site away from the pollution and evils of industrial Sydney and the increased public health risks of the urban environment and issues with sanitation.
Carrington Hospital was the first major convalescent facility in New South Wales and followed design principles espoused by Florence Nightingale. Historian Eli Anders states that Nightingale wrote in her Notes on Nursing and Notes on Hospitals that she was an advocate for ventilation and proper site selection. She promoted the ‘healthfulness’ of convalescent hospitals in the countryside and on the edge of towns where they took advantage of fresh country air. Similar advantages could be achieved by a seaside location.
At the heart of this idea was miasma theory which stated that some diseases such as cholera, chlamydia or Black Death were cause by ‘bad air’. The theory stated that epidemics were due to a miasma started from rotting organic matter. The theory originated from the ancients in places like China, India and Europe and was only displaced by germ theory in the 1880s, which stated that germs caused diseases. Despite this popular culture retained a belief in ‘bad air’ and stated the urban areas had to clean up waste and get rid of bad odours. These ideas had encouraged Florence Nightingale’s activities in the Crimean War where she worked to make hospitals sanitary and fresh smelling. These ideas also had a major influence on Sydney and the outbreak of Black Death (bubonic plague) in 1900 after urban renewal process that followed in suburbs like The Rocks and Millers Point.
Convalescent homes were often built by philanthropists and charitable organisations. Carrington Hospital was built by Sydney philanthropist and businessman WH Paling (1825-1895), who immigrated with his family to Sydney in 1853. Paling ran a music business importing pianofortes and sheet music, and was an entertainment promotor and composer during the heyday of the gold rushes. His business success allowed him to pursue his political and philanthropic interests. Paling was an alderman on Petersham Municipal Council and mayor, a member of the Royal Society and a director the Mercantile Mutual Insurance Company. The Australian Dictionary of Biography states
His far-sighted preoccupation with questions of sanitation, health and hospital accommodation culminated in his presentation to the colony on 23 April 1888 of his 450-acre (182 ha) model farm Grasmere at Camden, valued at £20,000, to be used as a hospital for convalescents and incurables; he also donated £10,000 for the erection of suitable buildings. A public committee led by Sir Henry Parkes raised a further £15,000 for equipment and development at the Carrington Convalescent Hospital on the site.
The hospital site was purchased in 1881 from Camden Park by a syndicate of WH Paling, AH McCullock, Benjamin James Jnr and W Stimson containing 5100 acres. It was part of the North Cawdor Farms sale which also included a number of Camden Town blocks. The sale had a number of conditions and was not finalised until 1888. In the meantime Paling developed his Grasmere Estate farms. He established a Deed of Gift in 1888 with Lord Carrington was president of the hospital and chair of the general committees and himself as vice president.
The hospital was named after Lord Carrington, Governor of New South Wales (1885-1890), who served from on the centenary of the foundation of the colony.
Late Victorian Queen Anne Revival
The 89 bed hospital (49 male, 40 female) was designed by Sydney architect HC Kent and constructed by building contractor P Graham. The NSW State Heritage Inventory states:
It is representative of a late Victorian institutional building and is also representative of hospital building techniques (including setting) of the time. Main building of late Victorian eclectic style is brick on concrete foundations with cement dressings in the super structure and tower.
The main building is considered to be an excellent example of a Late Victorian Queen Anne Revival style. There were also additional buildings which included gardeners cottage, Masonic cottage, morgue, and Grassmere Cottage. There were extensive landscape gardens in a general Victorian layout with a carriage loop and flower bed.
In England convalescent facilities were very good and were better than home life conditions for many poor people. The idea with convalescent hospital were that the patients spent weeks recovering away from their home. Rich people who hired their own doctors to treat them during illness or convalescence. They paid to recuperate in a seaside health resort or travel to a spa centre. Convalescent homes were seen as superior to hospitals because they were different from dreary wards. Supporters advocated their calming and home-like qualities with libraries, games rooms and sitting rooms.
Ventilation and fresh air
The Illustrated Sydney News stated that the Carrington Hospital is located on a hill overlooking Camden to take advantage of ‘fresh air’ with ‘ventilation in the sleeping and living rooms’. The ventilation in the buildings was planned by Sir Alfred Roberts and based on Prince Alfred Hospital. The convalescence patients will be able to ‘sit outside and enjoy the lovely view and balmy health giving air’. The garden had ‘comfortable shady seats, where patients can wander about and rest at will, is of great importance, as also the verandahs where they can obtain exercise in wet weather, and the large sitting or day rooms’. There is the pleasant ‘park-like appearance’ of the countryside around Camden which ‘is very English in its character’. Patients will be able to recuperate for ‘two or three weeks’ rest and proper food that would mean so very much to them just at this stage…They are free to revel in the country scenes and sounds and rest awhile from the bustle of life’.
The Sydney press stated that the aims of the hospital
are, that persons recovering from acute illness may benefit by a short residence in the healthful climate of Camden, and a plentiful use of the farm products from the estate ; and further, that persons suffering from incurable diseases may have their lives prolonged and their sufferings alleviated by the above-named advantages. (Illust Syd News)
Lord Carrington lays foundation stone
The Governor of New South Wales Lord Carrington laid a foundation stone in February 1889 in front of a crowd of over 2000 people. A special train came from Redfern and was met at Camden Railway Station by well over 1000 people. The Maitland Mercury and Hunter River Gazette reported that Camden Station was ‘gaily decorated’ with a string of flags. Lord Carrington arrived by train from Moss Vale and he was met at the home by Sydney dignatories who were members of the management committee and trustees. The report noted that hot and cold running water would be laid on throughout the building.
Carrington Convalescent Hospital opened on 20 August 1890 and the first matron was Miss McGahey who resigned in 1891 to take a position as matron at Prince Alfred Hospital in Sydney. She was followed by Matron Kerr, then Matron Blanche Bricknell in 1897 who served until 1907.
The 1898 7th annual report in the Camden News stated that the hospital had treated 1153 in the previous 12 months with the annual cost of each bed being £35/8/9d. The meeting discussed the reluctance of patients to contribute the cost of their stay. During the year Sister Elenita Williams had been succeeded by Sister Edith Carpendale. Nurses Bertha Davidson and Eva Thomson had been succeeded by Nurses Lily BanfieId and Theresa Richardson. Mr JR Fairfax and Major JW Macarthur Onslow were elected the management committee by subscribers.
The 1900 annual report in the Camden News stated that the hospital had treated 1040 patients in the previous year with the average number of patients 75. The average patient stay was 28 days at a cost of £2/10/11d. The hospital shut its emergency section when the Camden Cottage Hospital opened during the year and Camden medical officers acted in an honorary capacity.
First major convalescent hospital
Carrington Hospital was the first major convalescent hospital in New South Wales and its surrounding buildings and gardens are list on the Camden Local Environment Plan Heritage Inventory (Item 118). Carrington Hospital is significance in that it is, along with Thomas Walker Convalescent Hospital, one of only two remaining functional purpose built late 19th century convalescent hospitals in New South Wales.
The book is a fresh look at a community through local eyes and shows the community’s vibrancy, enthusiasm and strength. It illustrates how the community has endured many challenges from the dreamtime to the present.
McGill’s use of images peels back the layers of meaning and reveals the heart of the city. Photographs demonstrate the dynamic nature of the community and how it has changed over time.
Historical photographs are a window into the past and provide a form of expression materially different from the written or oral record. Photographs are accessible and immediate to the viewer. They are unfiltered and provide a meaning to the setting of the subject.
Historical photographs show an immense amount of detail and are an archive of meaning about the past. Quite often the viewer feels that they are intruding on a private event or function.
While photographic images capture a moment in time they also have deeper meanings. Just like the writer the photographer is trying to say something in their formatting, structure and composition of the image. What is the message that the photographer is trying to the tell the viewer?
Sometimes the photograph poses a host of other questions. Why is the street not paved? Why is the women’s dress that long? Why are people wearing those funny clothes? Why are there cows in the paddock? Why are their no electricity poles? These are all part of the composition of the photographs in this pictorial history.
Jeff McGill provides a perspective of the lived local experience of Campbelltonian and a journalist’s nose for a good story. McGill has published a number of local histories that show the hand of someone who understands the nuances of small communities.
After growing up in Campbelltown, going to school in the city McGill worked for the large metropolitan dailies. He then returned to Campbelltown so he could write stories about interesting people rather than those based on hard bitten sensationalist attitude to journalism in the big smoke.
It is this attitude that shone when the Macarthur Advertiser, under McGill’s editorship, took out two national awards for the best local newspaper in Australia. He has been praised for being a passionate Campbelltonian and it shows in Pictorial History Campbelltown & District.
The images that McGill has chosen for the book show the same characteristics that are part of successful journalism in the provincial press. Each image tells a story about local characters and identities and capture a snapshot of a time long past. McGill’s deft eye for composition and impact as a photographer is clearly demonstrated in his layout work in the book.
The images are drawn from a range of archives – Campbelltown City Library, the Campbelltown & Airds Historical Society, many private collections, individual photographers and the author. Many of these images are not accessible to the general public in any form and this publication breaks ground in this area. The book is complemented by a select bibliography and index.
Some of the images show important events which had repercussions on the national stage like the election of the Whitlam government (p. 123), and the First (pp. 54-61) and Second World Wars (pp. 81-87).
More that just a narrative Pictorial History Campbelltown & District is an entry point to the daily lives of those living in Campbelltown. The images are accompanied by a lively story about the characters and events from Campbelltown’s past.
The city has not always received a good press in the Sydney metropolitan dailies and this publication challenges these stereotypes. This collection of images provides a human side to the local story about real people with real lives who create a vibrant community.
The gathering was introduced by past president Kay Hayes, followed by publisher Catherine Warne from Kingsclear Books. Catherine outlined the history of her firm over 30 years of publishing. She said that Campbelltown pictorial history was one of the last pieces of the jigsaw of the Sydney area for her firm. She had been trying to complete her coverage of the metropolitan area for many years and this book was the first time that she has had an author take over the design work.
Jeff McGill then spoke about the gestation of the book, its development and fruition with the support of many people and organisations. Jeff outlined how there were lots of images that were considered for the book and a culling process narrowed down the selection. The chosen were those which told a story or provided the greatest meaning to the Campbelltown story.
McGill made the point that quite a number of the images came from family photograph albums that he had been given access to over many years. This was the first time that they have been published. Jeff would visit local families be given afternoon tea and he would copy the images from the family album.
Jeff McGill’s Pictorial History Campbelltown & District provides a human side to the local story about real people with real lives who create a vibrant and wonderful community. The city has broken free of many of its stereotypes and ghosts, yet it still continues to face many challenges with a positive outlook to the future.