Camden · Campbelltown · Colonialism · community identity · Historical consciousness · history · Local History · Macarthur · Newspapers · Picton · Place making · sense of place

Macarthur regional identity

The Macarthur region is an area made of the Camden, Campbelltown and Wollondilly Local Government areas and is a formal region with an arbitrary political boundary. Regions come in all shapes and sizes from formal regions with definite boundaries, to geographic regions based on    landform types, to regions of the imagination with no real boundaries at all. They are a useful tool to examine communities, and despite falling out of favour with some, still have a place in the popular imagination and provide a useful analytical tool.

 

Macarthur Signage

 

Origins of the Macarthur region

The first official use of the term Macarthur as a regional place-name was  the proclamation of the new  Federal seat of Macarthur in 1949 after the 1948 re-distribution and the Federal House of Representatives was increased from 75 to 122 members. The new seat of Macarthur was named after the colonial wool pioneers John and Elizabeth Macarthur of Camden Park, which according to a recent heritage report from TKD Architects ‘is the most important surviving early colonial estate in Australia and ranks amongst the most historic houses in Australia’.[1] The original land grant to John Macarthur in 1805 took place on the Nepean River floodplain and eventually the familiy’s colonial estate of Camden Park covered parts of what is now the Campbelltown, Camden and Wollondilly LGAs.

 

John Macarthur (Wikimedia)

 

 

Commercialisation of the Macarthur region

 The use of the Macarthur place-name got a leg up in 1958 when local media baron Sydney Richardson felt that local regionalism provided a great business opportunity. There were enough unifying characteristics across the three country towns of Camden, Campbelltown and Picton, he  thought, that justified launching  a new regional newspaper using the Macarthur masthead. He re-named  the Camden Advertiser, a free Camden weekly newspaper he took over  from Ken Gibson in 1955, as the Macarthur Advertiser. Richardson had two competing newspapers – the Camden News and the Camden Advertiser – in the same Camden market place. He had previously purchased both the Camden News and Campbelltown News from the Sidman brothers in 1952.   Richardson promoted the Macarthur Advertiser as a free regional newspaper and expanded its circulation to included Campbelltown and Picton. The newspaper had  a broad regional compilation of news and advertisements from the three towns  and he ‘forged and popularized a new regional name for Campbelltown, Camden and Wollondilly’.

Elizabeth Macarthur SLNSW

 

In 1982 Richardson merged the Macarthur Advertiser with other local newspapers – Campbelltown-Ingleburn News, Camden News and Picton Post – which he had previously sold to Suburban Publications, a joint venture between John Fairfax and Sons and Australian Consolidated Press, in 1969. [2]  Richardson’s  new regional newspaper prospered and was a  builder of community and  identity by being a regional voice and notice board for the first time, and in the process strengthened people’s attachment to the concept of a regional identity.

 

Town planners and administrators strengthened the official support for the use of the Macarthur place-name in 1975 with the establishment of the Macarthur Development Board, with its head office in Campbelltown’s heritage precinct. Peter Kacirek, the chairman of the  Sydney SW Sector Planning and Development Board, renamed it as the Macarthur Development Board, against much local opposition. Local residents felt that the legacy of Governor Lachlan Macquarie was affronted, by those who proclaimed the town in 1820.

 

Peter Kacirek ealry 1970s Macarthur Development Board

 

The purpose of the Macarthur Development Board was to implement the 1973 New Cities Structure Plan for Campbelltown, Camden and Appin as part of the 1968 Sydney Regional Outline Plan. The New Cities Plan called for the development of the Macarthur growth centre, located away from the Campbelltown central business district in Queen Street. The aim of the Macarthur Development Board was to  ‘plan, co-ordinated implement’ the New Cities Plan with power to compulsory acquisition of land.  Town planner James Deane, from the Urban Development Institute of Australia, felt that the name Campbelltown should be completely abolished and replaced with the City of Macarthur.[3] The New Cities Plan incorporated the colonial story of the Macarthur family and Camden Park and felt that the Macarthur legacy was essential to the identity of the new growth centre. The board stated in 1976 that ‘the area of Macarthur is steeped in rich tradition and much of the early history of New South Wales was recorded here. The aim of the Board it to link the historic past with an exciting and vigorous future and to plan for the enjoyment and benefit of all members of the community’.[4] Unfortunately the Macarthur family felt otherwise and sold most of the pastoral property to housing developers in 1973 against a national outcry.[5]

 

Macarthur Square Shopping Centre in 1980s (Mac Dev Board)

 

To the disappointment of many the Macarthur growth centre was a short lived town planner’s pipe-dream. The new   regional centre was planned to have high-rise office blocks, conference facilities, sports stadiums, transport interchange and become a city within a city and to be located on Campbelltown Golf Course (1971), which was acquired  against significant local opposition. There was some progress within the growth centre precinct with the construction of Macarthur Square  (1979), Macarthur Railway Station (1985), the Macarthur Institute of Higher Education (1983) and the launch of a new Macarthur community radio station 2CT (1978) yet the new TAFE college (1981) and hospital (1977) both carried the place-name Campbelltown, not Macarthur. The Federal Whitlam government promised funding of $25 million in 1975, which was slashed in 1976 to $2 million dollars by the incoming Fraser Government but by 1978 all funding had dried up. Open hostilities broke out between  Campbelltown City Council and Macarthur Development Board over the ‘regional centre’ in 1979 when the Wran state government approved the construction of Macarthur Square funded by State Super. The Macarthur Development Board continued to foster the regional centre over Campbelltown’s Queen Street precinct as the retail and community hub in 1980, and by 1984 the Board was $200 million in debt. Peter Kacirek was sacked and Ian Henry, former Campbelltown council planner, was  appointed by the state government. In  1985 the regional centre was slashed by Wran Labor state government   and the  Board was stripped of planning power and restructured to Macarthur Development Corporation, which was  a small promotion unit.  Ian Henry stated that the Macarthur Development Board was ‘an over-expanded planner’s dream turned nightmare’ and in  1989 the MDC restructured and renamed Business Land Group, which was little more that a sales unit.[6]  The Macarthur growth centre road crash had been driven up onto the rocks of divisiveness by the state government’s push of large scale public housing into the Campbelltown area,  the development of the ‘ugly Campbelltown’ stereotype and the moral panic that ensued.

 

A book titled Colonial Buidlings Macarthur Growth Centre Campbelltown, Camden and Appin published in 1977 by the Macarthur Development Board. Images by prominent Australian photographer Max Dupain

 

With the failure of the Macarthur growth centre another official attempt at developing Macarthur regionalism occurred in 1986. The Hawke Federal Government played a role in development of Regional Organisations of Councils (ROCs) through the Federal Government’s Office of Local Government and its Local Government Development Program. It came out of the Hawke government’s conviction that local authorities could make a positive contribution to the Commonwealth’s national economic reform strategy.[7]  The Camden, Campbelltown and Wollondilly LGAs came together in 1986 as MACROC, the Macarthur Regional Organisation of Councils with its headquarters in Campbelltown. MACROC’s charter states that its aim is to ‘promote a regional approach to issues’ and to develop ‘regional facilitation, planning and coordination’, to promote ‘a regional economic growth strategy’ and ‘provide a voice for regional issues’.[8]  MACROC has had mixed success, and while some accuse it of being a talkfest, its presence has supported Macarthur regionalism. MACROC spokesperson Christine Winning defends its role as in regional advocacy  and states that has a achieved a number of outcomes of regional importance in the areas of job creation, economic growth, education, small business, local government, environment and tourism since its foundation.[9]

Logo of the Macarthur Regional Organisation of Councils

 

Over the years Macarthur regionalism has had mixed support by the local business and community voluntary organizations. A survey of telephone listings of local businesses in 2011 indicated that only 156 business listings used the term Macarthur in their business name, for example, Macarthur Tavern, Macarthur Camera House and of these 61 businesses were located in Campbelltown, while the remainder were located in other local suburbs. On the other hand  the traditional names of the country towns of Camden, Campbelltown and Picton were the preferred option for business names with 134 had Camden in their business name, while 140 used Campbelltown in their business name, for example, Camden Towing Services and Campbelltown Car Detailing. A search of the 2014 Wollondilly Business Directory reveals that  24 businesses have used the Picton place-name, while  at a district level even the Telstra telephone  listings were located in  the  2013 Campbelltown Telephone Directory which included Camden and Picton.

Macarthur Advertiser 1958

Amongst local businesses there are some prominent and enthusiastic supporters of Macarthur regionalism as a coherent market place and branding that has a distinctive identity. Most notably In Macarthur lifestyle magazine publisher David Everett who has stated that his support for Macarthur regionalism for his business ‘seemed obvious and wasn’t really a decision’. Everett’s quarterly magazine started in 1999, has a print run of 20,000, is published in Campbelltown and is distributed throughout the three LGAs at points in Macarthur Square, Campbelltown, Camden, Narellan, Mt Annan, and Picton. Everett feels that Macarthur is a different geographic region to Sydney’s south west, ‘is culturally quite different’ and has ‘a sense of community’, which he maintains is ‘quite rare in the rest of Sydney’. He states that there is ‘a distinct region [which] feels like a region’ and the ‘name describes quite an organic community’ across all three LGAs.[10]  Amongst other local businesses that use the regional branding is the  Macarthur Credit Union, which adopted the Macarthur name in 1978.  The credit union wanted to extend its brand and grow its customer base and changed it name in 1978 from the Clutha Employees Credit Union, which was established in 1971,  to the Macarthur Mutual Credit Union and extended membership to the local community. It then progressively established branches across the region starting with Picton in 1979, Camden 1979, Narellan 1990, Tahmoor 1994. It changed its name in 1994 to Macarthur Credit Union and started a mobile service at Oran Park.[11]

In Macarthur Cover Autumn 2013

Local media outlets are prominent supporters of Macarthur regionalism including Community radio station 2MCR, which started operations on the 1989 and promotes itself as   “Heart of Macarthur”. It was the first radio station aimed at broadcasting to the Macarthur region, are staffed and operated entirely by volunteers and broadcasts 24 hours a day, 7 days a week.[12] The local commercial radio state C91.3, which has been on air since 2001,  uses a call sign 2MAC  and the slogan ‘Macarthur First’. It has a limited broadcast area of the major centres of Campbelltown and Camden under Federal Government broadcast regulations and is owned by WIN Corporation.    The local print media have been supporters of Macarthur regionalism for decades, although in recent years have  responded to the resurgence of localism under the influence of globalization by re-establishing local editions of Macarthur regional newspaper titles (mentioned earlier).

 

The voluntary sector has had a role to play in promoting Macarthur regionalism through the establishment of the Macarthur Country Tourist Association in 1978. The association had the supported of Campbelltown, Camden, Wollondilly and Liverpool councils, although it collapsed in 1994 after Wollondilly Shire withdrew support.[13] In 1996 after the collapse of the association, Camden Council set up the Camden Interim Tourist Committee and continued to operate independently from Oxley Cottage in Narellan.[14] In 2008 Camden and Campbelltown LGAs started a joint tourism project as part of the Macarthur Tourism Action Plan which was marketed as Destination Macarthur, and was influenced by Tourism New South Wales’s Destination Development Program and the 2007 Griffith Local Government and Shires Association Tourism Conference which used the theme Tourism – An Investment.

 

Macarthur Regional Tourism Promotion by Camden and Campbelltown Councils

 

The community voluntary sector has a mixed response for its support of Macarthur regionalism. An examination of the 2005 Camden Community Directory only has 53 voluntary organizations that used  Macarthur in their title, out a total listing of 380 entries. One current regional organization is the Macarthur Community Forum, which is an inter-agency organization which was incorporated in 2000 and changed its name to Sector Connect in 2008. It covers the four local government areas of Campbelltown, Camden, Wollondilly and Wingecarribee and acts a peak organization for the not-for-profit sector across the LGAs. The organization operates Volunteering Macarthur and acts as an agency for other government related services including Macarthur Youth Services Network and MacUnity.   Other regional voluntary organizations range from the Macarthur Rural Fire Service to regional sporting organizations including Macarthur District Soccer Football Association and Macarthur Basketball Association, while 2013 saw the birth of Quota International of Macarthur after the demise of the Camden Quota Club.

 

Conclusion and challenges

Macarthur regionalism in the communities of Campbelltown, Camden and Picton has had a mixed history with government, business and the voluntary sector. While business has identified Macarthur as a separate market place it is yet to be fully developed, and the voluntary sector is still very localised. The Camden, Campbelltown and Wollondilly Local Government Areas do acknowledge the Macarthur story particularly in their tourism promotions, yet little elsewhere.

Camden Park House around 1900 occupied by the Macarthur Onslow family, Work began on the house in 1831 to a design by the architect John Verge and was finished about 1835. Verge’s design for the house was based on the Palladian principle of a central two storied block flanked by symmetrical pavilions; the pavilion to the north west extended into an enclosed courtyard. (Camden Images)

 

Macarthur regionalism has not been fully embraced by each of the former country towns of Camden, Campbelltown and Picton. They were all once small closed rural communities with their own sense of place. Each community had a natural distinctiveness that has contributed to their identity and parochialism that tends to work against regionalism.

 

The most important unifying theme between Campbelltown, Camden and Picton today is their peri-urban location, on the city’s rural-urban fringe. This location fosters Macarthur regionalism as Sydney’s urban growth threatens re-shape place in these communities.

 

Elderslie Autumn Scene Camden Valley Way 2014 (IWillis)

Notes

[1] TKD Architects, Managing the Future of Camden Park, Menangle, New South Wales, Camden Park Preservation Committee, Camden, 2014.

[2] ‘Mr Syd Richardson board chairman’, Camden News, 26, 27 & 28 August 1969. Jeff McGill, ‘Local history caught by newspaper Webb’, Camden Advertiser 2 March 2005. ‘From Camden Advertiser to Macarthur Advertiser’, Wollondilly Advertiser 10 February 2010.

[3] James Deane, ‘Roles in Response to Change’, Royal Australian Planning Institute Journal, January 1974, vol 12 no 1, p.35.

[4] Macarthur Development Board, New Cities With History, Promotional brochure, Campbelltown, 1976.

[5] Ian Willis, ‘Townies, ex-urbanites and aesthetics: issues of identity on Sydney’s rural-urban fringe’, AQ – Australian Quarterly, Vol 83, Issue 2, (Apr/June 2012).

[6] Jeff McGill, Campbelltown, A Modern History, 1960-1999, Campbelltown and Airds Historical Society, Campbelltown, 1999, p. 29.

[7] Neil Marshall, Brian Dollery, & Angus Witherby, ‘Regional Organisations of Councils (ROCS): The Emergence of Network Governance in Metropolitan and Rural Australia?’, Australasian Journal of Regional Studies, Vol 9, No. 2, 2003, pp. 169-188.

[8] MACROC Annual Report 2011-2012, MACROC, 2012. Online @ http://www.macroc.nsw.gov.au accessed 27 May 2013.

[9] Christine Winning, Executive Officer, MACROC, email, 4 April 2014.

[10] In Macarthur Magazine. Online @ http://www.inmacarthurguide.com.au/. Accessed 30 March 2014. David Everett, Publisher In Macarthur Magazine, Email communication, 31 March 2014.

[11] The Macarthur Credit Union. Online @ http://www.themaccu.com.au/ . Accessed 30 March 2014

[12] Macarthur Community Radio. Online @ http://www.2mcr.org.au/ . Accessed 31 March 2014

[13] Camden News 16 August 1978. Betty Yewen, Interview, Camden, 9 April 2014. Betty was the former secretary of the association for a number of years. Pam Down, Macarthur Country Tourist Association, Correspondence, 26 November 1994.

[14] Camden Interim Tourist Committee, Minutes, 26 June 1996.

Attachment to place · Camden · Camden Airfield · Camden Public School · Heritage · history · Interwar · Local History · Place making · sense of place

Bare feet and the adventures of flight, memories of growing up in 1930s Camden

There are lots of exciting memories of Camden airfield in the 1930s by local folk, especially by little boys.

One of those was Cec Smith.

Argyle Street in Central Camden in the early 1930s at the intersection with John Street with the fountain in the centre of the intersection, the CBC Bank on the corner and the local bus outside the Bank of New South Wales before the current bank building was built in 1938. This view is likely to from the verandah at the Whiteman’s building. (Camden Images)

Wonders of flight at Camden

He recalls with great excitement the airfield and everything about it. He notes, ‘as the son of a farmer I was into anything that had an engine’.

Cec was a small boy whose family had only been in the district a short time. He was eleven years old.

The 1930s great adventure stories were ones of aviators and their aeroplanes.

Aviators were the heroes of the British Empire, like those that were  written about like Rudyard Kipling’s Kim (1901) or EM Forster’s A Passage to India’ (1924). Or the real adventurers of the empire like TE Lawrence, of ‘Lawrence of Arabia’ fame.

Camden airfield generated the stuff of boy’s own adventure books. Aviators and aeroplanes were the dreams of  all small boys in Camden.

Cec writes:

In 1936 it happened. Something different. A funny distant loaded, but relaxed, slow revving engine noise. But it was moving. Over that way. Couldn’t  see anything. It was hidden by the house. When I got there, nothing. Even the sound was gone. Then within a few days that different distinctive noise again. Looking over to the northeast, could not see it. Then it appeared from my vantage point a mile or so away. It seemed to pop up out of the ground as it slowly emerged above the low ridge line running along this [Camden] side of the river.

Cec eventually found out who owned the aeroplane. It belonged to a local hero of the empire, or so it seemed to one small boy.

Macquarie Grove Flying School was established by Edward Macarthur Onslow on his property Macquarie Gove in 1937. Macarthur Onslow purchased his first aircraft in 1935 and kept it in an ‘old tin shed’ on the property. This view shows a number of aircraft outside the hangar built for the flying school by Macarthur Onslow in the late 1930s. (Camden Images)

Cec writes:

 It was discovered that the plane belonged to Edward Macarthur Onslow, a local landholder. The plane was a DH.87A Hornet Moth (VH-UUW) and based on the property ‘Macquarie Grove’, where he lived. Older brother Denzil and younger brother Andrew were also qualified pilots. The brothers had taken the first steps toward developing a flying training and charter operation there, that pre-war was the Macquarie Grove Flying  and Glider School Pty Ltd,  and post-war became the Macquarie Grove Flying School Pty Ltd.

The flying school generated lots of excitement especially the air pageants.

Cec recalls that there were two air pageants put on there by the flying school in the late 1930s. The Macarthur Onslow brothers, along with local pilot/instructor Les Ray, who were the hands on staff of the school, and other pilots including Brian Monk (instructor from the Royal Aero Club of New South Wales) ‘all contributed to the success of what to us was a spectacular public event. This was all exciting stuff for myself and my school friends. It was a new dimension’.

Cec spent of a lot of school time dreaming of flying and notes that ‘much of the flying activities were visible from the school’.

Tiger Moth at Camden Airfield in the 1941 with the control tower in the background and showing the Bellman hangers that were built during the Second World War as temporary accommodation for military aircraft (Camden Images)

He recalls that around 1937 he was intrigued to learn that there was parachute practice taking place on the airfield.

He recalls that a movie called ‘Gone to the Dogs’ had a flying scene made at the airfield where a greyhound was to be delivered by parachute to a racing track.

Cec assures me that  the ‘dogs’ that he saw dropped by parachute were ‘dummies’.

Everything about the airfield was pretty basic in those days.

Cec, who gained his pilots licence after the war, recalls that the airfield was just ‘an open grazing paddock cleared of most trees and shrubbery but a fringe of trees remained on three sides of the field, adjacent to the river’.

In Cec’s view the trees

‘did not represent a hazard except in the event of a seriously misjudged approach… having regard to the operational requirements of the aircraft of the day. The surface was the usual farm type grasses sometimes grazed by cattle’.

An aerial view of Camden Airfield during the 1943 showing the airmen’s huts along the edge of the Nepean River with the Belman hangers. The dispersal areas for aircraft are clearly shown at the top of the image. (Camden Images)

Schooling in the bush

Cec  attended the one-teacher school at Theresa Park Public School from 1933-1934 where he was in a composite class. The Department of Education at the time paid for the teacher and supplied books and equipment. It was quite common for parents to meet any extra costs.

Cec recalls that the school had 12 pupils and his first teacher was Mr White and later Mr Monday. Cec rode a horse to school bare-back ‘behind a neighbour’s son’, who owned the horse, despite his family owning a saddle. He maintains that the teachers had good control of the class and for their part the pupils were ‘attentive’, although there were occasions ‘when some of us were disruptive’. Theresa Park Public School eventually closed in 1958.

Getting an education in town

After Cec finished with Theresa Park he travelled into Camden Public School in late 1934. Cec says that on the whole he enjoyed school, although he was ‘only a mediocre pupil but could with some effort get into the top three’. Cec’s classes were quite small. He was good attender and received a book prize for not missing a day in two years.

Camden Public School in 1933. The children are doing a maypole dance and PT where precision was paramount. Camden Public School was a Superior Public School until 1931 when the title was abandoned. The school continued to offer the Intermediate Examination Certificate and became a Central School in 1944. This image supplied by Ruth Brown (Camden Images)

Cec notes that the other pupils at the school came from a mixture of backgrounds, including 5-6 boys who came from the boy’s home. These boys he remembers came to school in bare feet and the lunches were ‘slices of stale bread spread with dripping, wrapped in newspaper and brought together collectively in a sugar bag’.

In 1940 Cec was a student in the secondary department when he finished his Intermediate Certificate. The results were published in the Sydney Morning Herald in January 1941. Cec gained ‘B’ grade passes in Geography, Mathematics II, Business Principles, Technical Drawing, Woodwork, Music, Agricultural Botany. Other local youth who finished with Cec were J Hayter, Elaine McEwan, John Porter, Frederick Strahey.

Cec recalls that the headmaster at that time was Neville Holder. Holder was the principal of the school between 1937 and 1940 and Cec found him to be a good teacher and felt that he did many ‘good deeds as a person and teacher’ while at the school. Camden Public School became a central school in 1944 and reverted to a public school in 1956 when Camden High School opened in John Street.

Cec sometimes had to wait at the milk depot at the end of Argyle Street, near the railway station, for a lift home after school. His father and brother would deliver the milk from the farm at the depot twice a day.

Cec feels that:

despite all the negatives of those days…  we received a good basic education across a range of subjects all for free. All that we had to do was be there. In most cases transport only cost the price of a bicycle and the physical effort of riding it… and the cost of a few books, pens and pencils.

Getting a job

During these days Cec did temporary work at Camden Post Office for three weeks in 1938 when he was 14 years old, and in 1940 six weeks.

Camden Post Office built in 1898 in Late Victorian style with later additions in 1910 in Federation Free style designed by NSW Government Architect Walter Vernon. (2008, P Mylrea)

One of his jobs in 1940 was to cycle out to the Eastern Command Training School at Studley Park each week to change over the public telephone coin tins. As Cec recalls they were officially called ‘coin receptacles’.  He recalls that:

 While I was there I had to make a test call back to the post office. The public phone at the airfield had not been installed at that stage of the war.  The only mail contractor at the post office had the run which started at Camden, went out to Glenmore, The Oaks, Oakdale and Nattai River in the Burragorang Valley and then on to Yerrandarie Post Office.

 

Eventually Cec started work in Sydney in 1941 while his family continued dairying for the next 11 years.

The war eventually caught up with the family and Cec’s brother joined up in 1940 and ‘my turn came in 1943’. He recalls that ‘for our generation much happened in the relatively short period between 1940-1945’.

Camden · Colonial Camden · Heritage · Historical consciousness · history · Local History · Macarthur · Place making · sense of place · Uncategorized

The soul of a country town, St Johns Church, Camden

On the hill overlooking the Camden town centre is a church building that represents the historic, moral and emotional heart of community. It would not be an exaggeration to say that the church represents the soul of the town, which was built below it on the Nepean River floodplain in the mid-19th century.

St Johns Church Camden 2005 IWillis

Metaphor for the order and stability

The church is a metaphor for the order and stability that it represented on the wilds of the colonial frontier. It was at the centre of the original proposal for the English-style village of Camden in the 1830s along with a court house and a gaol.

 

For the Macarthurs of Camden Park estate the church was the centre of their moral and spiritual conservatism. The church, as part of similar early 19th English estate villages, represented stability and order that the Macarthur required of the new community on their estate. More than this the church was a central part of the landscape vistas of the village from Camden Park House.

James Macarthur Belgenny

James Macarthur view of the world

The church, according to Alan Atkinson, was representative of James Macarthur religious view of the world where faith emanated from the ‘joint initiative of all classes’. Macarthur maintained that ‘collective and mutual dependence’ was an essential part of the ‘Christian spirit’ that would  be a ‘symbol off for their reliance on each other’. [i]

 

The church cause was promoted by James and William Macarthur and appealed to neighbours and employees for a fund for the construction of the church. By 1835 the Macarthurs subscribed £500 of a total of £644 from estate workers and neighbours.

 

The building of the church coincided with Governor Bourke’s  Church Act of 1836 which offered a subsidy for the building of churches in the colony of New South Wales. The Macarthur applied for a subsidy of £1000 of the total cost of £2500.[ii]

St Johns Church Camden around 1900 (Camden Images)

The church was constructed by with local bricks and timbers and was consecrated in 1849. Hector Abrahams states that St Johns church:

In its architectural innovation and picturesque placement in a controlled landscape, it is among the most important parish churches in Australia.[iii]

Camden religious precinct

The church and its grounds are located in a religious precinct that includes the rectory and stables (1859), church hall (1906), and a cemetery. While the church was originally proposed in a ‘classical’ style it was eventually constructed in the Gothic Revival style which became popular in Sydney at the time. Sydney architect Hector Abrahams maintains that St Johns ,was the first Gothic Revival church in the colony of New South Wales’ when finished in 1844.

Gothic revival

Gothic revival looked back to the glory of the medieval period, in contrast to neo-classical styles which were popular at the time. To its supporters Gothic architecture was representative of true Christian values that were being destroyed by the Industrial Revolution. Gothic architecture was aligned with the conservatism of the Macarthurs rather than the republicanism of the French and American revolutionary wars and neoclassicism. Its popularity was partly driven in the colony of New South Wales by the re-building of the British Houses of Parliament in 1834 which evoked a romantic age.

St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

Camden’s Englishness

Over the subsequent decades St John’s church has become a representation of Camden’s Englishness. Probably the first reference to St John’s church and its Englishness was in the Anglican newspaper the Sydney Guardian when it stated

it’s graceful and really well proportioned spire presents a cheering object to the up country traveller, as it breaks the dull outline of bush hill carrying the mind back to scenes well remembered and deeply loved by all English hearted folk (Sydney Guardian quoted in Clive Lucas Stapleton & Partners, St. John’s Anglican Church Precinct Menangle Road, Camden Conservation Management Plan, 2004, Sydney, p.44)

In 1926 the church was in the forefront of the mind of Eldred Dyer who wrote in the Sydney Morning Herald that Camden was reminiscent of English parish church towns. He wrote that as he stepped out and walked around the town centre he lifted his:

 eyes to the old church as it stands in beauty on its hill, and In a flash you are transported to some old English church town. In a moment, if you have understanding, you and in a flash you are transported to some old English church town.[iv]

To a travel writer for the  Sydney Mail in 1926 the church was the dominant English-style landscape feature on a road trip through the area:.

the shapely and lofty steeple of its church raising itself above the copse of frees on the hilltop and giving the little township a quaintly European aspect.[v]

 

The church has become central to all representations of the Camden township from its inception, and what it means to be born and bred in the district. The church is the fundamental icon is the community’s sense of place and identity.

Vista of St Johns Church from the Nepean River Floodplain 1910 Postcard (Camden Images)

Church symbolism

The church symbolism is central in tourism literature, business promotions, stories of the town, its history and a host of other representations of the district.

The church continues to dominate the town centre skyline and the minds and hearts of all Camden folk. Here hoping that this continues for another century.

Notes

[i] Atkinson, Alan.  Camden / Alan Atkinson  Australian Scholarly Publishing North Melbourne, Vic  2008  http://www.loc.gov/catdir/toc/fy0904/2008431682.html  pp.30-32

[ii] Atkinson, Alan.  Camden / Alan Atkinson  Australian Scholarly Publishing North Melbourne, Vic  2008  http://www.loc.gov/catdir/toc/fy0904/2008431682.html  pp.30-32

[iii] Hector Abrahams, Christian church architecture, Dictionary of Sydney, 2010, http://dictionaryofsydney.org/entry/christian_church_architecture, viewed 16 March 2017

[iv] Sydney Morning Herald (NSW : 1842 – 1954), Saturday 28 August 1926, page 9

[v] Sydney Mail (NSW : 1912 – 1938), Wednesday 11 August 1926, page 46

Attachment to place · Colonialism · Edwardian · Entertainment · Heritage · Leisure · Memorials · Monuments · Parks · Place making · sense of place · Tourism · Uncategorized · Victorian

A space of memories and monuments

The CHN blogger was recently out and about and re-discovered a lovely urban space in central Goulburn on the New South Wales southern tablelands. Known as Belmore Park since the mid-19th century the park has a formal symmetrical layout. This is typical of many 19th century Victorian urban parks with paths crossing it on the diagonal for promenading and adding to the balance of the space. The park is abutted by lovingly conserved 19th century architecture and the Victorian designed railway station which all add to the ambience of the precinct in the town’s heritage centre.

Pleasant view across the picturesque Belmore Park Goulburn on a Sunday morning in March 2017 (IWillis)

The origin of urban parks has been traced to a number of sources. At its simplest is was an open space that became the  village green or they were grassed fields and stadia in Greek cities, or they were an open area with a grove of sacred trees. By the medieval period they were open grassed areas within or adjacent to a village where the lord allowed the common villagers to graze their animals. Some were royal hunting parks that date from ancient days  where the king walled off a section of forest to keep out poachers. From the 18th century French and British noblemen were aided by landscape designers like Capability Brown to design private parks and pleasure grounds. The Italians had their piazza, which was usually paved. In the UK the establishment of Birkenhead Park in 1843, Central Park in New York in the mid 1850s, Philadelphia’s urban park system in the 1860s and Sydney’s Governors’ Domain and Hyde Park all had an influence.

Market Square

Belmore Park was Goulburn’s Market Square from the 1830s, and renamed Belmore Square in 1869 in honor of the visit of Lord and Lady Belmore on the opening of the railway at Goulburn, and a picket fence was built around the square. In the early twentieth century it was the site of a small zoo, perhaps reflecting the zoo in the Sydney Botanic Gardens or the Botanic Gardens in Hobart, which was part of the notion of creating a ‘pleasure ground’. Belmore Square was re-dedicated as the Belmore Botanic Gardens in 1899. During the 20th century  the park became a landscape of monuments and memorials, similar to Hyde Park in Sydney, and other urban parks around Australia.

View of a rare Boer War Memorial to Goulburn veterans from the South African War. The monument was erected in 1904 and unveiled by the mayor WR Costley. It is one a handful of war memorials to the Boer War in Australia. 2017 (IWillis)

A landscape of monuments and memorials

Boer War Memorial in Belmore Park Goulburn. The memorial consists of three sections: a wide base of three Bundanoon sandstone steps; a square die with the dedication and inscriptions on marble plaques flanked by corner pilasters with ionic capitals; and a statue of a mounted trooper with rifle and bandolier built of Carrara marble and carved in Italy. 2017 (IWillis)
The band rotunda was built in 1897 to commemorate the reign of Queen Victoria. Band rotundas were a common park furniture in many urban parks throughout Australia. Banding was a popular pastime in the late 19th century and all self-respecting communities had a town band. Goulburn had a host of bands from the 1860s and the the Goulburn Model Brass Band performed in Belmore Park in 1891. The Goulburn City Band was formed in 1870 and was still performing in the First World War. This rotunda is High Victorian and designed by Goulburn architect EC Manfred. (Image 2017 IWillis)
This is the Knowlman Monument to commemorate Goulburn Mayor J Knowlman in 1910. He was mayor from 1899 to 1900. The column typifies uprightness, honour, eternity and rest. (Images 2017 IWillis)
This is a view of the Hollis Fountain erected in 1899 to Dr LT Hollis who was the MLA for Goulburn from 1891 to 1898. It is a highly decorative Victorian style concrete fountain that duplicates a similar fountain in St Leonards Park North Sydney that celebrates the Queen Victoria’s Diamond Jubilee (60th year of reign). Designed by FW Grant of Sydney firm Grant and Cocks. (Image 2017 IWillis)
Camden · Colonial Camden · Colonialism · Edwardian · Heritage · history · Interwar · Place making · sense of place · Uncategorized

Camden Needs A Residential Heritage Style Guide

Camden Needs A Residential Heritage Style Guide

There is a crying need for a local Camden Residential Heritage Style Guide. Why do other Local Government Areas in Australia have a Residential Style Guide for their heritage housing styles but Camden does not.

Federation Camden is a period of growth from the dairy industry across the district (I Willis)
Federation Camden is a period of growth from the dairy industry across the district represented by sturdy timber cottages (I Willis)

Camden is one of Australia’s most historic localities and yet newcomers and locals have to guess what is an historically accurate guide to residential housing styles.

The new Camden Region Economic Taskforce (CRET) is an opportunity to promote the historic and heritage nature of the local area. The Taskforce promotional material states that Camden LGA has a ‘unique history’ and that the aim of the CRET is to maintain ‘Camden’s unique historic heritage and natural environment’.

This is an opportunity to the see if Camden Council is prepared to back its words with action. One easy way to do this would be to draw up a Residential Heritage Style Guide for the Local Government Area.

Camden heritage is a tourism drawcard to the local area. It creates jobs and business opportunities.

Carinya Cottage c1890 (Camden Historical Society)
Carinya Cottage c1890 was an example of a Federation Edwardian Farm Cottage at Narellan now demolished (Camden Historical Society)

The aim of the CRET is

  1. creation of jobs
  2. attraction of investment and
  3. creating the right environment  to support the growth of business and industry (both existing and future).

Houses are an integral part of our daily lives. We live in them and take them for granted. But they are more than this. A house is an historical statement of its time. As history changes so does the type of housing.

The CRET publicity states that the Camden LGA is a ‘rapidly growing area’ and is subject to change in the form of ‘rapid commercial and industrial development’ and there needs to be an understanding, according to the CRET, of ‘our unique heritage’.

 

There a number of housing styles that have been identified by architects in Australia since colonial times. The major periods of the styles are:
1. Pre-colonial period 30,000 BCE – 1788
2. Old Colonial Period 1788 – c. 1840
3. Victorian Period c. 1840 – c. 1890
4. Federation Period c. 1890 – c. 1915
5. Inter – War Period c. 1915 – c 1940
6. Post – War Period c. 1940 – c. 1960.
7. Late Twentieth Century c. 1960 – c. 2000
8. Twenty –First Century c. 2000 – present.
The Camden Local Government Area has residential buildings from most of these time periods.

 

Camden has a number of very good examples in town buildings from the Victorian era (I Willis)
Camden has a number of very good examples in town buildings from the Victorian era (I Willis)

The housing style of a particular location in the Camden or Narellan area gives the place a definite character and a certain charm. It is what makes a place special and gives it a sense of its own identity (Inter-war period along Menangle Road). The housing style will give the place its special qualities. The houses are a reflection of the times in which they were built.

 

The style is an indicator of the historical activities that have gone on in that area. It is a statement on changing tastes, lifestyles, social attitudes, cultural mores, and a host of other factors (Inter-war cottages in Elizabeth Street and the use of colour glass in lead-light windows or the appearance of garages for the new motor cars of the day).

Example of modern design from the early 1960s at 64 Macarthur Road Elderslie NSW (I Willis 2010)
Example of modern Ranch style design from the early 1960s at 64 Macarthur Road Elderslie NSW now demolished (I Willis 2010)

The housing style may be complemented by a garden and landscaping that reflected the tastes and lifestyles of the occupants of the building. Even gardens go through fashion trends (English style gardens or native gardens).

 

The housing style says a lot about the occupants. Whether they were landed gentry who owned one of the large estates in the area (Camden Park House, Brownlow Hill, Denbigh) or ordinary farmers who were making a living from a patch of ground (simple Federation weatherboard cottages like Yamba cottage in Narellan or the Duesbury family in Elizabeth Street or Hillview in Lodges Road).

Ben Linden Narellan J Kooyman 1997 (Camden Images)
The cottage known as Ben Linden at Narellan is an excellent example of the Edwardian period in the Camden Local Government Area (J Kooyman, 1997, Camden Images)

Camden has been remote from the urban influences that drove the high forms of these architectural styles. But local people adapted the style to suit their particular purpose (simple Federation brick or timber farm cottages like in the Struggletown complex or Barsden Street). Sometimes they created their own vernacular style that used local materials.

 

Some of these styles have more examples in the Camden area than others. This reflects the economic prosperity in the history of the area. The Inter-war period is one of these times. Between 1915 and 1940 the town grew based on the wealth generated by dairying and later coal. There are quite a number of inter-war buildings in Camden (Californian bungalows in Menangle Road and Murray Street). The post-war period of housing construction in Camden in Macquarie Avenue and along the Old Hume Highway was driven by the economic activities surrounding the mining of coal in the Burragorang Valley.

 

Each housing style illustrates cultural influences from Great Britain in the Victorian style or from the United States in the Inter-war period in the Californian Bungalow and the Ranch style in the post-war period.

Camden shows the influence of the American west coast during the Inter-war period with Californian bungalows of the period (I Willis)
Camden shows the influence of the American west coast during the Inter-war period with Californian bungalows (I Willis)

The local housing stock shows the skills and expertise of local builders, such as Harry Willis or Walter Furner who constructed many of the Inter-war housing stock. Ephraim Cross who supplied brick for some of the Federation style cottages in the area or James English in the 1940s or Ron McMIllan in the 1950s and 1960s.

 

Each period represents the modern and progressive ideas of its time. Each housing style is a representation of the hopes and aspirations of those who built the houses. Just as Oran Park housing developments are representative of the late 21th century so Harrington Park and Mt Annan are representative of the late 20th century. They have been driven by the urban expansion of the Sydney area.

 

Within each of the major time periods there are a number of sub-divisions. There are around five major styles within the Inter-war period, such as the Californian bungalow (West coast USA influence) or the Art Deco (European influences). The post-war period has around six style divisions ranging from the austerity (which reflected the lack of availability of building materials and labour following WW2) to ranch style (which illustrated the post-war influences from West coast American and Californian housing styles).

Yamba Cottage, KIrkham c. 1913 (Camden Images)
Yamba Cottage, KIrkham c. 1913 is an example of an Federation Edwardian farm cottage on Camden Valley Way at Narellan (Camden Images)

Camden needs a Residential Heritage Style Guide to consolidate all these factors and influences in the Local Government Area.

Why is it that other Local Government Areas around Australia can achieve this but Camden cannot?  What is the matter with out local government representatives? Examples from other parts of Australia include

  1. The New South Wales seaside community of Moruya has a wonderful document called the MORUYA RESIDENTIAL STYLE GUIDE.
  2. In South Australia the inner Adelaide City of Unley’ has a document called Appreciating Heritage and Character Dwellings Design Guide 1 .
  3. In Queensland the Toowoomba Region Council has a series of guides for heritage properties covering Victorian, Edwardian and Inter-war houses.

Camden Local Government Area has examples of housing stock that corresponds with each of these housing styles. What is wrong with Camden Council on this matter?

Read more on these matters on this blog:

  1. Edwardian Cottages in Camden
  2. Inter-war Camden
  3. Ben Linden at Narellan
  4. Urban planning in the Camden LGA

 

Attachment to place · history · Modernism · Place making · sense of place · Sydney · Uncategorized

Sydney modernism, a recent awakening

It is pleasing to see that there has been recent interest in Sydney modernism from a number of prominent Sydney cultural institutions. The origins of modernism can be traced back to the 1880s, while Sydney modernism has be identified from the early years of the 20th century to the 1960s.

Sunbaker is a 1937 black-and-white photograph by Australian modernist photographer Max Dupain, depicting the head and shoulders of a man lying on a beach, taken from a low angle. (Wikimedia)
Sunbaker is a 1937 black-and-white photograph by Australian modernist photographer Max Dupain, depicting the head and shoulders of a man lying on a beach, taken from a low angle. (Wikimedia)

In 2008 the Powerhouse Museum organised an exhibition called ‘Modern Times: The Untold Story of Modernism in Australia’. The exhibition, for the first time, examined the impact of modernism on Australian culture from 1917 to 1967. The publicity for the exhibition maintained that:

Modernism sought to build a better future in the aftermath of World War I. An international movement, modernism encapsulated the possibilities of the 20th century. It celebrated the romance of cities, the healthy body and the ideals of abstraction and functionalism in design.

In 2013 the Art Gallery of New South Wales organised a major exhibition devoted to Sydney modernist artist called ‘Sydney Moderns: Art for a New World’. The exhibition spanned the period from 1915 to 1940 and explored the relationship between modern Sydney life and the ‘cosmopolitan milieu’ of the time. The exhibition included the works of a host of Sydney artists including:

Margaret Preston, Roy de Maistre, Roland Wakelin, Grace Cossington Smith, Thea Proctor, Grace Crowley, Ralph Balson, Rah Fizelle, Frank and Margel Hinder, Margo and Gerald Lewers, Dorrit Black, Olive Cotton, Max Dupain and Harold Cazneaux, along with important works by Sydney’s lesser known ‘lost moderns’, such as Tempe Manning, Niel A Gren, Frank Weitzel and Fred Coventry.

The exhibition explored how modernism ‘defined a new cosmopolitan culture’ and re-shaped life in Sydney.

In 2014 There Was A Photographic Exhibition At The Delmar Gallery In The Sydney Suburb Of Ashfield Called ‘Soul Of A City: Modernism And Sydney Photography 1930 – 1950 Olive Cotton, Eo Hoppé, Max Dupain, David Moore, Harold Cazneaux’. The exhibition curator Catherine Benz maintains that 1930s Sydney forged a ‘modernist aesthetic inspired by internationalist movements’ with photographs that exuded ‘sensuality, confidence and optimism’.

In 2014 Sydney Living Museums organised an event at the 2014 Sydney Writers Festival called ‘Cultivating Australian Modernism’ where a panel discussed the history of the modernist garden. The panel included author Richard Aitken, Sydney Living Museums Assistant Director Ian Innes, and ABC RN’s Fenella Kernebone.

In 2015 Sue Williams wrote in the Domain supplement in The Sydney Morning Herald that modernist homes had become ‘all the rage’. She maintained that the interest was driven by the TV show Mad Men, post-war classic furniture and the appeal of retro-homewares. These homes were designed by Sydney architects Sydney Ancher, Harry Seidler, Bruce Rickard and Ian McKay, and used simple materials, simple lines and open planned living spaces.

A more recent event is currently showing at the Heide Museum of Modern Art Central Galleries in Bulleen Victoria. The exhibition called ‘O’keeffe, Preston, Cossington Smith: Making Modernism’ is jointly curated by the Art Gallery of New South Wales, Sydney, Queensland Art Gallery, Brisbane, and the Georgia O’Keeffe Museum, Santa Fe and will tour in NSW and Queensland later in 2017. The exhibition curators have brought together

for the first time the iconic art of Georgia O’Keeffe, one of America’s most significant painters of the twentieth century, alongside modernist masterpieces by pioneering Australian artists, Margaret Preston and Grace Cossington Smith.

The exhibition explores the

similarities and distinctions in their art to bring new perspectives to light about modernism’s dispersal and reinvention as it developed beyond the metropolitan wellspring of Europe.

Modernism and its influence on place making in Sydney has yet to be fully explored by scholars in any meaningful way. It is essential to get a grip on modernism to fully understand its role in the construction of the city’s sense of place and identity.

Colonialism · Entertainment · Farming · Governor Macquarie · history · Leisure · Modernism · Place making · sense of place · Sydney · Uncategorized

Sydney’s Royal Botanic Gardens

The Domain and Royal Botanic Gardens are some of the most important open spaces and parkland in Australia’s urban places. The 29 hectares of gardens are surrounded by 51 hectares of parkland including the Sydney Domain. The gardens are traditionally divided into 4 sections the Middle Garden, the Upper Garden, the Lower Garden and the Garden Palace Grounds. They were officially recognised as a botanic gardens in 1816 and while it only became the ‘Royal’ in 1959. The site is one of the world’s oldest colonial botanic gardens and one of the most important botanical sites in the Southern Hemisphere (only Rio de Janeiro is older). The area attracts around 4 million visitors a year.

Sydney Botanic Gardens 1934 Sam Hood SLNSW
Sydney Botanic Gardens 1934 Sam Hood SLNSW

The Dictionary of Sydney states that the gardens reflects:

the changing styles of ‘public gardens’ – from the utilitarian beds that provided the necessities of life in the early years, to the emerging styles associated with new ideas about landscape gardening for visual effect, to the overwrought overkill of Victoriana, with statues, urns, terraces, ponds, plinths and obelisks at every turn, through to the contemporary acceptance of the validity of ‘native’ flora as a legitimate focus in a public garden.

The Botanic Gardens were the site of the first government farm in the colony of New South Wales in 1788 (Middle Garden) and called the Governor’s Farm in 1792. Governor Phillip ordered the cultivation of 20 acres in 1788 and the area was part of Governor Phillip’s private reserve. The original farm furrows are evident in the alignment of the longitudinal beds of shrubs. The Governor’s Domain was one of the first pleasure grounds in the colony established in 1792 by Governor Phillip.

Governor Phillips Private Reserve (Domain) 1816 C Cartwright SLNSW
Governor Phillips Private Reserve (Domain) 1816 C Cartwright SLNSW

There were some private land grants on the eastern side of Farm Cove (1800-1807) which were resumed under Governor Bligh when carriage roads were built around Bennelong Point and Farm Cove in 1807. The main botanic farm function was transferred to Rose Hill at this time under Governor King. The Royal Botanic Gardens Trust states that in 1810

The new Governor, Lachlan Macquarie, terminate[d] leases and embarks on wall and fence building to re-establish the Domain as the Governor’s private parkland. His walls and rules [were] flouted.

The gardens link the oldest surviving group of Governor Macquarie period buildings in Australia along Macquarie Street (1810). There is also Governor Macquarie’s landscaping of the Domain with a gate and sandstone wall. The wall now separates the Lower and Middle Garden, was used to protect the garden from the harbour and built between 1812 and 1816. In Governor Macquarie’s time (1816) Mrs Macquarie Road was completed around the Domain to Mrs Macquarie Point.

The work of the gardens illustrates the associations with 18th century European scientific world of Sir Joseph Banks, Sir William Hooker and others. The gardens are Australia’s oldest scientific institution (1816) for botany and horticulture. In 1821 Superintendent Charles Fraser, a botanist, was appointed to develop the gardens along scientific grounds for the first time. Fraser accompanied John Oxley on his inland journeys and brought back plant specimens.

In 1825 Governor Brisbane extended the garden west of Farm Cove for an experimental garden to acclimatise Australian plants for export and imported plants. Colonists were interested in ‘exotics’ and brought many of them with them and were added to the garden plant collection. In 1829 grape vines were planted that became important in the foundation of the Australian wine industry.

In 1831 Governor Bourke opened the roads and paths for general access despite conservative opposition.

 

Path through Sydney Botanic Gardens 2015 IWillis
Path through Sydney Botanic Gardens 2015 IWillis

By the 1850s military, sporting and ceremonial events became common in the Domain. The area was the home of first class cricket in New South Wales from 1857 to 1871 and the first interstate match was held in the Domain in 1851 when NSW defeats Victoria. There were the first swimming championships in 1846 and a gymnasium (public playground).

All England Cricket Match Freeman Bros 1862 SLNSW
All England Cricket Match Freeman Bros 1862 SLNSW

In 1837 construction commenced for the new government house in the northern section of the Domain. It was completed in 1845. The area was the site of the Australia’s first zoo, an aviary in 1860 which was expanded into a larger facility with a monkey house in 1880. Eventually the zoo was relocated to Moore Park in 1883.

Sydney Conservatorium of Music (former Government House Stables c1816) 2015 IWillis
Sydney Conservatorium of Music (former Government House Stables c1816) 2015 IWillis

The Domain and gardens were the site of the 1878 International Exhibition and the Garden Palace (1879) which burnt down is spectacular fire in 1882, was the first exhibition in Australia featuring arts and industrial displays. The Garden Palace was located between the Conservatorium of Music (formerly the Government House Stables) and Macquarie Street. The site is the highest point in the garden and was originally surrounded by a paling fence for grazing the governor’s stock. The Central Depot in the gardens were the kitchen gardens for government house (Bridge Street, then Macquarie Street) from 1813 to 1870 and still has a rare glasshouse.

Tarpeian Way Sydney Botanic Garden 2015 IWillis
Tarpeian Way Sydney Botanic Garden 2015 IWillis

The sandstone wall adjacent to the Opera House with stone steps and iron railing is the northern boundary of the garden. The cliff wall was built in 1880 enabled the extension of Macquarie Street and is known as the Tarpeian Way. It provides a dramatic backdrop to the Opera House forecourt and gets its name from the famous rock on Capitoline Hill in Rome where prisoners were hurled to the deaths in ancient times. What are now the Opera House iron gates, were originally the Governor’s private gates, and built in 1870.

The Lower Garden was reclaimed from Farm Cove between 1848 and 1879 when the seawall was constructed with stone from the old government house in Bridge Street. This work extended the garden’s pleasure grounds with curving pleasure walks and plantings.

Port Jackson and view of Botatical Garden 1803 JW Lancashire SLNSW
Port Jackson and view of Botatical Garden 1803 JW Lancashire SLNSW

In the Domain the Hospital Road gate lodge and gate were built around 1865 and the Victorian gate lodge house was built on the eastern side of the garden. The Victorian herbarium building was constructed in 1899 and adapted as the visitor centre in 1982.

The Domain was quite extensive at one stage and successive governments have taken bits of it for various cultural institutions – Art Gallery of New South Wales (1885+), the State Library of NSW (1910+), Government House (1836+), Opera House (1966+), and Conservatorium of Music (formerly Government House Stables, 1816 and CoM, 1916+) – and oil tanks for the Navy in WW2.

The Domain has been a site of decent by the Sydney populace and the Dictionary of Sydney states:

The Domain has also had an important history as a ‘soap box’ arena, like London’s Speakers’ Corner in Hyde Park. ‘Soapbox Sunday’ may well go back into the late nineteenth century: in 1878, Baptist pastor Allen is reported to have gone there to speak on Irish Home Rule, after a riot in nearby Hyde Park.
The Domain has been the site of free opera events as part of the Sydney Festival since 1982.

The gardens and domain have suffered under the influence of modernism. In the 1920s the site was dug up using a cut and cover construction method to build the City Loop of the underground railway on the western side of the Domain. In 1956 the City of Sydney took the western side of the Domain and constructed a car park with the loss of 47 rare trees. The influence of the car again played out with the construction of the Cahill Expressway between 1958 and the 1960s and resulted in the loss of the Fig Tree Avenue planted in 1847, and the division of the gardens and the domain areas.

In 1978 the administration of the gardens and Domain were transferred from the Department of Agriculture (from 1908) to the Premier’s Department. In 1980 the state government passed the Royal Botanic Gardens Trust Act to secure the extent of the grounds and administration of Centennial Park administration became autonomous. The Friends of the Botanic Garden were established in 1982.

The Calyx Signage 2016 IWillis
The Calyx Signage 2016 IWillis

Development of the gardens and Domain occurred in 1970 and 1971 with the construction of The Pyramid as a tropical glasshouse, two annexes were established in 1988 at Mount Annan (native plantings) and Mount Tomah (cool-climate plantings), and in 2016 in the Upper Garden the new Calyx replaced the demolished Pyramid as the tropical plant centre.

The Calyx 2016 IWillis
The Calyx 2016 IWillis

To read more go to the website of the The Royal Botanic Gardens and read about the history and heritage of the gardens at the State Heritage Inventory. The Dictionary of Sydney has some interesting stories about the Domain and the Royal Botanic Gardens and the Domain is one of the most popular spots for the Sydney Festival.