Camden artists forewarn with historic contrast of “war and peace” in exhibition.
Camden artists Greg Frawley and Roger Percy have an exhibition entitled “War and Peace” opening on the Thursday 7 June at Camden Library.
The two artists have very different styles of art, and both are hoping to send a message to the people of Camden with their use of imagery.
The inspiration for this collaborative exhibition took lots of thought and purpose.
Roger says of the exhibition,
I thought about the phrase ‘lest we forget’, and thought about what that could also apply to. We never think of now as being a time where things like war could happen, but if people who come look at the exhibition, older or young, and think ‘lest we forget to appreciate what we have. Greg and I have expressed the message through the medium.
“Greg has his war-influenced paintings and I have my various angles of our historic town. This gave us the idea of the contrast between war and peace” said Roger.
Both Greg and Roger have lived many years in the Camden area and have become passionate about the town.
“I’ve been painting Camden for about 20 years.” said Roger about what was different about this collection. “I started painting Camden from angles I had never done before… it was inspiring.”
Roger is the peace side of the exhibition, with use of watercolour and ink to create his landscapes of Camden.
“Roger’s work is very sensitive and reflective of a beautiful townscape – which is under threat.” said Greg about Roger’s work. “It is very timely… people have memories of historic Camden… we can only hope it doesn’t change.”
Roger has recently been appointed the position as the curator of the Alan Baker Art Gallery in Camden – a historic building that is now home to the posthumous collection of works by Baker, a local of Camden.
Roger said, “My works for this new exhibition started with a focus on the gallery, and it expanded to doing unique perspectives looking in to Camden.”
Greg said, “I lived here in the fifties as a kid, I would walk all over this place, back when the town wasn’t very big.”
“I love Camden, that’s why I came back to live here.”
Greg’s works are inspired by war and conflict from various perspectives beyond Camden, and is reflective of Australian history in combination with a mixture of artistic styles.
“I’m a bit of a split personality. I love my painting and I try and do it every day. And despite my commercial art, I try and fight with purpose with my work,” says Greg.
The painting above is called ‘Ceasefire Moon’. “I’ve taken it from the three wise monkeys – hear no evil, speak no evil, see no evil,” Greg said.
Greg acknowledged the patriotism of the Australian war efforts. “There was a level of ignorance with the soldiers, they didn’t question anything they did.”
The content of my paintings is a mix of childhood memories and imagined scenarios – of representation and semi-abstraction. Unable to tap into the depth of the real experience of WW1 and not wanting to copy existing images I developed compositions which reflect my personal thoughts on the contradictions of war.
The exhibition has an official opening on the Thursday 7 June starting at 6pm. The exhibition will be on display in the Camden Library for all of June during the library opening hours.
In October 2016 historian and author Dr Ian Willis addressed a Council Council general meeting. He spoke in support of a motion proposed by Councillor Cagney for the formation of a heritage protection sub-committee.
Dr Willis stated:
Camden Council Public Address
25 October 2016
ORDINARY COUNCIL ORD11
NOTICE OF MOTION
SUBJECT: NOTICE OF MOTION – HERITAGE PROTECTION SUB-COMMITTEE
FROM: Cr Cagney
TRIM #: 16/300825
I would like to thank the councillors for the opportunity to address the meeting this evening.
I would like to speak in support of the motion put by Councillor Cagney.
I think that a section 355 sub-committee on Heritage Protection is long over due in the Camden Local Government Area.
A panel of councillors, experts and community members could give sound and constructive advice to Camden Council on local issues of substance related to local heritage.
This could contribute to the Council’s knowledge of heritage matters within the community.
The proposed Heritage Protection sub-committee could allow stakeholders a platform to voice their concerns around any proposed development that effected any issues concerning heritage in the Local Government Area.
The proposed Heritage Protection sub-committee could seek the view of external experts on contentious heritage matters within the Local Government Area.
The proposed sub-committee could provide considered advice to Council on matters of heritage concern to the community.
Perhaps provide more light that heat on matters of community concern. Such advice might lower the noise levels around proposed development around heritage issues that have arisen in recent months.
In 2010 I wrote an article that appeared in Fairfax Media which I called ‘Heritage, a dismal state of affairs’. It was in response to an article by journalist Jonathan Chancellor about the neglected state of Camden’s heritage lists.
In the article I quoted Sylvia Hales view expressed in the National Trust Magazine that in New South Wales there had been ‘the systematic dismantling of heritage protection’ over the past five years.
I also quoted the view of Macquarie University geographer Graeme Alpin who wrote in Australian Quarterly that ‘heritage listing at the local level does not provide much protection at all’’.
I expressed the view at the time that there needed to be a ‘ thorough and considered assessment of historic houses’. And that
The current political climate in NSW is not conducive to the protection of historic houses. Heritage is not a high priority.
Six years later I have not changed my view.
The proposed sub-committee could give greater prominence to the Camden Heritage Inventory, similar to Campbelltown Council and Wollondilly Council.
In 2015 I wrote a post on my blog that I called ‘Camden Mysterious Heritage List’ in frustration after spending a great deal of time and effort trying to find the heritage inventory on the Council’s website. It is still difficult to find.
In conclusion, the proposed Heritage Protection sub-committee would be a valuable source of advice for council and provide a platform for the community to express their view around heritage issues.
Camden Council approves formation of a Heritage Advisory Committee
Out at Menangle it has been brought to my attention that three First World War Honour Roll photographic montages have re-appeared after many years.
The honour rolls are framed photographs of local Menangle men who served during the First World War. Across the three framed montages there are photographs of 31 Menangle diggers.
Meaning of photographs
The Menangle photographs carry a special meaning and memory from the past. These individual portrait images are simple yet poignant reminder to today’s generations of the incredible loss of young men in the Great War.
The wartime photographs of Menangle men are a reminder of a less innocent period in Australia’s past. The men appear relaxed and without airs and graces. They look straight ahead without the weight of the world on their shoulders and carnage that lay before them.
A number of the Menangle men in the photographic montage were killed in action.
The website Camden Remembers has many photographs of local diggers from the First World War.
Menangle School of Arts
The Menangle framed photos were hanging in pride of place in the front rooms at the Menangle School of Arts for decades. The rooms were used as a library and meeting rooms.
The individual who originally organised the framed Menangle photographs certainly went to a large amount of effort and expense to put the photographic montages together.
The framed photographs were taken away for restoration when the hall was renovated and toilets added to the hall in the late 1970s.
The framed honour rolls montages recently re-appeared after many years.
The aim is to have the honour rolls restored and replaced in the School of Arts after the hall has had conservation work completed.
Menangle Honour Roll Photographic Montage No 1
Menangle Honour Roll Photographic Montage No 1
Hawkey MC, Major JM
Macarthur Onslow, Captain AW
Macarthur Onslow, Lieut JA
Menangle Honour Roll Photographic Montage No 2
Menangle Honour Roll Photographic Montage No 2
Onslow Thompson, Lieut Colonel AJ
Menangle Honour Roll Photographic Montage No 3
Menangle Honour Roll Photographic Montage No 3
Macarthur Onslow, Brigadier General GM
List of Menangle diggers from honour roll photographic montages (alphabetic order)
Hawkey, Major JM
Macarthur Onslow, Brigadier General GM
Macarthur Onslow, Captain AW
Macarthur Onslow, Lieut JA
Onslow Thompson, Lieut Colonel AJ
Menangle War Memorial Wall Plaque at St James Anglican Church Menangle
Inscription on memorial plaque:
CAPT A W MACARTHUR ONSLOW 16TH LANCERS YPRES
Lt COL A J ONSLOW THOMPSON 4TH BN AIF GALLIPOLI
CORPORAL R J HAWKEY 6TH AIF PALESTINE
SIGNALLER B GALF 3RD BATTALION AIF FRANCE
PRIVATE J E WILLIAMS 56TH BATTN AIF FRANCE
1914 – 1918
1939 – 45
Flt. Sgt J.D. PRATT R.A.A.F
Memorial Plaque, St James Anglican Church Menangle, Wall of Remembrance (B Peacock, 2018)
The Anzac story has been a central part of the Australian cultural identity for over a century and the contradictions that emerged around it have shown no sign of going away. Historians have been unpacking the meaning of Anzac for decades and seem to no closer to any definitive meaning.
Yet for one old gentlemen at the inaugural lecture in Knowledge Series of the University of Wollongong Alumni Dr Jen Roberts was ‘a brave lady’ to ‘present the truth’ about the Anzac story in her evocative lecture ‘Men, myth and memory’. The Alumni audience was a mix of ages, and interests and included past military personnel.
Robert’s powerful presentation left none of the alumnus present in any doubt about the contested nature of Anzac and that there is far from just one truth. Anzac is a fusion of cultural processes over many decades and it has been grown into something bigger than itself.
The Anzac acronym, meaning Australian and New Zealand Army Corps, was first used by General Sir William Birdwood and its legal status was confirmed by the Australian Government in 1916. Anzac has survived its 1914 imperial connotations, the 1960s social movements and its supporters have successfully broadened its meaning to embrace all Australian conflicts, including peace missions. Some argue that this has created a dark legacy for current serving military personnel, while others choose to take cheap pot shots at those who question the orthodoxy. The Anzac story needs to be inclusive and not exclusive, and while the current service personnel are the custodians of the Anzac story it can sometimes be a heavy responsibility.
The Anzac story is ubiquitous across Australia and is embedded in the heart and soul of every community in the country, especially in the first half of the 20th century. Yet within this narrative there are contradictions and tensions and one of those is related to modernism. The war that spawned Anzac was a product on industrial modernism, yet at the same time causing the catastrophic destruction. Anzac shrines of commemoration and remembrance are a product of Interwar modernism, particularly the work of Rayner Hoff. Yet these same artists were supporters of Sydney bohemianism with its anti-war sentiments, complicated by tensions created by other forms of global modernism particularly in Europe. Other contradictions range across issues related to gender, militarism, nationalism, racism, homophobia, and a host of other areas.
Roberts makes the point that the Anzac mythology and iconography points to Australian exceptionalism and then neatly outlined how this is not the situation. She analysed the horrors of war and how this is played out within the Anzac story.
The tension within the meaning of Anzac, according to Roberts, is represented by the official state driven narrative stressing the honour, duty and sacrifice through commemoration, remembrance and solemnity, while on the hand there is the unofficial story of the digger mythology. The digger is not a professional soldier, he is egalitarian, loyal to mates and a larrikin – a good all-round Aussie bloke.
The official/digger binary highlights the contradictions with the Anzac tradition and its meaning for the military personnel, past and present. In 1941 an 18 year old country lad called Bruce Guppy from the New South Wales South Coast volunteered for service with the 7th Australian Light Horse. Guppy volunteered because his brothers had joined up and the military looked to have better prospects than working as a dairy hand. Gunner BW Guppy had little time for jingoism or nationalism as a laconic sort of fellow and stated ‘life is what you make it’. He was a yarn-spinning non-drinking, non-smoking, non-gambling larrikin, who saw action in the 1942 Gona-Buna Campaign in New Guinea and later trained as a paratrooper. His anti-war views in later years never stopped him from attending every Sydney Anzac Day March with his unit, 2/1 Mountain Battery, and the camaraderie they provided. A lifetime member of the RSL he never discussed his wartime service with his family, until I married his daughter.
Guppy had five brothers who saw active service in the Pacific conflict, with one brother’s service in BCOF in Japan cited in Gerster’s Travels in Atomic Sunshine. Guppy would not call himself a hero, yet willing participated in Huskisson’s Community Heroes History Project in 2007. Guppy was something of a bush poet and in 1995 wrote in a poem called ‘An Old Soldier Remembers’, which in part says:
‘Memories of those dark days
Come floating back through the haze.
My memory goes back to my mother’s face
Saddened, yes – but filled with grace.
The heartache for mothers – we will never know
For it was for them we had to go.’
So it surprised no-one when Bruce Guppy made the national media in 2013 when he handed Alice Guppy’s Mother’s Badge and Bar to the Australian War Memorial. Australian War Memorial director Brendan Nelson was moved on his death in 2014 and personally thanked the family for his ‘wonderful’ contribution to the nation.
For Guppy Anzac Day embraced both meanings expressed by Roberts: The official commemorative remembering; and the larrikin enjoying the company of his mates. The meaning of the Anzac story has changed during Bruce Guppy’s lifetime and the experiences of his digger mates who served in the Second World War.
While many lay claim ownership of the cultural meaning of Anzac, Roberts contends that the organic growth of the Dawn Service is an example of the natural growth of Anzac and its sensibilities for different parts of Australian society.
Roberts examined the two aspects of the Anzac mythology – the site and the myth. She maintained that many lay claim ownership of the cultural meaning of Anzac and pondered the meaning of the slaughter on the Western Front. She asked the audience to reflect on the words of Eric Bogles song And the Band Played Waltzing Matilda covered by an American Celtic band the Dropkick Murphys. This contrasted with the opening statement by an Alumni organiser, who was ex-military, that the outstanding achievements of the 1/AIF which are celebrated in military training in Australia are: the withdrawl at Gallipoli; and the last mounted cavalry charge at Beersheba. While recent research about Gallipoli POWs from Turkish sources has shown a different side of the story of the conflict.
The Gallipoli peninsula is a site of pilgrimages from Australia, while being the only locality in modern Turkey with an English name. Roberts compared the small group who went to the 1965 50th anniversary with the lavish all expenses tour of the 1990 75th anniversary sponsored by the Hawke Labor Federal Government. She maintains this was the start of the contemporary pilgrimage industry. Roberts drew on personal experience and related anecdotes from her five visits to Gallipoli peninsular with UOW students who took the UOW Gallipoli Study Tour, with her mentor, friend and sage UOW Associate-Professor John McQuilton (recently retired).
Gallipoli pilgrimages have grown as popular interest in the First World War increased as family historians started searching for own digger-relative, hopefully finding the cache derived from finding a connection with the Gallipoli campaign. The Howard Government promoted soft patriotism, and this was followed by later conservative governments which promoted official celebrations of the Centenary of Anzac. The official involvement of government has increased the jingoism of these anniversaries and the noise around the desire for the cultural ownership of the Gallipoli site, to the point where the Howard Government attempted to direct the Turkish Government how to do civil engineering roadworks at Gallipoli.
Brand Anzac, which Roberts dislikes, has been used to solidify national identity and spawned Anzacary and the commodification of the Anzac spirit, with souvenirs and other ephemera, as well as jingoism and Australian exceptionalism from the national to the local community level. Anzac mythology and memory tends to forget the grotesque side of war and its effects. First World War servicemen suffered shell shock (PTSD), and took to alcohol, gambling, domestic violence, divorce and suicide, and became the responsibility of those on the homefront.
The Anzac mythology disempowers and marginalises people, it is about nationalism, jingoism, racism, and stereotypes, while offering hope, glory and answers for others. The Guppy brothers and their comrades felt they understood the meaning of Anzac. Roberts maintains that the ideas around the Anzac story belong to everyone and, while offering contradictions for some and realities for others, it is these members of the Australian community who need to make a choice about the meaning of Anzac.
The CHN blogger was recently out and about and re-discovered a lovely urban space in central Goulburn on the New South Wales southern tablelands. Known as Belmore Park since the mid-19th century the park has a formal symmetrical layout. This is typical of many 19th century Victorian urban parks with paths crossing it on the diagonal for promenading and adding to the balance of the space. The park is abutted by lovingly conserved 19th century architecture and the Victorian designed railway station which all add to the ambience of the precinct in the town’s heritage centre.
The origin of urban parks has been traced to a number of sources. At its simplest is was an open space that became the village green or they were grassed fields and stadia in Greek cities, or they were an open area with a grove of sacred trees. By the medieval period they were open grassed areas within or adjacent to a village where the lord allowed the common villagers to graze their animals. Some were royal hunting parks that date from ancient days where the king walled off a section of forest to keep out poachers. From the 18th century French and British noblemen were aided by landscape designers like Capability Brown to design private parks and pleasure grounds. The Italians had their piazza, which was usually paved. In the UK the establishment of Birkenhead Park in 1843, Central Park in New York in the mid 1850s, Philadelphia’s urban park system in the 1860s and Sydney’s Governors’ Domain and Hyde Park all had an influence.
Belmore Park was Goulburn’s Market Square from the 1830s, and renamed Belmore Square in 1869 in honor of the visit of Lord and Lady Belmore on the opening of the railway at Goulburn, and a picket fence was built around the square. In the early twentieth century it was the site of a small zoo, perhaps reflecting the zoo in the Sydney Botanic Gardens or the Botanic Gardens in Hobart, which was part of the notion of creating a ‘pleasure ground’. Belmore Square was re-dedicated as the Belmore Botanic Gardens in 1899. During the 20th century the park became a landscape of monuments and memorials, similar to Hyde Park in Sydney, and other urban parks around Australia.
The Camden Bibliography is an attempt to highlight some of the research that addresses the notion of Camden as a country town and the subsequent urbanisation of the Local Government Area. The sources listed in the bibliography cover the geographic area of the Camden district as defined by this author in his thesis, War and Community: The Red Cross in Camden, 1939-1945 (pp. 22-24) and the current Camden LGA. This area includes a number of villages to the west of Camden and the Burragorang Valley, which are all integral to the town’s history and any interpretations drawn from it.
For the purposes of this bibliography Camden is a country town undergoing change on Sydney’s rural-urban fringe. It was founded in 1840 and its wealth and material progress were built on farming (dairying, mixed farming and orchards) and mining (silver and coal). Camden’s characteristic landscape is defined by the Nepean floodplain and the hinterland has been a mixture of large estates, owned by the gentry, and smallholders. The townscape reflects the dairy town of the early 20th century, with a population that was dominated by social rank and rural conservatism. In recent years Sydney’s urban growth has engulfed the local area and challenged the very identity of the country town, the community’s sense of place and the notion of a rural landscape.
The bibliography is meant to be a starting point for any researcher looking at the local area. It is an overview of sources related to Camden and is not meant to be an exhaustive list of all references. There are the well known sources written by academics and published by large publishing houses, as well as non-academic works by keen amateurs, many of which are self-published reminiscences. While the amateur works lack the finesse of the professional author they do provide a wealth of personal anecdotes and recollections that fill in many of the finer details of country life.
Studies of communities on Sydney’s rural-urban fringe or peri-urban areas are not common and none have examined Camden or other small communities and their relationship the rural-urban interface. These communities face increasing levels of urbanisation and the threatened loss of their rurality, identity and sense of place. These sources may assist the researcher come to grips with a variety of cultural myths, icons and traditions within these communities and how urbanisations has led to a re-making of place on the urban fringe.
The bibliography makes no attempt to cover the vast array of manuscript sources that are located in a diversity of archives, both government and private. These include local archives (eg, ephemera, reminiscences), State Records of New South Wales (eg, National Emergency Services correspondence files of the war period), National Archives of Australia (eg, wartime records of Camden’s military installations), Mitchell Library (eg, Macarthur Papers) and a host of others. Most of these sources are uncatalogued. This bibliography does not include the lists of personal papers or many newspaper articles that have been written about Camden, nor does it include artefacts, objects, works of art, photographs and other elements which are held in various locations that make up Camden’s material culture and fabric (eg, Camden Museum). Researchers on Camden will come across obscure references to the local area in many places, and as interesting as they might be they are too extensive to list individually here.
This bibliography is only a beginning and the author would appreciate being made aware of any significant omissions so that they can be included in the bibliography.
Newspapers and Journals.
Theses and other studies
Newspapers and Journals
Camden Advertiser, Camden, 1936-1957
Camden Advertiser, Camden, 2005+
Camden Calling, Journal of the Camden Area Family History Society.
Camden Crier, Camden.
Camden History, Journal of the Camden Historical Society
Camden News, Camden, 1895-1982
Camden Wollondilly Advertiser, Camden.
Campbelltown News, Campbelltown.
District Reporter, Camden, 1998+
Grist Mills, Journal of the Campbelltown and Airds Historical Society Inc.
In Macarthur, Campbelltown.
Macarthur Advertiser, Campbelltown.
Macarthur Chronicle, Campbelltown.
Newsletter, Camden Historical Society
Alexander, Pacita and Elizabeth Perkins, A Love Affair with Australian Literature, The Story of Tom Inglis Moore, Ginninderra Press, Canberra, 2004.
Ardler, Gloria, The Wander of it All, Burraga Aboriginal History and Writing Group Inc, Darlinghurst, 1991.
Armstrong, Isabel and Geoff, John Armstrong Colonial Schoolmaster, Sydney and Cobbitty, From Original Diaries – 1839 to 1857, Sunbird Publications, Killabakh, NSW, 1997.
Ashley-Riddle, Josie, History of ‘Gledswood’, 2nd Edition, Josie Ashley-Riddle, Narellan, 1987.
Atkinson, Alan, Camden, Farm and Village Life in Early New South Wales, Oxford University Press, Melbourne, 1988.
Australian Council of National Trusts, Historic Homesteads, Australian Council of National Trusts, Canberra City, 1982.
Australian Dictionary of Biography, Melbourne University Press, South Melbourne. Online. http://www.adb.online.anu.edu.au/adbonline.htm .[Accessed July 2007]
Australian Garden History Society, From Wilderness to Garden, Early Colonial Gardens – Their Future? Proceedings of the 16th National Conference, Australian Garden History Society, Melbourne, 1995.
Bayley, William, History of Campbelltown, Campbelltown City Council, Campbelltown, 1974.
Bagley, Cathy and Edwina Stanham, Camden Public School Sesquicentenary 1849-1999, Camden Public School Sesquicentenary Committee, Camden, 1999.
Barca, Margaret, Advice to a Young Lady in the Colonies, Greenhouse, Collingwood, Vic, 1979.
Barrett, Jim, Cox’s River, Discovery, History and Development, Jim Barrett, Glenbrook, 1993.
Barrett, Jim, Place Names of the Blue Mountains and Burragorang Valley from Aboriginal and Convict Origins, Jim Barrett, Glenbrook, 1994.
Barrett, Jim, Yerranderie, Story of a Ghost Town, Jim Barrett, Glenbrook, 1995.
Barrett, Jim, Life in the Burragorang, Jim Barrett, Glenbrook, 1995.
Bates, Harry, Church of St Paul, Cobbitty, Consecrated on 5th April 1842: Moments of 125th Anniversary, St Pauls Church, Cobbitty, 1967.
Beasley, Margo, The Sweat of Their Brows, 100 Years of the Sydney Water Board, 1888-1988, Water Board, Sydney, 1988.
Bell, Gary, Historic Pubs Around Sydney, Ginninderra Press, Charnwood, ACT, 2007.
Bickel, Lennard, Australia’s First Lady, The Story of Elizabeth Macarthur, Allen and Unwin, North Sydney, 1991.
Bicknell, John R, The Dirty Blooody Jizzy, Gordon: John Bicknell, 2003.
Binney, Keith R, Horesmen of the First Frontier (1788-1900) and The Serpents Legacy, Volcanic Publications, Neutral Bay, 2005.
Bodkin, Frances and Lorraine Robertson, Dharawal Seasons and Climatic Cycles, Campbelltown: Bodkin and Robertson, 2006.
Booth, B & T Nunan, Cawdor Uniting Church, Churchyard Headstones Transcriptions and Burial Register, Illawarra Family History Group, Wollongong, 1989.
Booth, Beverly & Ron Clerke, The Churchyard Cemetery of St John’s Camden, Illawarra Family History Group, Wollongong, 1988.
Bridges, Peter, Historic Court Houses of NSW, Hale and Iremonger, Sydney, 1986.
Broadbent, James, Elizabeth Farm, Parramatta, A History and Guide, Historic Houses Trust, Sydney, 1984.
Brosnan, Graeme, Hard Work Never Killed Anyone, Ern Clinton, The Story of My Life,This is My Story, Strawberry Hills, NSW, 2004.
Brown, Pam & Marion Starr, Narellan Hidden Treasures, Wilson Crescent Richardson Road Area Resident’s Group Inc, Narellan, 2007.
Brunero, Donna, Celebrating 50 Years: The Campbelltown-Camden District Band 1946-1996, Campbelltown and Airds Historical Society, Campbelltown, 1996.
Bullen, Paul & Jenny Onyx, Measuring Social Capital in Five Communities in New South Wales, Centre for Australian Community Organisations and Management, Lindfield, 1997.
Burge, John, A Glimpse of Cawdor, Sesqui-Centenary Committee of Cawdor Uniting Church, Camden, 2000.
Burnett, Brian A, (ed), Camden Pioneer Register, 1800-1900, Camden Area Family History Society, Camden, 1998.
Burnett, Brian and Christine Robinson, (eds), Camden Pioneer Register, 1800-1920, Camden Area Family History Society, Camden, 2001.
Burnett, Brian, Nixon, Richard and John Wrigley, They Worked At Camden Park, A Listing of The Employees, Leaseholders and Tenant Farmers Known To Have Worked On the Camden Park Estate, Camden Historical Society, Camden, 2005.
Burnett, Brian, Nixon, Richard and John Wrigley, Place Names of the Camden Area, Camden Historical Society and Camden Area Family History Society, Camden, 2005.
Bursill, Les, Jacobs, Mary, Lennis, et al, Dharawal, The story of the Dharawal Speaking People of Southern Sydney, Sydney: Kurranulla Aboriginal Corp, 2007.
Callaghan, Leo, They Sowed We Reap, Catholic Parish of Camden, Camden, 1983.
Camden Area Family History Society, Camden Catholic Cemetery, Cawdor Road, Camden, NSW, Camden Area Family History Society, Camden, 2004.
Camden Area Family History Society, Camden Municipal Council Municipal List Rates Book 1894-1907, Camden Area History Society, Camden, 2005.
Camden Area Family History Society, Camden General Cemetery, Cawdor Road, Camden, NSW, Camden Area Family History Society, Camden, 2005.
Camden Area Family History Society, St Thomas Anglican Cemetery, Richardson Road, Narellan, NSW, Camden: Camden Area Family History Society, 2010.
Camden Council & Campbelltown City Council, Macarthur Heritage Directory, Camden: Camden Council & Campbelltown City Council, 2008.
Camden High School, Camden High School for our 50th Anniversary, 1956-2006, Camden High School, Camden, 2006.
Camden Municipal Council, Municipality of Camden, Information and Statistics, Camden Municipal Council, Camden, 1977.
Camden Park Preservation Committee, Camden Park, Menangle, Camden Park Preservation Committee, Menangle, 1974.
Camden Park Estate Ltd, Camden Park Estate Pty Ltd, Menangle, Camden Park Estate, Camden, ud.
Camden Park Estate Ltd, Camden Park Estate, 1765-1965, Camden Park Estate, Camden, 1965.
Camden Park Estate Ltd, Camden Park Estate: Australia’s Oldest Pastoral Property, Camden Park Estate, Camden, 1953.
Camden Park Estate Ltd, Camden Vale: Special Pasteurised Milk, Production and Distribution, Camden Park Estate, Camden, 1953.
Carroll, Brian, The Hume: Australian’s Highway of History, Kangaroo Press, Kenthurst, 1983.
Charlton, Lenore, (ed), Alan D. Baker, Artist, 1914-1987, G & M Baker, Orangeville, 1987.
Clancy, Eric G, A Giant For Jesus, The Story of Silas Gill, Methodist Lay Evangelist, Eric G Clancy, 1972.
Clerke, Ron & Beverley Booth, (eds), The Churchyard Cemetery of St John’s Camden, Illawarra Family History Group, Wollongong, 1989.
Cobbitty Public School ‘Child Anzacs Committee’, I Remain the Kid, As Ever, Cobbitty Public School, Cobbitty Public School ‘Child Anzac Committee’, Cobbitty, 2002.
Colman, Patricia Margaret, Just a Simple Soul, PM Colman, Deloraine, Tasmania, 1996.
Cowles, Christopher and David Walker, The Art of Apple Branding, Australian Apple Case Labels and the Industry Since 1788, Apple from Oz, Hobart, 2005.
Cox and Tanner Pty Ltd, Camden Park, Menangle, NSW, A Proposal for Restoration and Rationalisation, Cox & Tanner, North Sydney, 1981.
Country Press Association of New South Wales, Annual Report New South Wales Country Press Association, 1947 .
Davis, Sue, Chapters of Cawdor, An Account of People and Events that shaped 150 Years of Education at Cawdor Public School 1858-2008, Cawdor, Cawdor Public School, 2008.
De Falbe, Jane, My Dear Miss Macarthur, The Recollections of Emmeline Macarthur, 1828-1911, Kangaroo Press, 1988.
Den Hertog, Sonja, The History of Burragorang Valley From the Records, The Oaks Historical Society, The Oaks, 1990.
Den Hertog, Sonja, Yerranderie, 1871-1995, The Oaks Historical Society, The Oaks, 1999.
De Vries, Susanna, Strength of Spirit, Pioneering Women of Achievement From First Fleet To Federation, Millennium Books, Alexandria, New South Wales, 1995.
Ditrich, Julie, Realising the Promise: The Story of Harrington Park, Icon Visual Marketing, Camden, 2006.
Duffy, Michael, Man of Honour, John Macarthur, Pan MacMillan, Sydney, 2003.
Dunn, Ian and Robert Merchant, Pansy, The Camden Tram: An Illustrated History of the Campbelltown to Camden Branch Railway, New South Wales Rail Transport Museum, Sydney, 1982.
Ellis, MH, John Macarthur, Angus and Robertson, Sydney, 1955.
Evans, Gordon, 55 Years, A History of Camden Bowling Club, Camden Bowling Club, Camden, 1994.
The Evangelical Sisters of Mary in Australia, Realities –‘Down Under’, Testimonies of God’s Faithfulness, Evangelical Sisterhood of Mary, Camden, 2006.
Fairfax, Marlane, Glenmore Uniting Church (Formerly Methodist) Graveyard, Transcript, Burial Records and Obituaries, Marlane Fairfax, Thirlmere, New South Wales, 1995.
Feiss, Mary-Ann, 50 Years of Legacy Torch Bearers in Camden, 1949-1999, Camden Branch of Torch Bearers for Legacy, Camden, 1999.
Festival of the Golden Fleece, Festival of the Golden Fleece, Camden Souvenir Programme 22-30 October, 1960, Celebrating the 100th Anniversary of Wool Production in Australia, Festival of the Golden Fleece Committee, Camden, 1960.
Fletcher, Chrissy, Arthursleigh, A History of the Property 1819 to 1979, Chrissy Fletcher, Bowral, 2002.
The Friends of Wivenhoe, Wivenhoe Historic House, The Friends of Wivenhoe, Camden, 2008.
Garland, Jill and John Martin, Historic Churches of New South Wales, AH&AW Reed, Sydney, 1978.
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Jack, LE, History of Education in Camden and District, A Study of the Origins and Development of Primary Education to 1880 and Selected Aspects of Later Growth of Primary, Secondary and Adult Education, M.Ed. Thesis, University of Sydney, 1966.
JRC Planning Services, Environmental Heritage, Macarthur Regional Environmental Study, Working Paper 3, Department of Environment and Planning, Sydney, 1986.
Landarc, Draft Significant Tree and Vegetated Landscape Study, Camden Municipal Council, Camden, 1993.
Mason, Milton Lewis, Carinya, The Social-Class System of an Australian Community. PhD Thesis, University of Missouri-Kansas City, 1960.
Mitchell McCotter Willing, Camden Area Flood Prone Land Study, 2nd Edition, Mine Subsidence Board, Sydney, 1993.
Proudfoot, Helen, Campbelltown, Camden, Appin, Survey and Report on Nineteenth Century Buildings and Sites, Volume IV, Section Four: Hume Highway to Camden, Bringelly, Cobbitty, Section Five: Narellan, Elderslie, Camden, State Planning Authority of New South Wales, Sydney, 1973.
Rosen, Sue, Hawkesbury-Nepean Historic Environmental Changes Study, Water Resources Program Hawkesbury-Nepean Strategy, Water Board, Sydney, 1992.
Sankey, Robyn, Camden and the Coal Industry: A Study of the Development of the Coal Industry in the Burragorang Valley and its Impact on Camden and the District in the Post-War Period, MA Thesis, University of Sydney, 1984.
State Planning Authority of New South Wales, The New Cities of Campbelltown, Camden, Appin, State Planning Authority of New South Wales, Sydney, 1973.
Stubbs, Judith, Camden New City, A Community Profile, Camden Municipal Council, 1985.
Tropman and Tropman, Draft Heritage Report, Camden Council, Camden, 2004.
Watson, Clare, Conservation of Public Access to and Interpretation of Belgenny Farm, Elizabeth Macarthur Agricultural Institute, Camden, New South Wales, Report, New South Wales Minister for Agriculture and Rural Affairs, 1991.
Wrigley, Camden Interim Heritage Study, Camden Historical Society, Camden, 1985.
Willis, Ian, War and Community: The Red Cross in Camden, 1939-1945, MA(Hons) Thesis, University of Wollongong, 1996.
Willis, Ian, The Women’s Voluntary Services, A Study of War and Volunteering in Camden, 1939-1945, PhD Thesis, University of Wollongong, 2004. Online. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20041025.152142/index.html [Accessed July 2007]
A Pictorial History of Camden and the Camden District, DVD, Camden Historical Society, Camden, 2006.
A Valley Lost – Leaving the Burragorang, Radio Programme, ABC Radio National, Broadcast 26 November 2006. Podcast online at http://www.abc.net.au/rn/hindsight/stories/2006/1790948.htm
A Valley Lost – Building Warragamba, Radio Programme, ABC Radio National, Broadcast 3 December 2006. Podcast online at http://www.abc.net.au/rn/hindsight/stories/2006/1792399.htm
Camden Headstone 1800-2006, CD, Camden Area Family History Society, 2007.
Camden Images, Online Photographic Database, Camden Historical Society & Camden Council Library Services, 2010. Online at http://www.library.camden.nsw.gov.au/camdenimages/scripts/home.asp
Camden Line, DVD, Rowlingstock Productions, Parramatta, 1989.
Camden Slide Show, DVD, Camden Photo Centre, Camden. 2007
Camden Slide Show 2nd Edition, DVD, Camden Photo Centre, 2009.
Dangerous Ground, TV programme, Four Corners, ABCTV, Broadcast 10 March 2008. Vodcast online at http://www.abc.net.au/4corners/content/2008/s2181743.htm. Programme transcript online at http://www.abc.net.au/4corners/content/2008/s2185494.htm
Harrington Park, Make It Yours, DVD, Harrington Park Realty, Harrington Park, 2006.
Macarthur, DVD, Editricks/Camden Council/Campbelltown City Council, Campbelltown, 2007.
Macarthur, DVD, Camden Council/Campbelltown City Council/Overland TV, Camden, 2010.
Make It in Macarthur, DVD, MACROC, Campbelltown, 2006.
Oran Park Raceway, 46 Fabulous Years, DVD, Chevron, Sydney, 2008.
‘Still My Country Home’, Song, Jessie Fairweather, Camden , 2007. Backing track for Camden Slide Show.
‘The Camden Train’, Song, Buddy Williams, Camden, 1963.
The Coal Carters, DVD, Garry and Anita Martin, Oakdale, 2005.
The Spirit of Macarthur, DVD, Editricks/Campbelltown City Council/Ron Moore, Campbelltown, 2006.
Valley of Wealth, A Burragorang Coal Pictorial, DVD, Anita Martin, Oakdale, 2005.
The author of this blog has written extensively about the Camden district and for a detailed list of publications click here