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Adaptive re-use and the Whiteman commercial buildings in Camden NSW

The wonderful Victorian colonial building that was once the Whiteman’s General Store has had a new lease of life through the Burra Charter principle of adaptive re-use. There are has been a continuous retail shopping presence on the same site for over 135 years.

While the building has also had new work and restoration it is a good  example of how a building can be adaptively re-used for commercial activities without destroying the integrity of the buildings historic character and charm.

Camden Whitemans Store 1923 CIPP
The Whiteman General Store in 1923 who were universal providers of all sorts of goods to town and country folk alike across the Camden district from Menangle to Burragorang Valley. The store would deliver to your door in town just like parcels purchased online today. (Camden Images)

 

Adaptive re-use maintains the historic character of the streetscape and the sense of place that is so important to community identity, resilience and sustainability.

Adaptive re-use is not new and has been going on for a long time.  In Europe buildings that are hundreds of years old continual go through the process of re-use century after century.

 

The Tower of London – a building with an amazing history of adaptive re-use

The Tower of London has been re-used over the centuries since the White Tower was constructed by William the Conqueror in 1066 as a fortress and gateway to the city.

Over the centuries the Tower of London complex has been a royal residence, military storehouse, a prison, place of royal execution, parliament, treasury, a menagerie, the home of the Royal Mint, a public record office, storage of crown jewels, royal armoury, regimental headquarters, and most recently a centre of tourism.

 

London Tower of London 2006 PPikous-Flckr
The Tower of London has gone through many changes of usage across the centuries. (P Pikous, 2006)

 

Adaptive re-use in Australia

In Australia adaptive re-use of historic buildings comes under the Burra Charter which defines the principles and procedures followed in the conservation in Australian heritage places.

The Burra Charter accepts the principles of the ICOMOS Venice Charter (1964) and was adopted in 1979 at a meeting of ICOMOS in 1979 at the historic town of Burra, South Australia.

The Burra Charter has been adopted by heritage authorities across Australia – Heritage Council of NSW (2004).

Adaptive re-use is covered by Article 21 of the Burra Charter and states:

Article 21. Adaptation 21.1 Adaptation is acceptable only where the adaptation has minimal impact on the cultural significance of the place. 21.2 Adaptation should involve minimal change to significant fabric, achieved only after considering alternatives.

The explanatory notes says:

Adaptation may involve additions to the place, the introduction of new services, or a  new use, or changes to safeguard the place.  Adaptation of a place for a new use is often referred to as ‘adaptive re-use’ and should be  consistent with Article 7.2.

 

Other countries and adaptive re-use

In other countries there are legal enforcement of re-use of historical buildings and precincts.

In Irish planning, a conservation ensemble is known as an Architectural Conservation Area (ACA). ACA status provides statutory protection to existing building stock and urban features, and applies strict design and materials standards to new developments. Protections prohibit works with negative impacts on the character of buildings, monuments, urban design features, open spaces and views.

The architectural principles of adaptive re-use can be contested and contentious within communities.

The objectives of ensemble-scale heritage conservation can be highly political – sense of place, ownership of space and local politics come together in this process.

 

Reasons for adaptive re-use for historic buildings

Architects advance a number of reasons why historic buildings should be adaptively re-used. They include

  • Seasoned building materials are not even available in today’s world. Close-grained, first-growth lumber is naturally stronger and more rich looking than today’s timbers. Does vinyl siding have the sustainability of old brick?
  • The process of adaptive reuse is inherently green. The construction materials are already produced and transported onto the site.
  • Architecture is history. Architecture is memory.

[Craven, Jackie. “Adaptive Reuse – How to Give Old Buildings New Life.” ThoughtCo, May. 22, 2018, thoughtco.com/adaptive-reuse-repurposing-old-buildings-178242]

 

Whiteman commercial building

The Whiteman family conducted a general store in Argyle Street on the same site for over 100 years.

Camden Whitemans General Store 86-100 Argyle St. 1900s. CIPP[1]
Camden Whiteman’s General Store, 86-100 Argyle Street, Camden c1900s. The customer would go the a wide-wooden-shop-counter with their list of requisites and receive personal service from a male shop assistant who would fill their order. (Camden Images)

In 1878 CT (Charles Thomas) Whiteman, who operated a family business in Sydney, brought produce to Camden. He purchased a single storey home at the corner of Argyle and Oxley Street and ran his store from the site. (SHI) In 1878 a fire destroyed the business.

CT Whiteman was previously a storekeeper in Goulburn and Newtown and later married local Camden girl Anne Bensley in 1872. Whiteman, was a staunch Methodist, and  was an important public figure in Camden and served as the town’s first mayor from 1892 to 1894.

CT Whiteman moved to premises in Argyle Street in 1889 occupied by ironmonger J Burret.  Whiteman modified the building for a shopfront conversion.   (SHI)   The store was later leased to the Woodhill family from 1903 to 1906.

Camden Whiteman Bldg Tenant Woodhills General Store c1906
The Whiteman’s commercial building was leased by the Woodhill family as a general store for a number of years after Federation. A coach service like the one in the image plied a daily service between Camden and Yerranderie leaving at the corner of Argyle and John Street run by the Butler family. (Camden Images)

 

From 1889 to 1940 the building was known as the Cumberland Stores. The store supplied groceries, drapery, men’s wear, boots and shoes, farm machinery, hardware, produce and stationery. (Gibson, 1940)

The original Argyle Street building was an early timber verandahed Victorian period store.

The building was a two-storey rendered masonry building with hipped tile roof, projecting brick chimneys. The second storey had painted timber framed windows which were shaded by a steeply pitched tile roof awning supported on painted timber brackets.(SHI)

A two-storey addition was constructed in 1936 and the verandah posts were removed in 1939 when this policy was implemented by Camden Municipal Council.

There were later shopfront modifications to the adjacent mid-20th century façade street-frontage which included wide aluminium framed glazing and awning to the ground level of the building. (SHI)

The Whiteman’s General Store sold a variety of goods  and became one of the longest-running retail businesses  in Camden.

 

Camden Whitemans Store 1978[1] CIPP
By 1978 Whiteman’s General Store had undergone a number of extensions and provided a range of goods from mens and boys wear to haberdashery. Produce, hay and grain for local farmers could be obtained at the rear of the store from the Hill Street entrance. The mid-20th century building extension is to the left of the image. Upstairs were a number of flats that were leased out to local folk. (Camden Images)

The Whiteman’s Store was trading as Argyle Living when it closed in 2006 under the control of Fred Whiteman. On the store’s closure the Whiteman family had operated on the same site in Camden for 123 years.

On the closure of Argyle Living the store sold homewares, clothing, furniture and a range of knickknacks and was the largest retail outlet in Camden with 1200 square metres of space.

 

Current usage of the Whiteman’s commercial building

After 2007 the building was converted, through adaptive re-use, to an arcade with several retail outlets and professional rooms on the ground floor, with a restaurant and other businesses upstairs.

Camden Whitemans Going Upstairs (at Freds) 2018 IWillis
Image Going Upstairs (at Freds) to the restored rooms that were once small flats and accommodation above the men’s wear downstairs. The first restaurant was developed by David Constantine called Impassion in 2005. David said, ‘I like to think we are just caretakers for a while. I’ll treat it well and ensure it’s here for someone else’s lifetime’. (I Willis, 2018/Camden History, September 2007)

 

Camden Whiteman Bldg Upstairs (at Freds) 2018 IWillis
The old flats Upstairs [at Freds] in the Whiteman’s building has been converted into a restaurant and performance space. This conversion was originally completed in 2005 by restauranter David Constantine of Impassion. Here Lisa DeAngeles is entertaining a small and enthusiastic crowd in the room in the restaurant Upstairs at Freds. The front verandah is out through the doors to the left of the room. (I Willis, 2018)

The building has largely retained its integrity, and its historic character and delight in the town’s business centre.

The Whiteman’s commercial building adds to the mid-20th century streetscape that still largely characterises the Camden town centre and attracts hordes of day-trippers to the area.

 

Camden Whiteman's Building Upstairs (at Freds) 2018 IWillis
A quiet function room with an historic flavour in the restored area Upstairs at Freds. The scenes on the left show the Australia Light Horse Infantry on a forced from the Menangle ALH Camp in 1916 marching down Argyle Street Camden past Whiteman’s General Store. The image on right in the Whiteman’s General Store in 1923. (I Willis, 2018)

 

 

Camden Whitemans Building 2018 IWillis
The Camden Whiteman’s building shown here from the street frontage in Argyle Street. The building has undergone adaptive re-use in accordance with the Burra Charter (ICOMOS) and continues to be busy retail outlet as it has done since the Victorian days. This means that there has been a retail outlet continuously occupying this site for over 135 years. The current building usage continues to contributed the delight and charm of the Camden town centre that attracts thousands of tourist every year. (I Willis, 2018)

 

Learn more:

State Heritage Inventory

Julie Wrigley, ‘Whiteman family’. The District Reporter, 8 December 2017.

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A hidden Sydney gem: Yaralla Estate

The CHN blogger was out and about recently and visited one of Sydney’s hidden gems that very few people seem to know about. It is the spendid and historic Yaralla Estate at Concord NSW.

Concord Yarralla Estate Front Paddock (2018)
The entrance paddocks of the Yaralla Estate which is a highly significant example of a large nineteenth estate in the Sydney area. It is a rare example because it incorporates an entire 1790s land grant within its boundaries (I Willis, 2018)

 

The Yaralla estate has a colourful history and the site has been occupied by some famous Australians.

Concord Yarralla Estate Woodbine 1833 (2018)
Woodbine Cottage. This is the oldest building on the Yaralla Estate dating from before 1833 and built by the family of Isaac Nichols shortly after his death. It is a timber cottage and has been modified since its completion. (I Willis, 2018)

 

One of the first was former convict Isaac Nichols, Australia’s the first postmaster (1809).

Concord Yaralla Estate 2018 Driveway
Yaralla Estate Driveway approaching Yaralla House. Described by the State Heritage Inventory as ‘composed of brush box (with the occasional eucalypt exception) and runs from the entrance gates between grassed west and east paddocks (until recently containing horses) leading to the inner set of estate gates and fencing containing the homestead, dairy complex, stables and parkland garden’. (I Willis, 2018)

 

The next prominent owner was Sydney banker and philanthropist Thomas Walker acquiring the property from Nichols sons in the 1840s. He commissioned Sydney architect Edmund Blacket to design a large two-storey Victorian mansion called Yaralla house. Walker died in 1886 and left the estate in trust to his only daughter Eadith.

Thomas left a bequest of 100,000 pounds from his will for the construction of the Thomas Walker Convalescent Hospital in the western portion of the Yaralla estate.

Concord Yarralla Estate House 1850s (2018)
Thomas Walker’s Yaralla House. Edmund Blacket designed stage 1 in 1857 with additions by John Sulman 1893-1899. The house was converted to a hospital in 1940 as the Dame Eadith Walker Convalescent Hospital. (I Willis, 2018)

 

Sydney architect Sir John Sulman  was commissioned to extend the house to extend the house in the 1890s. He extended the second floor of the house and designed a number outbuildings including the dairy and stable buildings.

Concord Yarralla Estate Stables2 (2018)
The Arts and Crafts inspired stables were designed by John Sulman between 1893 and 1899. The complex was originally used as a coach house and stables and later as garages, office and storage space. (I Willis, 2018)

 

Yaralla House and the grounds are strikingly English-in-style and layout. The Arts and Crafts influenced Sulman buildings are set in idyllic setting of an English estate garden and park.

Concord Yarralla Estate Dairy 1917 (2018) CCBHS
The dairy, a U-shaped building inspired by Arts and Crafts design were part of the John Sulman estate works. This image taken in 1917 shows the predominantly Jersey dairy herd which at one stage had 1200 cows and produced 300 gallons per day. (CCBHS)

 

The Dictionary of Sydney states that the top part of the estate

were sub-divided in 1908, 1912, and 1922, becoming estates of Federation and Californian bungalow homes built for soldiers after World War I.

Concord Yarralla Estate Subdivision 1908 (2018) CCBHS
The Walker Estate at Concord. The subdivision was sold at public auction on 21 November 1908. The streets included Gracemere, Beronia, Waratah and Alva Streets. The sale was organised by Auctioneers Raine & Horne at their Pitt Street offices. Over 125 blocks were offered for sale. (CCBHS)

 

Yaralla House was the ‘hub of Sydney society’ in the Interwar period, according to the Dictionary of Sydney.  Eadith Walker who lived at the house during this period was a  famous Sydney philanthopist and held many charity events on the property.

Concord Yarralla Estate Boronia2 (2018)
Boronia Cottage. This was the residence for the dairy manager and was next to the dairy complex. It is a single storey cottage with a hipped and gable roof inspired by Arts and Crafts design. It was part of the John Sulman estates works. (I Willis, 2018)

 

Dame Eadith Walker (CBE, 1918, DBE, 1928) never married and left a large estate when she died in 1937. The  estate finally came under the Walker Trust Act 1939.

Concord Yarralla Estate Stables Courtyard2 (2018)
The courtyard of the English-style stables and coach house complex. Designed by John Sulman influenced by Arts and Crafts styling. The central courtyard has a ‘rich assortment of decorative elements such as towers, lanterns, a clock and dormer windows’, according to one source. It has living quarters and a horse enclosure. (I Willis, 2018)

 

Yaralla House was a convalescent hospital after the Second World War and then fell into dis-repair. Much conservation work has been carried out in recent decades.

Concord Yarralla Estate 2018 Stonework
The balustrade separates the top and lower terraces adjacent to Yaralla House with views of Sydney Harbour. The top terrace was a crochet lawn, while tennis courts occupied the lower terrace. The balustrade is ‘symmetical marble and freestone with formal central stairway’, according to a source. Today’s foreshore walkway is in the far distance. (I Willis, 2018)

 

The property had many important visitors over the years from royalty to the vice-regal.

Concord Yarralla Estate Squash Court (2018)
The squash court built by Eadith Walker for a visit by the Prince of Wales in 1920. It is regarded as substantially intact and is an important surviving recreational element on the property. It has elements of Arts and Craft influence similar to estate works by John Sulman. It is reputed to be the first squash court built in Australia (I Willis, 2018)

 

 A ‘secret’ walking trail

The area has a ‘secret’ walking trail along the Sydney Harbour Foreshore. Well known to locals. Little known to outsiders. The walkway includes the Kokoda Track Memorial Walkway from Rhodes Railway Station to Concord Hospital (800 metres). It is all part of the Concord Foreshore Trail. This walk is described this way on the City of Canada Bay walks website:

This historic and peaceful walk stretches from McIlwaine Park in the Rhodes to Majors Bay Reserve in Concord. The route encircles the mangrove-fringed Brays Bay, Yaralla Bay and Majors Bay on the Parramatta River and goes around the former Thomas Walker Hospital ( a heritage listed building), Concord Repatriation General Hospital and the historically significant Yaralla Estate (one of the oldest estates in Sydney dating back to the 1790’s).

These are all part of the Sydney Coastal Walks.

Attachment to place · Australia · Camden · Community Health · community identity · Country Women's Association · Cultural Heritage · CWA · Heritage · Historical consciousness · Historical thinking · history · Local History · Modernism · Place making · Ruralism · Second World War · sense of place · Volunteering · Volunteerism · war · War at home

Camden CWA wartime president, Rita Tucker

The Camden Country Women’s Association, formed in 1930, played an important role in wartime Camden between 1939 and 1945. The branch undertook a number of roles under the direction of its wartime president Mrs MS (Rita) Tucker.

 

Mrs Tucker was a lifelong member of the CWA and its president from 1939 until her death in 1961. She was driven by community service as were most of the Camden women that worked for the homefront war effort.

Rita_Tucker1
Wartime president of the Camden branch of the Country Women’s Association Mrs Rita Tucker. (J Tucker)

Mrs Tucker was a foundation member of the Camden CWA. She was an active member of the Camden Presbyterian church and played the organ on Sundays. She was a member of the Camden female elite and moved in influential circles in Sydney. She was very determined, intelligent and forthright. She did not suffer fools and said so, which could rub people up the wrong way. She was outspoken and a straight talker.

 

Mrs Marguerita Tucker (nee Blair) was born in 1894 in Finley NSW and attended Goulburn Presbyterian College. Her parents were William and Flora Blair, and she was one of three children, brother Douglas and sister Doreen. Her family moved to Narrabri in 1910, where she later worked as a journalist and part-time editor for the North West Courier as well as supporting her family’s pastoral interests in the area.

 

Rita Blair married Rupert Tucker in 1915, whose family owned Merila, a wheat and sheep property, between Narrabri and Boggabri. Rita and Rupert had a daughter Joanna (1920) and a son John (1938), after losing their first child. They moved their family to the Camden area in 1929 and purchased Nelgowrie near Macquarie Grove. They later purchased The Woodlands at Theresa Park, made some additions to the house, then moved the family there in 1935.

 

Rita Tucker joined the Camden CWA on its foundation in 1930. She was a modern independent woman at a time where there was changing aspirations for rural women. Tucker was vice-president of the Nepean Group of the CWA in 1931, worked tirelessly for the organisation and was New South Wales CWA treasurer in 1937.

 

Agency of country women

Tucker took advantage of the groundbreaking role of the Camden Red Cross which had empowered Camden women within the strict social confines of the town’s closed social order. She exercised her agency as a Camden conservative and carved out a space within Camden’s female voluntary landscape.
Rita Tucker was part of the New South Wales CWA which was founded in 1922 by the conservative wives of the rural gentry. The foundation president was Mrs Grace Munro from the New England area of New South Wales and was in the same mould as Tucker. Mrs Munro proceeded to implement policies that were aimed at empowering rural women who were confined by isolation, marriage, poor education, rural poverty, poor services and a lack of mothercraft support in the bush.

 

Munro was born at Gragin near Warialda NSW and educated at Kambala in Sydney. She lost a child in 1911 while away from home attending to medical matters for another of her children in Sydney. She had gained valuable experience during the First World War in the country Red Cross. Helen Townsend’s Serving the Country, the history of the New South Wales CWA, has described Grace Munro as a formidable energetic women who was totally dedicated to the CWA. Tucker and Munro were active agents of change for country women.

 

Change Agents

The conservatism of the NSW CWA founders was reflected in the women who established the Camden CWA. These women put matters of family, church and community at the forefront of their voluntarism and implemented policies within the CWA that reflected these values. The CWA founders in Camden and at a state level supported the status quo where patriarchy and class ruled daily interactions in country towns.

 

During the Second World War the women of the New South Wales and Camden CWA saw their role as a support organisations as part of the Australian family on the homefront. Townsend’s history states that in 1939 member’s patriotism was stirred by the promise of ‘action, excitement, purpose and drama’.

 

The CWA’s The Countrywoman stated in 1942 that:

A woman’s part in this heroic struggle is to inspire our men, to cheer and to comfort and to sustain them through good and evil report, until we shall reach the Pisgah’s heights of victory and guarantee to our children and our children’s children that they may pursue honourable lives as free men and women along the paths of peace in the years to come.

During the war years the most important wartime activity undertaken by the CWA in Camden and across the state was making camouflage nets for the army. In Camden making camouflage nets was based at the CWA’s Murray Street headquarters, while the branch regularly sent finished camouflage nets to Sydney from 1940.

 

Over 70 years later the Camden CWA is still serving the local community and is part of Australia’s most powerful women’s organisation.

 

Learn more

Read more about the CWA and other conservative women’s organisations in wartime Camden  @  UOW research

 

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1918 Australia Day

By 1918 the war had been dragging on into its fourth year. Soldier casualties were large and still growing.  Patriotic fundraising was a major focus for those at home and the Australia Day fundraisers had been important since their establishment in 1915.

 

The first Australia Day was held in 1915 on the 30 July as a fundraising for the Gallipoli casualties as they returned to Australia. January 26 was known as ‘Anniversary Day’, ‘Foundation Day’ and ‘Regatta Day’. Australia Day was not fixed on January 26 until 1935 when there was agreement of all states and territories and the imminent approach of the 1938 Sesquicentennial celebrations.

Australia Day in 1918 in Camden

In early 1918 Camden Red Cross workers supported the national Australia Day appeal, which aimed ‘to relieve the sufferings of Australia’s men who are suffering that Australia shall be free’. (Camden News 18 April 1918) Camden mayor George Furner called a public meeting on 23 March at a not so well attended meeting of the Camden Red Cross sewing circle. An organising committee was formed of the Camden Red Cross and  council officers. The fundraising activities were to include the sale of badges and buttons, a Red Cross drive, a public subscription, a prayer service, a lecture and a door-knock of the town area.

Red Cross Australia Day 1918 fundraising emu Pinterest
A Red Cross button sold on Australia Day in 1918 for patriotic fundraising for the Australian troops. This button was to raise funds for the Strathalbyn Red Cross branch in 1918. Every little town and village across Australia sold buttons for the same wartime appeal. (Pinterest)

 

The Australian Day activities started with the united prayer service (2 April) held at the Forester’s Hall in Camden run by the Protestant clergy. It started at 11.30am with Rev. Canon Allnutt from St Paul’s church at Cobbitty, Rev CJ King from St John’s church in Camden and Rev GC Percival from the Camden Methodist Church. All businesses in Camden were shut for the duration of the service and there was ‘an attentive and earnest gathering both town and country’. (Camden News, 4 April 1918)

 

A public lecture was presented by Senior Chaplain Colonel James Green (8 April) held at the Foresters’ Hall on his experiences on the Somme battlefield in France.  The Red Cross ‘drive’ started the same week (9 April) and resulted in the sale of Red Cross badges to the value of £54 with only 200 left to be sold before the market day (23 April).

 

A Red Cross market day was held on 30 April and the Camden press maintained that ‘with so many gallant sons in the battlefields; her women folk have since the very outbreak of war have nobly done their part of war work’.  Flags and bunting were draped around the bank corner and were supplemented with Allies’ flags and lines of Union Jacks in the ‘finest’ local display and music was provided by the Camden District Band. The displays were opened by Enid Macarthur Onslow and in her words touched a ‘solemn’ note when she spoke of the ‘sacrifices mothers and women’ towards the war effort and the responsibilities of those who stayed at home. The whole event was a huge success and raised £225, which made a cumulative total of £643 in the appeal to that point.

Red Cross Australia Day 1918 fundraising Vickers Machine Gun Pinterest
A button that was sold on Australia Day 1918 as a patriotic fundraising effort the Australian Red Cross. This button shows an Australian soldier with a Vickers Machine Gun ready for action. (Pinterest)

 

The Camden Red Cross branch then conducted a raffle, with first prize being an Australian Flag autographed by Earl Kitchener. The Camden press maintained

that if you haven’t got a ticket in the Kitchener Flag yet you will have one by the end of May unless you hide from the Red Cross ladies in town. They want to sell a lot and they are not going to let you go until they have extracted a two shilling piece from you. (Camden News, 9 May 1918)

And the reporter was not exaggerating. The total effort of the Camden Red Cross for the Australia Day appeal came to £748, which also included donations from Sibella Macarthur Onslow of £100, Mrs WH Faithfull Anderson of £25 and £100 from the Camden Red Cross. (Camden News, April and May 1918) [In todays worth that is about $100,000 from a population of around 1700]

Australia Day at Menangle and Narellan

The Menangle Red Cross decided that ‘a big effort’ was needed and a garden fete (18 May) was organised by Helen Macarthur Onslow, Enid’s daughter, at her home Gilbulla. The fete was opened in front of a large crowd by the wife of the New South Wales Governor, Lady Margaret Davidson. The New South Wales governor, Sir Walter Davidson, presented two engraved watches to two local returned soldiers. The fete raised a total of £85 and the total Menangle Red Cross collections were well over £100.

 

The Narellan Red Cross put on a concert at the Narellan Parish Hall (27 April) and tickets were 2/- and 1/- and raised £51. Together the sale of Red Cross Drive Badges and donations the branch  raised £80. Out at the Douglas Park Red Cross the branch ran a social and raised £22. (Camden News, April and May 1918)

 

Learn more 

Learn more about local Red Cross activities during the First World War.

Cover[3]
The story of the Camden District Red Cross  from 1914 to 1945 is told in this book published by the Camden Historical Society. It tells the story of Red Cross branches at Camden, Menangle, The Oaks, Bringelly, Mount Hunter, Oakdale and the Burragorang Valley.
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Mid-20th Century Modernism in Elderslie

Modernism was a transnational force that embraced the Camden community.

The lands releases in the Camden suburb of Elderslie in 1960s have produced a number of houses that have expressed mid-20th century modernism. The house designs were taken from the book of project homes of the day and were quite progressive.

Elderslie 64 Macarthur Road 2010 IWillis
The Hennings house built at the beginning of the 1960s by a local businesman at 64 Macarthur Road. It occupied a prominent position and was influenced by the American West Coast Ranch style of housing. The house was demolished in 2011. (I Willis, 2010)

 

Australian architects including Robin Boyd were expressing Australian modernism. These architects were commissioned by housing developers like Lend Lease to design their housing estates.  One such development was the Lend Lease Appletree Estate at Glen Waverley in Melbourne. Another Lend Lease land release and group of show homes were at their 1962 Kingsdene Estate in Carlingford,

The Elderslie homes were built by the miners who worked in the Burragorang Valley and they wanted new modern houses. They generated the wealth that funded the urban growth of the  Camden suburbs of Elderslie and South Camden.

Elderslie was one of the original land grants to John Oxley in 1816. The area has been dominated by farming, particularly orchards and vineyards.

Elderslie examples of 1960s modernism include houses in Luker Street characterised by low-pitched rooves, open planned but restrained design, with lots of natural light streaming in full length glass panels adjacent to natural timbers and stone. There are also ranch style houses in River Road with open planning and wide frontages to the street, some architect designed.

Wrought iron work, Elderslie NSW 1960s (I Willis)
House in Macarthur Road Elderslie showing wrought iron work popular in the 1960s. A number of houses were built in this style based on the mining boom from the Burragorang Valley coal mines. (I Willis, 2010)

 

These houses are all located in and amongst Federations style farming houses of the Edwardian period. The Federation style houses were on large blocks of land that were sub-divided during the 1960s.

The now demolished Henning’s house in Macarthur Road (image) is an example of open planned ranch style. Other modernist designs are the blocks of flats in Purcell Street, with use of decorative wrought iron railings.

Sunset Avenue in Elderslie was a new land release with a mix of 1960s modern low-pitched roof open planned houses interspersed with New South Wales Housing Commission fibro construction homes.

Other land releases of the 1960s were the New South Wales Housing Commission 1960s fibro houses some of which are located in Burrawong Road and Somerset Street.

Elderslie Fibro Cottages
Modern fibro cottages in Burrawong Crescent Elderslie built around the 1960s. (I Willis, 2005)
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The Cowpastures, GLAM and schools

Young visitors to the Camden Museum love the model of the HMS Sirius, in the ground floor display area. HMS Sirius was the flagship of the First Fleet in 1788 under its commanding officer Captain John Hunter. He was later promoted to NSW Governor and in 1795 he visited the local area in search of the wild cattle and named the area the Cow Pastures Plains.

Camden Museum Macarthur Anglican School Visit7 Sirius 2018Apr
School visit by Macarthur Anglican Students viewing the HMS Sirius model 2018 (MAS)

 

The story of the Cowpastures is one of the many told in the displays at the volunteer-run Camden Museum and the Wollondilly Heritage Centre, all part of the Macarthur region’s GLAM sector.

So what is the GLAM sector? For the uninitiated it is Galleries, Libraries, Archives and Museums. The acronym GLAM appeared at the 2003 annual conference of the Australian Society of Archivists.

Organisations that make up the GLAM sector are cultural institutions which have access to knowledge as their main purpose and care for collections of any kind.

One of the key roles of GLAM sector organisations is to allow their visitors to learn things, in both formal (aka classroom) and informal settings. For the visitor this can come in a vast array of experiences, contexts and situations.

The Macarthur region has a number of galleries, museums and libraries. They are mostly small organisations, some with paid staff, others volunteer-run.

 

The local GLAM scene

There is the volunteer-run Camden Museum a social history museum. While out at The Oaks is the pioneer village setting of the Wollondilly Heritage Centre and at Campbelltown the Glenalvon house museum.

camden-library museum
Camden Library Museum in John Street Camden 2016 (I Willis)

 

Local council galleries and libraries have the advantage of paid staff. The Alan Baker Art Gallery is located in the Camden historic town house Macaria. At Campbelltown there is the innovative Campbelltown Arts Centre and its futuristic styling.

The local council libraries and their collections fulfil a number of roles and provide a range of services to their communities.

On a larger scale the state government-run historic Belgenny Farm is Australia’s oldest intact set of colonial farm buildings in the Cowpastures established by John and Elizabeth Macarthur.  A number of other colonial properties are also available for inspection.

 

Doing more with less

Doing more with less is the mantra of volunteer-run organisations. They all have collections of objects, artefacts, archives, paintings, books and other things. Collections of knowledge.

Collections are generally static and a bit stiff. There is a distance between the visitor and the collection. Visitor immersion in these knowledge collections is generally through storytelling of one sort or another.

Camden Museum Macarthur Anglican School Visit6 2018Apr
Story telling by a volunteer at the Camden Museum for a school visit by Macarthur Anglican School (MAS, 2018)

 

The more dynamic the immersion the more memorable the visitor experience. An immersive experience will be informative, exciting and enjoyable.

This is certainly the aim of school visits. Teachers aim to immerse their school students in these collections in a variety of ways through storytelling. Hopefully making the student visit educational, memorable and enjoyable.

 

The learning framework

Local schools connect with local stories through the New South Wales History K-10 Syllabus. A rather formal bureaucratic beast with complex concepts and contexts. Local schools vary in their approach to the units of work within the syllabus.

 

NSW History K-10 Syllabus

Topics

Early Stage 1      Personal and Family Historians

Stage 1                The Past in the Present.

Stage 2                 Australian History: Community and Remembrance. First Contacts.

Stage 3                 Australian History: Colonial and National.

Stage 4                 World History: Ancient, Medieval and Modern.

Stage 5                 Global History: The Modern World and Australia.

 

Field trip

One of the types of engagement recommended by the History Syllabus are field trips through site studies. These can come in all shapes and sizes.

One type of field trip can include taking in local museums and galleries.

Camden Museum Macarthur Anglican School Visit2 2018Apr
School visit by Macarthur Anglican School students outside the Camden Library being told story by a museum volunteer (MAS, 2018)

 

One approach

Stage 2 History -Topic: From Colonisation to Now

Mrs Kathryn Pesic from Macarthur Anglican School visited the Camden Museum with her Year 4 students.

Mrs Pesic said, ‘The students visit was integral in engaging the students and directing them to an area of interest’.

The school teachers posed a number of Key Inquiry Questions throughout the unit of work.  The museum visit, according to Mrs Pesic, was the final part of the unit that started with a broad study of Sydney and narrowed to Camden. The students then had a ‘project’ to complete back at school.

Mrs Pesic reported that the teachers felt that they ‘had achieved the outcomes that they had set for their museum visit’.

 

 

Another approach

Another local school Stage 2 group recently visited the museum, the gallery and had a walk around the Camden town centre. They too addressed the same unit of work from the History Syllabus.

Camden Macaria Gallery MawarraPS Visit 2018April11 lowres
A school visit to the Alan Baker Art Gallery being told a story by the gallery curator (ABAG, 2018)

 

Storytelling – the past in the present

The integration of local studies and inquiry-based learning by school students calls for imagination and creativity. What results is an opportunity to tell the Camden story through a narrative that gives a perspective on the past in the present.

There have been generations of story tellers in the Cowpastures and Camden district since the Dreamtime. Young people can have meaningful engagement with these folk through local GLAM organisations, ‘that cannot always be obtained in the classroom’, says Mrs Pesic.

 

The cows and more. So what do they offer?

All this activity takes place in the former Cowpastures named by Governor Hunter in 1795. This country was formerly Benkennie of the Dharawal people. The Cowpastures is one of Australia’s most important colonial sites.

Under European dispossession the Cowpastures became part of the Macarthur family’s Camden Park Estate from which the family carved out the private township of Camden with streets named after its founders – Macarthur, Elizabeth, John, Edward.

Camden John St (1)
St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

 

The English-style Camden town centre has evolved and illustrates a number of historical architectural styles since 1840 – Victorian, Edwardian, Inter-war, Mid-20th century Modernism.

The Camden district (1840-1973) tells stories of hope and loss around farming and mining in the hamlets and villages across the region. New arrivals hoped for new beginnings in a settler society while the loss of the Burragorang Valley, the Camden Railway and a landscape aesthetic created sorrow for some.

Map Camden District[1]
The extent of the Camden District in 1939 showing the township of Camden in the eastern part of the district (I Willis, 1996)

The Macarthur region (1973 +) named after the famous family and the infamous Macarthur growth centre. The area is on Sydney’s rural-urban fringe and made up of Camden, Campbelltown and Wollondilly Local Government Areas.

 

The more things change the more they stay the same

The Cowpastures and Camden districts, now the Macarthur region, are some of the fastest changing landscapes in Australia. There is a need by the community to understand how the past created the present and today’s urban growth.

Camden Aerial View 1990s CIPP
The AEH Group is using images like this to promote their development at Camden Central. This images was taken in the early 1990s by PMylrea and shows the town with Argyle Street to the right of the image. St John’s Anglican Church is in the left of the image. The old Camden High site is to right of the town centre. This image clearly shows how the town centre is surrounded by the Nepean River floodplain. (CIPP)

 

There is a need for creative and innovative solutions and ways to deliver the Camden and Macarthur stories. These are only limited by our imagination.

 

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
Aesthetics · Art · Campbelltown Art Centre · community identity · festivals · Historical consciousness · Historical thinking · Leisure · Local History · Macarthur · Modernism · Place making · sense of place · Sydney · Tourism

Sheer Fantasy Experience

Campbelltown Arts Centre continues its growing reputation for innovative, exciting and challenging art.

Campbelltown Art Centre Launch SheerFantasy 2018Apr Door&Curtain
Sheer Fantasy Experience is an innovating and challenging art exhibition at the Campbelltown Arts Centre 2018 (I Willis)

 

The Campbelltown Arts Centre hosted the opening of a whimsical exhibition curated by artist David Capra in April 2018.

Campbelltown Art Centre Launch SheerFantasy 2018Apr Curator
Curator David Capra at the launch of his exhibition Sheer Fantasy at the Campbelltown Arts Centre April 2018 (I Willis)

 

Within the exhibition fantasies abound in a world of the imagination where the world is re-interpreted by indulgence.

Campbelltown Art Centre Launch SheerFantasy 2018Apr Wall
Launch of the Sheer Fantasy Exhibition at the Campbelltown Arts Centre April 2018 (I Willis)

 

The exhibition notes state there are:

A number of newly commissioned works in which artists have contemplated private and internal landscapes that have long influenced their practices…bold architectural additions… provide an immersive experience of constructed escapisms that are stongly familiar…

Campbelltown Art Centre Launch SheerFantasy 2018Apr Truck
Launch of the Sheer Fantasy Exhibition at the Campbelltown Arts Centre April 2018 (I Willis)

 

Influences include Hollywood Westerns movie sets and the Golden Age of Cinema. Combined with performance art by Renny Kodgers in a truck where there are ‘slow conversations’.

Campbelltown Art Centre Launch SheerFantasy 2018Apr Crowd
The crowd at the launch of Sheer Fantasy Exhibition at the Campbelltown Arts Centre April 2018 (I Willis)

 

An interesting and challenging display.

Campbelltown Art Centre Launch SheerFantasy 2018Apr UFO
Launch of the Sheer Fantasy Exhibition at the Campbelltown Arts Centre April 2018 (I Willis)

 

The Sheer Fantasy Exhibition runs from 14 April to 3 June at the Campbelltown Arts Centre.