It is not often that the historian can get a view into the past through the lens of the present in real time. I was able to this in Camden New South Wales recently at a photo shoot for the History Magazine for the Royal Australian Historical Society.
Photographer Jeff McGill and author Laura Jane were the participants in this activity. We all walked along Camden’s historic main thoroughfare, Argyle Street, which still echoes of the Victorian period. Our little group made quite a splash and drew a deal of attention from local women who swooned over the ‘gorgeous’ vintage dress worn by Laura Jane.
Mid-20th century enthusiast Laura Janes lives the lifestyle in dress, makeup and hairstyle and made the perfect foil for her History article on Sydney fashion, the David Jones store and their links to the fashion house of Dior. Laura Jane modelled her 1950s Dior style vintage dress in front of Camden’s storefronts that were reminiscent of the period. With matching handbag, gloves, hat, hairstyle, stiletto heels, and makeup she made a picture to behold captured by Campbelltown photographer Jeff.
Laura Jane encompasses the experience of the country woman going to town when Camden women would dress-up in their Sunday best to shop in Camden or catch the train to the city.
A city shopping expedition would entail catching the Pansy train at Camden Railway Station, then change steam trains at Campbelltown Railway Station, then another change at Liverpool Railway Station from steam train to the electric suburban service for Central Railway Station in Sydney. The suburban electric trains did not arrive at Campbelltown until 1968.
City outings for country women often happened around the time of the Royal Easter Show when the whole family would go to the city. The family would bring their prized horses and cattle to compete with other rural producers for the honour and glory of winning a sash. While the menfolk were busy with rural matters their women folk would be off to town to shop for the latest fashions for church and show balls or to fit out the family for the upcoming year.
Country women from further away might stay-over at swish city hotels like the up-market elegant Hotel Australia near Martin Place. These infrequent city outings were a treat and a break from the drudgery of domesticity and women would take the opportunity to combine a shopping trip with a visit to see a play or the Tivoli theatre.
The intrinsic nature of the city outings for country women were captured by the Sydney street photographers. They operated around the Martin Place, Circular Quay, Macquarie and Elizabeth Street precincts and are depicted in an current photographic exhibition at the Museum of Sydney.
The images of the Sydney street photographer captured of moment in time and their most prolific period was during the 1930s to the 1950s. The country woman would be captured on film as she and a friend wandered along a city street. They would be given a token and they could purchase a memento of their city visit in a postcard image that they could purchase at a processing booth in a city-arcade. The Sydney street photographer captured living history and has not completely disappeared from Sydney street.
Laura Jane, whose lifestyle encompasses the mid-20th century, in an expression of the living history movement in motion. The living history movement is a popular platform for experiencing the past and incorporates those who want to live the past in the present, aka Laura Jane, or relive it on a more occasional basis as re-enactors who relive the past for a moment. There are many examples of the latter at historic sites in Australia, the USA, and the UK.
The Camden photo shoot was an example how a moment in time can truly be part of living history where the photographer captures a glimpse of the past in the present. An example of how the present never really escapes the past.
Modernism is partially revealed in the architectural style of railway buildings and other infrastructure across Australia. The now closed Civic Railway Station on the Hamilton-Newcastle branch line is just one example of how this happens in the regional city of Newcastle.
Modernism is a form architecture which emerged in the first half of the 20th century and became dominant after World War II. It was based upon new technologies of construction, particularly the use of glass, steel and reinforced concrete; and upon a rejection of the traditional neoclassical architecture and Beaux-Arts styles that were popular in the 19th century. (Wikipedia)
The station building is the first Interwar Functionalist railway building in NSW to employ domestic architectural features, demonstrating the NSW Railways experimentation with new styles during the Interwar period. The footbridge is unique as the only known example of this structure constructed on brickpiers. The signal box is unique as the smallest elevated box constructed on the NSW rail system.
The Civic Railway Station and surrounding buildings were built in 1935 in the Interwar Functionalist style using dichromatic and polychromatic brickwork as a simple decorative effect.
The railway station is located between Wickham and Newcastle railway stations.
Originally the station was part of the railway line built between ‘East Maitland’ railway station and ‘Newcastle’.
The line was originally built in 1857-1858 as a link between the government town of East Maitland and the river port at Newcastle.
The Newcastle station was re-named Honeysuckle and Honeysuckle Point near the river port and has a number of locations.
The large goods yards east of ‘Newcastle’ railway station was constructed in 1858.
The site of Civic Railway Station is significant as it was the former 1857 site of the Newcastle (Honeysuckle) terminus of the Great Northern Railway Line.
Electrification of the Gosford-Newcastle line occurred in 1984, after the Sydney-Gosford section in 1960.
Civic Railway Station was closed in 2014 by the Baird Liberal Government when the line between Hamilton and Newcastle was finally closed after much community dissent.
The Civic Railway Station site is historically significant as the location of the Newcastle terminus station on the Great Northern Railway line (1857), one of the first railway lines in Australia. The station building represents the first attempt to adapt domestic architectural styles for railway purposes. The station buildings and footbridge, are good examples of Inter-War Railway Domestic style in regional NSW.
Civic Railway Station is largely intact and retains much of its original integrity from 1935, along with the signal box, platform shelter, footbridge and forecourt.
One of the most popular memories of the Camden area by locals and visitors alike is the Camden branch line and its famous locomotive Pansy.
It has a truly dedicated and enthusiastic bunch of supporters who positively drool about it and overlook its foibles. Old timers tell and retell stories to anyone who wants to listen, all laced with a pinch of exaggeration and the romantic. A part of local nostalgia.
Steam engines and locomotives bring back memories of the glory days of industrialization and the great days of Australian nationalism in the late Victorian and early 20th century. Great monstrous engines that hissed, spat and groaned. They were mighty machines that were living beings. They had a life and soul of their own. They were responsible for creating the wealth of the British Empire. And Pansy is part of that story.
Local railway stations
The Camden branch line was operated by the New South Wales Railways from 1882 to its closure in 1963. The Camden tram was one of a number of standard gauge light rail lines in the Sydney area. The tank locomotive worked a mixed service that took freight and passengers. The branch line was thirteen kilometres and had eight stations after leaving Campbelltown station, where it joined the Main Southern Railway. The stations were Maryfields, Kenny Hill, Curran’s Hill, Narellan, Graham’s Hill, Kirkham, Elderslie and finally arriving at Camden.
Most of the stations were no more than a short rudimentary wooden platform with a shelter shed that were unmanned. Others like Camden had a longer platform and an associated goods handling facility. Pansy was a regular part of daily life for those who lived near the line. Locals in the Camden township would listen for the loco’s whistle and know that the morning papers had arrived from Sydney.
A host of daily passengers
Legend has it that the engine driver would hold the train for regulars who were running late for work on their way to the city, especially local lasses. Some of Camden’s better off families sent their children to high school at Parramatta and Homebush each morning on the train. Pansy would chug past the milk factory at the entry to Camden township as local dairy farmers were unloading their cans of milk from their horse and dray. Tourists from Sydney would be dropped off on Friday afternoon at Camden station to be bused to their holiday boarding houses in Burragorang Valley.
Wartime heroes in blue and khaki
The first passenger service left Camden station left at 5.47am to connect with the Sydney service on the Main Southern Line. On the return journey the last passenger service from Campbelltown left at 9.44pm. During the Second World War the train provided transport for many servicemen (Army, RAAF) who were based at local military establishments. Airmen from Camden airfield would catch the train to Sydney for weekend leave, and would be joined by soldiers from Narellan military base and Studley Park Eastern Command Training School.
Goods and passengers
Camden station and good yards were located adjacent to Edward Street, with a siding to the Camden Vale milk factory. Coal from the Burragorang Valley mines was loaded at Camden yard from 1937, although this was transferred to Narellan in 1941 and eventually the Main Southern Line at Glenlee into the late 1950s. But even by the 1940s the limitations of the line for caring freight were showing cracks.
From its enthusiastic opening the the branch line never really lived up to its predictions. The mixed goods and passenger service was of limited value. Its light gauge restricted the loads and the grade of the line, particularly over Kenny Hill, severely limited its capabilities. Even in 1939 there were already signs of the eventual demise of the branch line with more coal leaving the district by road than rail.
The end is nigh
Its days were numbered and the writing was on the wall. Its death blow was delivered by the Heffron ALP Government in 1963 as a cost cutting exercise and a drive from modernization of the railway system across the state. Diesel was the new god.
For current enthusiasts with a keen eye there are remnants of the embankments and cuttings for the standard gauge line still visible in the area. As visitors leave the Camden township travelling north along Camden Valley Way (old Hume Highway) embankments, culverts and earthworks are still visible in the farm paddocks on the Nepean River floodplain.
What’s left to see?
You can make out the right of way as it crosses Kirkham Lane and heads towards Narellan before disappearing into a housing estate. For those with a sharp eye a cutting is still evident on the northern side of Narellan Road at Kenny Hill just as you take then entry ramp onto the freeway going to Sydney. It appears as a bench above the roadway and is evident for a short distance. (for details see Peter Mylrea, ‘Camden-Campbelltown Railway’, Camden History March 2009, p. 254-263).
A number of streets in Curran’s Hill are connected to the history of Pansy. Tramway Drive is close to the route of the train and a number of other streets are named after past railway employees, for example, Paddy Miller.
The music of the Camden branch line
The Camden Community Band has added the tune ‘The Camden Train’ to its repertoire. The lyrics tell an interesting story about Pansy, the locomotive. It was written by Camden local Buddy Williams about the time of the last run on of the train in 1963.
The township of Camden on the banks of the Nepean River south-west of Sydney provides a glimpse of life from times gone past. The town was established in 1840 on the Macarthur family estate of Camden Park. The charm and character of the town comes from the many 19th century colonial buildings and early 20th century cottages.
The heritage of the local area makes Camden, according to some expert sources, the best preserved country town on the Cumberland Plain.
The visitor can experience Camden’s historic charm by walking around the town’s heritage precinct by following the Camden Heritage Walk.
Camden’s heritage precinct is dominated by the church on the hill, St John’s Church (1840) and the adjacent rectory (1859). Across the road is Macarthur Park (1905), arguably one of the best Victorian-style urban parks in the country. In the neighbouring streets there are a number of charming Federation and Californian bungalows.
A walk along John Street will reveal the single storey police barracks (1878) and court house (1857), the Italianate style of Macaria (c1842) and the Commercial Bank (1878). Or the visitor can view Bransby’s Cottage (1842) in Mitchell Street, the oldest surviving Georgian cottage in Camden. A short stroll will take the visitor to the Camden Museum, which is managed by the Camden Historical Society. The museum is located in John Street in the recently redeveloped Camden Library and Museum Complex.
The visitor can take in Camden’s rural past when they enter the northern approaches of the town along Camden Valley Way. They will pass the old Dairy Farmer’s Milk Depot (1926) where the farmers delivered their milk cans by horse and cart and chatted about rural doings.
The saleyards (1867) are still next door and the rural supplies stores are indicative that Camden is still ‘a working country town’. As the visitor proceeds along Argyle Street, Camden’s main street, apart from the busy hum of traffic, people and outdoor cafes, the casual observer would see little difference from 70 years ago.
Local people still do their shopping as they have done for years and stop for a chat with friends and neighbours. At the end of Argyle Street the visitor can stroll around Camden Showground (1886). A country style show is held here every year in March and the visitor can take in local handicrafts in the show hall (1894) or watch the grand parade in the main arena.
The picturesque rural landscapes that surround Camden were once part of the large estates of the landed gentry and their grand houses. A number of these privately owned houses are still dotted throughout the local area. Some examples are Camden Park (1835), Brownlow Hill (1828), Denbigh (1822), Oran Park (c1850), Camelot (1888), Studley Park (c1870s), Wivenhoe (c1837) and Kirkham Stables (1816). The rural vistas are enhanced by the Nepean River floodplain that surrounds the town and provides the visitor with a sense of the town’s farming heritage.
The floodplain also reveals to the railway enthusiast the remnants of railway embankments that once carried the little tank engine on the tramway (1882-1963) between Camden and Campbelltown. The locomotive, affectionately known as Pansy, carried a mixture of freight and passengers. It stopped at a number of stations, which included Camden, Elderslie, Kirkham, Graham’s Hill and Narellan. The stationmaster’s house can still be found in Elizabeth Street in Camden, and now operates as a restaurant.
For the aviation buffs a visit to the Camden Airfield (1924) is a must. It still retains its wartime character and layout. As you enter the airfield view the privately owned Hassall Cottage (1815) and Macquarie Grove House (1812) and think of the RAAF sentry on guard duty checking the passes of returning airmen on a cold July night.
There are also a number of historic villages in the Camden area. Amongst them is the quaint rural village of Cobbitty where the visitor can find Reverand Thomas Hassall’s Heber Chapel (1815), St Paul’s Church (1840) and rectory (1870). Narellan (1827), which is now a vibrant commercial and industrial centre, has the heritage precinct surrounding the St Thomas Church (1884) and school house (1839). The buildings are now used for weddings and receptions.
There is also the Burton’s Arms Hotel (c1840) now operating as a real estate agency and the Queen’s Arms Hotel (c1840), which is now the Narellan Hotel. A visit to Cawdor will reveal a real country church that has been functioning continuously for over for over 100 years, the Cawdor Uniting Church (c1880). Cawdor is the oldest village in the Camden area.
Written by Ian Willis member of Professional Historians Association NSW.
Campbelltown and surrounding areas have lost much in the way of their local heritage. Does anyone care and more to the point does anyone notice?
Heritage is what the community considers of value at present and is worthy of handing on to the next generation. It is a moveable feast and changes over time. What is important to one section of the community is of no value to another. And so it is with different generations of the one community. Many regret the loss of building from the past yet there were others who did not miss any of these buildings. This story clearly illustrates this trend.
The loss of Campbelltown’s heritage is part of the story of the urban growth of the town and surrounding area. Starting with the 1948 Cumberland Plan then the 1968 Sydney Region Outline Plan of which 1973 New Cities Structure Plan was a part. These plans set a path for a growing community and generated hope for some and loss for others. Campbelltown like other communities has gone through loss and renewal, and some are only interested in the new. Yet the need and yearning for a clear view of the past is part of the human condition where people need to honor and respect their ancestors and what did and did not achieve.
Andrew Allen has started to detail the loss of Campbelltown heritage buildings that coincided with a period of incredible urban growth the Campbelltown LGA in his history blog The History Buff. This blog post details just some of the buildings that have been lost. There have been many others as well.
Lost Buildings of Campbelltown
Marlows Drapery Store, Campbelltown
Retailing in Campbelltown has changed over the decades. There has been a transition from the family store to the mega-malls of today. One family store was Marlow’s Drapery Store.
Andrew Allen writes:
The demolition one quiet Sunday morning in 1981 of an old curiosity shop divided Campbelltown. The shop was built in 1840 and was once owned by former mayor C.J. Marlow who used it as a drapery. It stood between Dredge’s Cottage and the old fire station and Town Hall Theatre.The last owner of the building was Gladys Taylor.
Bradbury Park House, Campbelltown
Andrew Allen writes:
In 1816 Governor Macquarie gave a grant of 140 acres to Joseph Phelps who sold it to William Bradbury the following year. Bradbury Park House was built on this land in 1822.The house was located about 140 metres opposite where the town hall is located in Queen Street. Unfortunately Bradbury Park House was demolished in 1954.
Leameah House, Leameah
Leumeah House at 2 Queen St, Campbelltown (cnr Queen Street and Campbelltown Road) was constructed in 1826. The house was owned by the Fowler family for many years and Eliza Fowler lived there in the 1880s after marrying Joseph Rudd. John Warby was given a 260 acre land grant in 1816 which he called Leumeah. His house was demolished in 1963, but his old stable and barn still exist. Part of the site is now known as Leumeah Stables also known as Warby’s Barn and Stable which were constructed around 1816.
Andrew Allen writes:
Just south of the original Woodbine homestead, and adjacent to the old Sydney Road (since renamed Hollylea Road) there once stood an imposing landmark, Keighran’s Mill. John Keighran purchased the site in 1844 and in 1855 built the mill on the banks of Bow Bowing Creek. Percy Payten was the last member of the Payten family to own the mill. In 1954 he offered the mill to the Campbelltown and Airds Historical Society. The historical society also didn’t have enough funds at the time for its restoration. In 1962 the mill was dismantled and the stone was used in the building of the RAE Memorial Chapel at the School of Military Engineering at Moorebank, which opened in 1968.
Woodbine Homestead, Woodbine
While James Payten was living at Leppington Hall in 1873, he bought Woodbine – the remains of John Scarr’s early farmhouse – as a new family home.The homestead stood on Campbelltown Road (Sydney Road), just north of the bridge, which crosses the railway line.
James Payten and his wife, Sarah (nee) Rose, shared their home with her brother, Alfred Rose and his family. Rose died in 1951 and her aging Woodbine cottage was demolished in the 1960’s.
Ivy Cottage, 31 Allman St, Campbelltown
Some of the buildings that have been lost in Campbelltown have religious connections. One those is Ivy Cottage.
Andrew Allen writes:
Local storekeeper William Gilchrist purchased land in Allman Street and built Ivy Cottage on it for his brother, Rev. Hugh Gilchrist, a Presbyterian minister appointed in 1838 to take charge of Campbelltown and many other surrounding towns. The cottage became the Presbyterian Manse and served as such until about 1882. The cottage was demolished in the 1960s.
The Engadine, cnr Broughton & Lindsay Streets, Campbelltown
The Engadine was built in 1924 by Minto grazier Kelvin Cuthell and designed by local architect A.W.M. Mowle.
Mowle lived at the family farm of Mount Drummond at Minto. He enlisted in the Australian Flying Corps in 1915 with the rank of Lieutenant and returned in 1918. In the 1920s he lived in 44 Wentworth Road, Burwood. In 1926 he supervised renovations, additions and painting of a weatherboard cottage in Campbelltown and in 1929 supervised the construction of shop and residence (SMH).
Kelvin Cuthell married Daphne Woodhouse in 1924 and moved into The Engadine. Kelvin Cuthel died in 1930 and after Daphne died in 1945, her sister Iris moved into the house, remaining there until her death in the 1970s. The house was demolished in 2012.
Milton Park, Ingleburn
Built in 1882 by hotelier David Warby. By 1909 it was owned by Thomas Hilder, manager of the silver mines at Yerranderie in the Burragorang Valley. Later this century it fell into disrepair and the owner, Campbelltown Council, demolished it in 1992 after being unable to secure a financial offer for the building.
Rosslyn House, Badgally Road, Claymore
Marie Holmes writes that she believed the house to be built in the 1860s. Samuel Humphreys purchased two lots of land from William Fowler in 1882 which included the land and house. The house was in the hands of the Bursill family for much of the 20th century.
Andrew Allen writes:
In 1970 the property was sold to the State Planning Authority who in turn transferred it to the Housing Commission for the development of Claymore suburb. The house was left vacant, fell into disrepair and was damaged by fire in the mid 1970s. It was demolished in the late 1970s.
Silver Star Garage, Queen Street, Campbelltown
Charles Tripp operatted the Silver Star Garage on the corner of Queen and Dumaresq Streets, Campbelltown. The Tripp family operated a variety of businesses on the site. In the 1880s there was a blacksmith and wheelwright shop, hired horses and sulkies and operated a mail coach. After the First World War the business changed to sell and service motorbikes, and later serviced motor cars and sold petrol. In the 1920s he sold radios and broadcast radio programmes from the store. The garage was still operating commercially in the 1940s. The premises were demolished in 1966.
Hotels are an ancient institution offering hospitality for the traveller. They provided comfort and shelter, a place to do business, a place to create wealth, a meeting place and a place to rest. In the past they have provided warmth, safety and a good meal from the elements. Hotels in Campbelltown did all of this and their loss has been a tragedy to many from the local community. Some of the hotels that are no longer with us include these listed here.
Royal Hotel, Cnr Railway and Hurley Streets, Campbelltown
The Royal Hotel was originally known as the Cumberland Hotel in the 1880s and became the Royal Hotel in the 1890s. Between 1899 and 1905 the licencee was Thomas F Hogan. Between the 1920s and the 1970s the premises were owned by Tooth & Co. The Royal Hotel was demolished in 1986 and suffered the fate of many heritage icons in Campbelltown and elsewhere.
Andrew Allen writes
The hotel was demolished in the pre-dawn hours of Sunday morning July 6, 1986. Newspaper reports described how at 5.30am council workmen first set up safety barriers around the hotel. By 6am a massive Hitachi caterpillar-tracked back hoe commenced clawing the building down and by evening most of the remains had been removed from the site. Council needed to widen Hurley Street and unfortunately the Royal Hotel was in the way of this.
Lacks Hotel, Cnr Queen and Railway Streets, Campbelltown
Lacks Hotel was located on the corner of Queen and Railway Streets and over the years was part of the complete re-development of Railway Street.
Andrew Allen writes:
Built by Daniel Cooper in 1830 as the Forbes Hotel, in 1901 it was refurbished and renamed the Federal Hotel. The license was transferred to Herb Lack in 1929 and it became Lack’s Hotel. After Herb’s death in 1956, his son-in-law and daughter Guy and Tib Marsden took over. Lack’s Hotel was demolished in 1984. A modern commercial building including a modern tavern now take its place.
Jolly Miller Hotel, Queen Street, Campbelltown
Hotels continued to disappear from the Campbelltown town centre. The buildings might still exist but they changed to other uses for other purposes. One of those was the Jolly Miller Hotel.
Andrew Allen writes:
The Jolly Miller Hotel was built in the late 1840s at the southern end of Queen Street opposite Kendall’s Mill. The hotel was opened by George Fieldhouse who had followed his convict father to New South Wales in 1828. George’s two sons William and Edwin Hallett opened a general store next to the hotel in 1853. This building, which later became the offices for the Campbelltown and Ingleburn News, is still standing opposite McDonald’s restaurant in Queen Street.
Campbelltown continues to grow and renew. Some of that renewal is high quality and other parts of it will disappear with time and be completely forgotten. A clear view of the past is necessary to understand the present. It provides a perspective to life and the human condition. People have a yearning for their story to be told by those who come after them. They want to be remembered and want to leave a legacy. This blog post is part of the Campbelltown story and is attempting to tell Campbelltown’s past.
New Book on Lost Campbelltown
The Campbelltown and Airds Historical Society has published a book of Lost Campbelltown (2018). The author of this great read is The History Buff blogger Andrew Allen who gives an excellent account of the built heritage that has been lost in the Campbelltown area. The book is 99 pages in full colour in an A4 format. The author outlines the stories of 61 buildings that have been demolished in the local area over the past 100 years. The buildings were a mixture of grand Victorians to humble slab and timber workman’s cottages. They range across the Europeans presence in Campbelltown and cover the Victorian, Edwardian, Interwar and Mid 20th Century periods. Modernism has much to answer for around their destruction along with the planning decisions linked the 1948 Cumberland Plan and the 1968 Sydney Region Outline Plan and the Three Cities Structure Plan that went with it.
The book is available from Campbelltown and Airds Historical Society and Campbelltown Library.
New civic plazas and entertainment precincts including a fantastic indoor / outdoor restaurant and casual dining precinct where you will be able to sit down and relax with friends day and night.
Kylie Legge has defined a place as
A location, a personal relationship to an environment, or act as a re-presentation of the spirit of the land and our unspoken community with it. In its simplest terms place is a space that has a distinct character. At is most complex it embodies the essence of a location, its community, spiritual beliefs, stories, history and aspirations. The essence of place is its genius loci, its ‘place-ness’. [i]
Place according to Legge should deliver ‘character, identity or meaning’. Place should also have community participation and create economic revitalisation.[ii]
The centre owners and designers have attempted to create a space where local folk can have social encounters and exchange and meet other people. This type of space attempts to strengthen the local economy, inspire community by having the look and feel of a village market square. The space aims to be walkable and draw people into it.
Place making is community driven and for it to be meaningful individuals should be allowed the make their own interpretation of the space.
The plaza is an attempt at place making where a space allows people to make their own story. They can create meaning for themselves by interacting with family and friends. The plaza has attempted to create its own cultural and social identity. This has been achieved by including a water feature, street furniture and public art.
So far the planners seem to have achieved their aims with early usage by local families. There mothers and children interacting, with some taking souvenir photos for family memoirs. The surrounding food outlets were busy creating a buzzy feel to the site. Workmen fitting out surrounding commercial outlets sat in the sun having their lunch. The area also has a number of financial outlets that will draw more people to the space. The plaza so far seems to quite popular and achieved the aims of the designers.
[i] Kylie Legge, ‘The evolution of placemaking – what’s next?’, Newplanner, September 2015, pp4-5.
[ii] Kylie Legge, ‘The evolution of placemaking – what’s next?’, Newplanner, September 2015, pp4-5.
‘This is like home, like England’, proclaimed the Duchess of York in 1927 on her visit to Menangle. She and her husband the Duke of York visited Camden Park as part of their royal visit of Australia, which involved the opening of the provisional Parliament House in Canberra in May.
The Duke and Duchess of York had left England of their royal tour of dominions in January 1927 on board the Royal Navy battleship HMS Renown, travelled through New Zealand in February and arrived in Australia in March. The Royals departed from Australia in late May after visiting all states. The Duke and Duchess later came to the thrown as George VI and Queen Elizabeth on the abdication of Edward VIII in 1936.
At Menangle the Duke and Duchess were guests of Brigadier-General JW Macarthur Onslow and Mrs Enid Macarthur Onslow (of Gilbulla) for a weekend in April, in the absence of Sibella Macarthur Onslow who was in England at the time. The Royals travelled by railway from Sydney by steam train.
The royal entourage and the royal trains made quite an impact on a young Fred Seers, a local Campbelltown milk boy. He witnessed the royal trains pass through the Dumaresq railway gates where he was joined by a small group of enthusiastic flag waving Campbelltown locals. He recalls gatekeeper Bill Flanagan felt the occasion called for some degree of formality and dressed up in white shirt and tie.
Fred vividly remembers the three ‘shiny black’ 36 class steam locomotives that ‘sparkled’ as they roared through the locked gates in a fog of steam and smoke. The first of three steam engines painted in royal blue gave a blast on its high pitched whistle as it approached adorned with two crossed Union Jacks on the front. This was followed by another steam engine pulling four carriages, presumably with the Duke and Duchess on board, then the third steam engine.
The Duke and Duchess had left Sydney early and arrived at Menangle Railway Station around 1.00pm and were met by a crowd of 200 people. Mr Bell the Menangle stationmaster and his staff had spruced up the platform with flags and bunting and rolled out a red carpet for the visitors.  The Duchess was presented with a bouquet of carnations and heather by ‘little Quinton Stanham’.
The Royals stayed with the Macarthurs at Camden Park house, one of Australia’s finest Georgian Regency country homesteads designed by John Verge and built in 1835. Verge’s design was based on Palladian principles in a central two storey central block constructed stuccoed sandstock brick on sandstone foundations.
On Saturday afternoon the Duke went horse riding across Camden Park Estate, one of the earliest colonial grants in Australia allocated to John Macarthur in 1805. On ‘a whim’ the Duke and his riding companions decided to ride to the Camden Show, which was first held in 1886. The Duke created much excitement to the surprised show-goers by cantering onto the showground in front of the large crowd of around 7000 people and received a ‘tumultuous welcome’. The riding party included Miss Elizabeth Macarthur Onslow and her sister, Mrs Helen Stanham, who had recently arrived back from England for a few months, Brigadier-General JW and Brigadier-General GM, and their brother Arthur Macarthur Onslow.
On Sunday afternoon the royal couple motored in a 1926 Rolls Royce to Gilbulla for afternoon tea. Gilbulla, an example of a Federation Arts and Crafts mansion designed by Sydney architects Sulman and Power and built in 1899 by JW Macarthur Onslow. Gilbulla is a fine example of an Edwardian gentleman’s country residence for a family of power and distinction, while not out-doing the Georgian grandeur of Camden Park house itself. Gilbulla housekeeper Mima Mahoney served the Royals, who served the Royals afternoon tea, was the mother of local Campbelltown resident Basil Mahoney.
The royal entourage arrived ‘a few minutes before 5 o’clock’ at Menangle and boarded their train, which according to Fred Seers, had gone to Picton to fill up with water and coal, and turn around. Before leaving the Duke and Duchess inspect a guard of honour of Camden Boy Scouts and Girl Guides under the direction of their leaders, RD Stuckey and Miss Senior.
The Menangle visit of the Duke and Duchess of York was widely reported in the Australian press. The themes of the stories revolved around the Englishness of the Menangle countryside and the Royals taking a well-earned rest from their hectic tour.
The Brisbane Courier ran a story under the headline, ‘Like Home, Beauty of Camden Park, Royal Party’s Quiet Weekend’. Readers were assured by the newspaper that the Royals had had a good time and stated:
The Duke and Duchess of York were both delighted with the loveliness of their week end at Camden Park… While the Duke went riding across country with the rain beating exhilaratingly in his face, and filled in a little spare time with a tennis racket on the soaked court at Gilbulla, the Duchess went driving with Miss Onslow in a sulky turnout. Both were delightfully surprised with the sylvan beauty of the surrounding, the Duchess being enraptured by an unattended stroll through the grounds along the Nepean River, which flows through the whole length of Camden Park Estate on which are great coppices of gnarled old English trees.
The Melbourne Argus reported that the Duke and Duchess had a ‘restful weekend’ at the ‘beautiful country estate of the Macarthur Onslow family’. The Duchess ‘walked unattended in the old gardens under English oaks and elms’.
The Launceston Examiner in Tasmania ran a story with the heading ‘A Happy Week End, Royals Guest in Country’ and assured its readers that the Duke and Duchess enjoyed the English style countryside of Camden Park, Menangle and the Nepean River. The Examiner went on that the Royals walked ‘beneath these spreading boughs’ of ‘gnarled old English trees, with ‘the rain pattering overhead, and the river providing an obligato to Nature’s music’. 
There were similar reports in the newspaper across the country. In Queensland the Warwick Daily News ran the headline ‘Royal Couple Spend Quiet Weekend’ while the Rockhampton Morning Bulletin ran the story under a banner headline ‘Royal Visitors Quiet Weekend’.
The Hobart Mercery ran a story under the heading ‘The Royal Tour Week-end in Country Free from Engagements, Delightful Time Spent’ and assured readers:
The Duke and Duchess were both delighted with the loveliness of their week-end at Camden-park and Menangle – a respite from official engagements that was so deliciously free that even the intermittent rain that fell did not disturb the enthusiasm of the Royal visitors.
In the west Perth’s West Australian reported that the Duke and Duchess ‘were delightfully surprised with the sylvan beauty of the surroundings’ in a story titled ‘The Royal Visitors. Week-End In Country. Respite from Engagements.’
The Camden News placed an article about the royal visit on the front page in the middle its story that reported on the 1927 Camden Show. Perhaps illustrating centrality of the royal drop-in to whole show event. On the other hand down at Picton the Picton Post placed the report of the royal visit on page two at the end of a story about the Camden Show. The snub was just a reflection of the parochialism of both Camden and Picton and the long term rivalry between both communities. The accusation was that the Camden community thought that they were better than Picton. More to the point this snobbishness was more of reflection of the omnipotence of the Macarthurs of Camden Park in the whole district and the colonial history of New South Wales in general.