Band music was provided at the 2018 Open Day at Camden Park House and Garden just like the Camden Town Brass Band provided over 100 years ago.
In 1914 the Camden Town Brass Band provided entertainment for the afternoon when Miss Sibella Macarthur Onslow offered her home of Camden Park for a fundraiser for the Camden Red Cross. The band was under direction of the bandmaster was Mr Price of Menangle.
Camden Park House and Garden were regularly used for patriotic funds during the First World War.
Camden Community Band at the Camden Park 2018 Open Day
Band member Lyn Forbes reports
Last year, after wandering around the gardens at Camden Park, thinking that the band playing would be so suitable, so I suggested it to the band the following Tuesday.
Band member Barbara Reeves reports
Camden Community Band was looking for different opportunities for performances. A suggestion made by Lyn Forbes was to play at Camden Park House on their Open Weekend in September. Barbara made contact with Edwina Macarthur Stanham to see if they would be open to the idea. Edwina took the suggestion to a Camden Park House committee meeting, and they all agreed that the Band playing would add to the atmosphere of the day. Edwina and Barbara negotiated the details and the Band played on Sunday 23rd September under the shady trees in the garden.
The Band was pleased to be able to perform at Camden Park House, and Edwina allowed Band members to take a tour of the House as way of thanks. Camden Park House has suggested we may be able to join with them in the future for another event.
Camden Park Garden Party in 1914
The report in the Camden News on 17 September 1914 stated:
The gardens and hot-houses of Camden Park will /be open to the public from 3 to 6 p.m. on Saturday next. A small charge will be made for admission, the proceeds to be devoted to the Red Cross Funds. Miss Macarthur Onslow is also providing refreshments, which will be on sale; for the above funds, – the charge will be a silver coin. The grounds of Camden Park, are at the present time simply beautiful, and this opportunity of viewing them will no doubt be largely availed of. The Camden Town Band has been engaged by Miss Onslow for the occasion.
Camden Patriotic Fund formation and fundraising in 1914
An extract from Ian Willis’s Ministering Angels about the the Camden Patriotic Fund stated:
The fund was formed at a public meeting convened by the mayor, RER Young, the husband of the Red Cross president, in the first week of September 1914. The meeting passed a motion, moved by the mayor and seconded by AJ Macarthur Onslow, Sibella’s brother, which stated that one of the fund’s main purposes was to provide for the ‘widowed and fatherless who have sacrificed their lives in the Defence of our Empire’. Macarthur Onslow was elected secretary and a public subscription was taken up and raised £340, which included £250 from Camden Park. By June 1915 the fund had raised over £1796 of which £426 had gone to the Camden Red Cross. One of the first events organised on behalf of the Camden Patriotic Fund for the Camden Red Cross was a Camden Park garden party on Saturday, 19 September 1914, hosted by Sibella Macarthur Onslow. Around 250 people enjoyed the ‘simply beautiful’ garden and listened to the Camden District Band after paying an entry cost 1/-. The event raised over £12.
Source: Ian Willis, Ministering Angels, The Camden District Red Cross 1914-1945. CHS, Camden, 2014, p.37.
The Camden News, 17 June 1915, 3 September 1914, 17 September 1914, 24 September 1914.
It is great to see how Live and Local contributes to the creation of an arts precinct in Camden for a day and a half. All this live music is good for the local economy, job creation and helps build local tourism.
Importance of live music
Live music is central to the Live and Local music festival and acknowledges how live performance is an important part of our culture. Performances are authentic and artists provide a screen-time in 3-D without much assistance from tech-gadgets.
Performers at Live and Local provided a form of engagement of the imagination which is sadly lacking with recordings or tech-devices. Live performances at Live and Local are fresh. It is not canned music.
There was an awesome array of talent on display for all to see – warts and all. Performers were in the moment and provided a physical and emotional experience with their audiences.
Live performance is a shared experience between performer and audience. There is an immediacy that provides an element of surprise and risk, perhaps even the unexpected.
Place making and storytelling
All Live and Local artists are part of the creative industries. They create stories which are expressed in song and music. Musicians, poets, raconteurs, performers and writers are all storytellers. All cultures have story tellers.
Storytelling as song allows the musicians to connect with their audience. Their stories are captivating, and full of emotion and meaning. These stories are one element in the process of place making and construction of community identity.
Stories as songwriting can connect people with memories of the past in the present. Music can tell the stories of place and the history of a community. Music can create a connection with the landscape and create an attachment to place.
Songs are one form of storytelling that can take a successful part of marketing and branding for a locality and community. In this way they help the local economy and local businesses.
Support for music festival
The Live and Local project is a partnership between the Live Music Office and Camden Council. Funding was provided by Create NSW as part of the Western Sydney Live and Local Strategic initiative.
Camden mayor Lara Symkowiak stated
I encourage you to take the time and visit each venue to hear the diversity of the music and let our talented local artists entertain you for hours.
The director of the NSW government Live Music Office John Wardle stated that it
has been truly inspirational and we once again very much look forward to a day that will be a highlight of the broader cultural program in Western Sydney.
Musicians succeed in gig economy
Camden’s Live and Local festival demonstrated how musicians are part of the gig economy. All trying to make a living. These issues were explored in a recent article in The Conversation.
Musicians identified that they did meaningful work according article author Alana Blackburn, a lecturer in Music at the University of New England. She maintained that
Their intrinsic success lies not in what others expect of them, but in achieving personal freedom and being true to their beliefs. It’s about meeting personal and professional needs.
Musicians can survive under these circumstances by developing important overarching and transferable skills.
This type of career is called a ‘portfolio career’ where musicians have lots of jobs. A mix of paid and unpaid, and mostly short term work and projects. Musicians state that the prefer to be in-charge of their own career, despite the financial challenges. They feel that they can control their creative efforts and their music related activities.
Musicians, like other creative arts types, are mostly self-directed and driven by a passion for their artistic work. Musicians often work across industries and are not locked into the music industry. They consider that they are continually learning and are not afraid of failure.
Blackburn maintains that the success of musicians in the gig economy is down to a number of characteristics that they develop: life-long learning, adaptability, flexibility, social networking, entrepreneurial skills, planning, organisation, collaboration, confidence, self-directed, multi-tasking, independence, risk-taking, promotion and others.
Many of the artists at Camden 2018 Live and Local fitted into this category. Some are in the early career stage while others are more successful. The gig economy is here to stay and provides many challenges. It is not for the fainthearted. Live and Local provided a sound platform for the exposure of these artists in a tough industry.
The CHN was out and about in the local area as you do on a recent overcast day at the Camden Showground.
The occasion was the The Argyle Affair Christmas Market for 2017. The market attracts visitors far and wide. One pair who spoke to this blogger came from the New South Wales South Coast and were particularly taken with the local music talent.
‘We aim to provide a safe and confidential environment where we can offer assistance, providing welfare services such as emergency food relief, advocacy, document assistance, phone access, and computer availability with free Wi-Fi’.
Market goers were asked for a gold coin admission or hand in an item of food that went to Turning Point.
The Argyle Affair organisers are continuing a strong community tradition of local festivals going back well over a century where local folk came together to support worthy causes of one sort or another.
Camden Community festivals have come in a range of sizes, types and causes from small street stalls, to large events like the Camden Show. Other examples have been the week long celebrations for the 1960s Festival of the Golden Fleece and the annual Rose Festival.
The grandest local festival is the annual Camden Show which has been going for 131 years. It is a celebration of the town’s rural heritage and over 30,000 people cannot be wrong. The annual rural festival even has Miss Camden Showgirl, one of the few still remaining.
Catherine Fields once boasted a national tourist facility which attracted thousands of visitors a year to the local area, the El Caballo Blanco entertainment complex.
The El Caballo Blanco complex opened in April 1979 at Catherine Fields. The main attraction was a theatrical horse show presented with Andalusian horses, which was held daily in the large 800-seat indoor arena. .
The El Caballo Blanco complex at Catherine Fields, according to a souvenir brochure held at the Camden Museum, was based on a similar entertainment facility at the Wooroloo, near Perth, WA, which attracted over a quarter of a million visitors a year. It was established in 1974 by Ray Williams and had a 2000-seat outdoor arena. The horse show was based on a similar horse show (ferias) in Seville, Jerez de la Frontera and other Spanish cities.
The programme of events for the horse show at Catherine Fields began with a parade, followed by a pas de deux and then an insight into training of horses and riders in classical horsemanship. This was then followed by a demonstration of dressage, then a session ‘on the long rein’ where a riderless horse executed a number of steps and movements. There was a Vaqueros show (a quadrille) then carriage driving with the show ending with a grand finale. All the riders appeared in colourful Spanish style costumes.
The indoor arena was richly decorated in a lavishly rich style with blue velvet ceiling drapes and chandeliers. The complex also had associated stables and holding paddocks, within a Spanish-Moorish setting The stables had brass fittings and grilles, based on the design from stair cases at Caesar’s Palace in Las Vegas.
The horse show at Catherine Fields was supplement with an ancillary Australiana show which consisted mainly of sheep shearing and sheep dog trials, while a miniature horse show was introduced in the late 1980s. The also boasted a variety of rides (train, bus, racing cars, paddle boats, and ponies), a carriage museum, a small Australiana zoo, picnic facilities, water slides and swimming pool, souvenir shop, shooting gallery, restaurant, snack bar and coffee shop, and car parking.
Emmanuel Margolin, the owner in the 1989, claimed in promotional literature that the complex offered an ideal location for functions and was an ideal educational facility where children could learn about animals at the zoo, dressage, and botany in the gardens. At the time the entry charge was $10 for adults, children $5 and a family pass $25 (2A + 2C), with concession $5.
A promotional tourist brochure held by the Camden Museum claimed that it was Sydney’s premier all weather attraction. It was opened 7 days a week between 10.00am and 5.00pm.
By the mid-1990s the complex was struggling financially and in 1995 was put up for auction, but failed to reach the $5 million reserve price. The owners at the time, Emmanuel and Cecile Margolin, sold the 88 horses in July, according the Macarthur Chronicle. By this stage complex was only open on weekends, public holidays and school holidays.
At a subsequent auction in July 1997 the advertising claimed that it was a historical landmark site of 120 acres just 45 minutes from Sydney. That it was a unique tourist park with numerous attractions, luxury accommodation and a large highway frontage.
The last performance of the horse show at Catherine Fields was held in 1998.
Unfortunately by 2002 the good times had passed and the horses agisted on the site, and according to the Camden and Wollondilly Advertiser, were part of a ‘forgotten herd’ of 29 horses that roamed the grounds of the complex. It was reported that they were looked after by a keen group of Camden riders.
Worse was to come when in 2003 a fire destroyed the former stable, kitchen and auditorium. The fire spread to the adjacent paddock and meant that the 25 horses that were still on the site had to be re-located. It was reported by Macarthur Chronicle, that Sharyn Sparks the owner of the horses was heart-broken. She said she had worked with the horses from 1985 and found that the complex was one of the best places in the world to work. She said that the staff loved the horses and the atmosphere of the shows.
its empty performance halls, go-kart tracks and water slides were overtaken by unruly grass and wildlife.
Gia Cattiva visited the deserted site and stated:
I have these special memories of visiting there in the 80s when I was a little kid – my grandma took me there.
It was a bittersweet experience. I feel really lucky to have experienced the park as a little kid and get to see the performances.
In 2018 Channel 9 News Sydney ran an item on the news highlighting how housing development is about to overrun the former theme park site. It features archival footage and what the site looks like before the new houses and street put in.
Former horse rider Sharyn Sparks states that working at the theme park was