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Australian Newspaper History Group Newsletter Extracts by Ian Willis

90.3.3 Camden: Launch of a new regional newspaper

Ian Willis, of Camden, writes (19 November): This week a new masthead appeared in the Camden Local Government Area called the Independent South-West published by King Media Regional based in Bowral, NSW. It was launched at Camden’s annual Light Up Festival. Editor Jane King and other staff handed out copies of the free monthly to families and friends who had come to see Santa, watch the fireworks and see the Christmas lights on the town’s Christmas tree.

The 20-page tabloid is printed in colour on glossy paper and is sure to give the other three free Camden weeklies, the Macarthur Chronicle, the Camden Narellan Advertiser and the District Reporter, a run for their money. King says in Issue 1 that it “is an exciting new title…family owned and managed business”. She says that the paper will serve the local community and employ local people.

The first issue certainly lives up to these promises by reporting the proceedings of the Moss Vale Local Court. Two matters dealt with involved Camden identities. Local court matters are now heard in Moss Vale since the closure of Camden and Picton court houses. The robust reporting of local court proceedings has largely disappeared from the other three Camden weeklies.

A feature page, “Ark” Up, is written by journalist Juliet Arkwright who in another life was a councillor on Wollondilly Shire Council. This edition profiles the Acting President of the Camden Chamber of Commerce Maryann Strickling. The chamber states ‘we look forward to working with a truly independent newspaper’.

The first edition also has copy provided by the local federal member, a photo feature of a fashion launch at Campbelltown, and content shared from the newspaper’s stablemate LatteLife Wingecarribee, which claims to be the “Heartbeat of the Southern Highlands”.

King Media also publishes City Circular which, according to Miranda Ward at Mumbrella, replaced a void left by the closure of News Corps mX in 2015 and is distributed at railway stations. The first newspaper published by King Media group was the masthead LatteLife Sydney which started life in the Eastern Suburbs in 2010. King Media then expanded to publishing the Southern Highlands edition in 2014.

The Independent’s print run of 10,000 will be distributed across localities from Cawdor to Leppington through local retailers, surgeries, real estate officers and other outlets. The print run is modest by comparison to its competitors in the Camden LGA and the publisher’s promises seem ambitious. King Media will support the print edition by managing a Facebook page.

The conservative reporting of local matters by the Independent’s three Camden competitors certainly leaves a niche in the market place if controversies surrounding Camden Council continue as they have done in recent months. King has promised to “hold the Council to task” and take it up to other local papers. If she sticks to her promises the Independent South-West will fit in well with Camden’s fierce parochialism and localism.

Australian Newspaper History Group Newsletter, No 90, December 2016— 11

 

Newspaper Image IndepSW 2016 Iss1
The first edition of The Independent South-West that appeared in Camden (I Willis)

 

89.4.10 Tahmoor’s once-a-century publication

Ian Willis, of Camden, writes: On 1 September 2016 the local independent weekly, the District Reporter, published an eight-page wraparound supplement under the banner heading of the “Tahmoor Times Souvenir Edition”. It was “edition 1, volume 1” of a special edition that was “published every 100 years”. The supplement celebrated the centenary of the naming of Tahmoor NSW and the Back to Tahmoor celebrations. It was sponsored by the District Reporter and the Tahmoor Chamber of Commerce under its president Bob Clayton.

The District Reporter is a free 16-page weekly published by a family owned company, Wombaroo Publishers, of Camden. The newspaper was launched in 1998 and has a distribution of 16,900 primarily across the Camden and Wollondilly Local Government Areas, including Tahmoor. The publication has a popular weekly local history feature on the back page called “Back Then” under the direction of newspaper editor Lee Abrahams. Volunteers read aloud the supplement to some of the residents at the local Carrington Convalescent Home.

The idea of the supplement and its promotion were the brainchild of Bob Clayton who is variously described as a team of one taking on roles from journalist and political editor. Clayton’s editorial stated that he only published the supplement “every one hundred years” with the next edition in 2116. Clayton supplied the content with layout done by the District Reporter’s sales manager Noel Lowry.

The supplement’s feature article “Bridge to Bridge – Tahmoor a History” presented an interesting collection of images with a short story of the history of the town. Past extracts from the Picton Post supported the story. For example, in 1933 local character Barney Abbot spotted a UFO from his farm paddock one night. Then there was an offer in 1934 to take a Ford V8 for a drive with a recent sighting of Elvis Presley in Tahmoor.

Mr Clayton said, “It was all to have a bit of fun and to tell tales from the past. History is a bit dry and you need to make it interesting.”

Other centenary celebrations were outlined in the supplement and are a “Back to Tahmoor Day”, a history publication, a photographic exhibition, the development of a history walk and a time capsule for Tahmoor Public School.

Storytelling occurs in all cultures and the “Tahmoor Times” supplement adds to some of the colourful yarns about the local area. Clayton said he would send a copy of the supplement to the National Library. The supplement provides an insight in to the area’s sense of place and its cultural landscape.

Australian Newspaper History Group Newsletter, No 89, September 2016— 15

 

Camden Show Signage 2018
The Camden Show attracts over 40,000 people to the two day festival in the country town of Camden. (I Willis)

 

67.3.4 CAMDEN: SHOW COVERAGE HIGHLY COMMENDED

Ian Willis from Camden writes (31 March): The Camden press excelled itself in recent weeks with an incredible coverage of the 2012 Camden Show. The show always gets strong support from the local weekly newspapers – Camden-Narellan Advertiser, Macarthur Chronicle (Camden Edition) and the District Reporter – and this year was no different.

The amount of page space devoted to the show is worthy of special examination. Between January and March over 6300 column centimetres were devoted to the show matters, peaking in the weekly editions before the show. The Advertiser had an eight- page wrap-around, the Chronicle had a 12 page wrap-around while The District Reporter had a 24-page special edition, as well as its regular weekly edition. This was supplemented with extensive photo galleries on the newspaper websites and in their print editions after the show. In addition the Macarthur Chronicle offered to print a special front page for showgoers with their image at their show stall. The show committee supported this coverage with posters, pamphlets, programs, and television (first time 2011) and radio advertising.

The Camden Show illustrates one of the key strengths of the local press, which in the case of Camden is becoming increasingly the local suburban press, its localness. The Camden community is in a period of transition located on Sydney’s rural-urban fringe and undergoing a crisis of identity. The role of the local press in the success of this annual festival cannot be understated. The annual show (23-24 March 2012) is the premier cultural festival for the community, runs over two days and in 2012 attracted over 38,000 people. The constant theme in all material related to the show was its role as ‘still a country show’. The event had all the trade mark features of the stereotypical country show from cakes to show bags to cattle and wood chopping. The relationship between the Camden press and the show juggernaut is mutually beneficial and illustrates the strength of Camden’s sense of place, community identity and local parochialism.

The 2012 press coverage of the show illustrates the dynamic vibrancy of the local newspaper. In these days when the metropolitan press are increasingly under pressure the local press goes from strength to strength. Camden’s newspapers add to the resilience of the local community in the face of constant change on Sydney’s rural-urban fringe from urbanisation.

Australian Newspaper History Group Newsletter, No. 67, May 2012 — 12

 

Missingham, Di: D. 18 February, aged 63; former manager of the Macarthur Chronicle; was appointed manager of the Chronicle in 1985, not long after the newspaper was established; spent nine years at the newspaper “building relationships in the community’ and laying the foundations for the success of the newspaper”; was also a Camden councillor between 1995 and 1999 and deputy mayor in 1998; most recently she was Lifeline Macarthur’s sponsorship manager (Source: Ian Willis, Camden.)

Australian Newspaper History Group Newsletter, No 57    May 2010                Page 3

 

57.2.2 DISTRICT REPORTER GOES DIGITAL

Ian Willis reports: The District Reporter had its first digital edition on 15 March. The Reporter is an independently owned 16-page free weekly published by Wombaroo Publishers. Established in 1997, it circulates in the Camden and Wollondilly local government areas. One of its most popular features is the “Back Then” history page. The website has an archive of editions from the previous 12 months. It can be viewed at http://www.tdr.com.au/index.php?option=com_content&view=article&id=58&Itemid=1

Australian Newspaper History Group Newsletter, No 57  May 2010               Page 3

 

61.4.9 LIFE AS THE EDITOR OF A SMALL COMMUNITY PAPER Ian Willis reports from Camden: The editor/proprieter Lee Abrahams of the District Reporter addressed the Camden Historical Society on the life of an editor of a small community newspaper on 9 February at the Camden Museum. The District Reporter is owned by Lee Abrahams and Noel Lowry, of Camden. It is a 16pp free weekly published in Camden NSW each Monday. Abrahams maintains that it has a ―quirky style that concentrates on local and rural news. The most popular sections are the back page feature, ―Back Then, on local history, followed by ―The Diary, which is a summary of local community events. The paper has a print run of 17,000 which is circulated in the Camden and Wollondilly Local Government Areas. It is printed at Marrickville.

Australian Newspaper History Group Newsletter, No 61 February 2011 Page 18

 

Newspaper TDR 2018July6 Cover
The front page of The District Reporter which is a local independent newspaper in the Macarthur region of NSW. (The District Reporter)

 

62.3.1 CAMDEN, NSW (1): FOOTY’S BACK Ian Willis reports from Camden: On 8 March two of Camden‘s weekly newspapers, Fairfax Media‘s Camden-Narellan Advertiser and Cumberland Newspaper Group‘s Macarthur Chronicle, both published eight-page wraparounds featuring the Wests Tigers Rugby League teams. Under the banner headline, ―NRL Glory Calls‖ player Loti Tuquiri was featured in a full-page feature in the Chronicle, complemented by a season draw. The Advertiser went further and had two popular players, Chris Lawrence and Gareth Ellis, in a double page spread, while the inside two pages featured a ―Footy Tipping Guide for the die-hard fans. All for the start of the official footy season!

62.3.2 CAMDEN, NSW (2): THE SHOW Ian Willis reports from Camden: Camden‘s three free weeklies each had a major feature on the 125th 2011 Camden Show. The show is a yearly event and is promoted as the largest regional show in Australia, with expected attendances in excess of 30,000. The District Reporter, an independent, published a 24-page special advertising feature for the event, which is ‘still a country show‘. Items ranged from the opening by the Governor-General, to entertainment, horse events, grand parade, Miss Showgirl, and a guide to community groups performances (schools, community band) and local artists.

The Cumberland Press‘s Macarthur Chronicle had a 12-page wraparound and noted that the show was still going strong‘ after 125 years, and the appearance of the ―G-G was the ―icing on the cake. It was reported that the inaugural show in 1886 was ―met with enthusiasm and approval‖ by those attending. Fairfax‘s Camden-Narellan Advertiser had an 8 page wraparound ‗souvenir edition‘ and featured a double page spread of an attractive young bloke‘ from the show organising committee, Daniel Dickenson. Daniel stated that he was ‘dedicated to making sure the country show continue[d] for many years‘, while the Advertiser assured its readers that the show was ―an age-old event that stop[ped] Camden in its tracks.

Australian Newspaper History Group Newsletter, No 62 May 2011 Page 9

 

Camden Show 2018 promo
The Camden Show is an annual celebration of things rural in the township of Camden for over 100 years. (Camden Show)

 

CAMDEN (NSW): AN EDITOR’S LIFE

63.4.4 Ian Willis reports from Camden: An account of life as the editor/proprietor of the District Reporter, Lee Abrahams, was published in the March journal of the Camden Historical Society, Camden History. The District Reporter is a 16pp free weekly published each Monday in Camden. Lee Abrahams and her husband Noel started the newspaper as a monthly in 1997 in the Austral area. They moved the paper to Camden to fill a vacuum left by the closure of the Camden Crier, a free weekly. The Reporter has a circulation of 17,000 and a footprint of 37,000 homes. It has been online for 12 months with around 200 weekly downloads. The most popular feature is the weekly history page, Back Then‘.  According to Abrahams the masthead colours of blue and green reflect the rural landscape of sky and grass.

Australian Newspaper History Group Newsletter, No 63 July 2011 Page 15

 

56.3.3 CAMPBELLTOWN AND CAMDEN: DIGITAL EDITION

Ian Willis reports: The Macarthur Chronicle announced a complete digital edition of the newspaper in its issue of 23 February. The online edition also provides access to archives of the newspaper containing issues for the last two years, an online index and a host of live hyperlinks.

Australian Newspaper History Group Newsletter, No 56     February 2010     Page 4

 

56.4.1.3 CAMPBELLTOWN, NSW: 25 YEARS

From Camden, Ian Willis writes: The Macarthur Chronicle (Cumberland Courier Newspapers, with Campbelltown and Camden editions) recently had a 16-page wrap-around to celebrate its 25th anniversary.  The feature reproduced a number of the front pages from over the last 25 years. These illustrated the changes to the masthead (nine all up), the introduction of colour photographs on the front page in 1991 and the changing format of the presentation with the greater emphasis on images and less on text. The foundation editor Chris Wharton (now chief Western Australian Newspapers) recalled how Greg Evans and Debbie Newsome of the top rating TV show Perfect Match launched the first edition. The cover story of the 36 page first edition was the arrival of baby Andrew James Packer, a healthy baby delivered at Camden Hospital. The current editor Mandy Perrin, who assumed control in 1993, recalled how she started as a cadet journalist nine months after the Chronicle was launched. Under her leadership the Chronicle has grown and in 2006 split into three editions for Camden, Campbelltown and Wollondilly and had its first online edition. The 25th commemorative edition had 128 pages and according to Bob Osburn (editor-in-chief of Cumberland Courier Newspapers) 123,000 readers. There were many tributes on the anniversary from civic leaders. Michael Knight, former Campbelltown State Labor MP, stated that “local newspapers succeed best when they become part of the fabric of their community… And that’s precisely what the Chronicle has done”.

 

Newspapers Image Pile
Newspapers provide a trove of information about events, personalities, stories, businesses, sport and a host of other matters. (Wikimedia)

 

56.4.1.4 CAMDEN, NSW: 130 YEARS

Ian Willis again: The Camden Advertiser issued on 10 February a 16 page wrap-around celebrating 130 years of newspaper publishing from 1880 to 2010. The supplement had the genealogy of the newspaper and its antecedents. In all, the newspaper family tree identified 20 different mast-heads that were related to the Camden Advertiser. These included local newspapers published in Camden, Campbelltown, Picton and Ingleburn. The birth of the newspaper group took place with the Campbelltown Herald first published on 14 February 1880 by William Webb.

The history of the newspaper group in the feature was divided into a number of sections: 1. The Great Pioneers 1880-1900, 2. The Builders 1900-1920, 3. The Sidman Supremacy 1920-1938, 4. The War Years 1938-1949, 5. Goodbye to the Sidmans, 6. The Heyday of S. Richardson Newspapers, 1952-1982, 7. The Hard Years 1982-1987, 8. From Strength to Strength, 8. Modern, But Traditional. Since 2006.

The publishers of these newspapers were colourful local identities and they all made an indelible mark on their communities. The feature provides an interesting glimpse, if brief, into the role of the local newspaper in a small community, with their parochialism, localism and parish pump politics.

The feature has 17 photographs with a number of reproductions of front pages. There are also interviews with a number of surviving staff who worked for some of the newspapers in the group.

The front cover of the feature is an interesting juxtaposition between then and now, with a reproduction of the 1880 Camden Times, with a local reporter, MIchelle Taverniti reflecting on an 1880 version of herself.

Australian Newspaper History Group Newsletter, No 56  February 2010         Page 5-15

 

29.61 THESIS

Ian Willis, “The Women’s Voluntary Service: A Study of War and Volunteering in Camden,  1939-1945”, PhD thesis, Department of History and Politics, University of Wollongong,  The thesis is a local study of wartime Camden through an examination of a war-specific  voluntary organisation, the Women’s Voluntary Service. The aim of the thesis was to unravel  the social processes and cultural traditions at work in the town’s female philanthropy, and, by  so doing, tease out the main threads of Camden’s wartime experience. The thesis  encompasses the involvement of Camden’s press in these processes.

Australian Newspaper History Group Newsletter No 29 September 2004 Page 17

 

12.42 Research

WILLIS, Ian (Camden, NSW): Work in progress – PhD, “The Women’s Voluntary Services: a case study of war and voluntarism in Camden, 1939-1945”; principal source dfocuments, Camden News (owner George Sidman) and Camden Advertiser (owner Arthur Gibson).  Address: PO Box 304, Camden, 2570.

Australian Newspaper History Group Newsletter No 12 May 2001 Page 15

 

Newspapers Local 2018Aug6
A selection of newspaper mastheads from the Macarthur region in 2018. (I Willis)

 

41.33 FOR THE HOLIDAYING AUDIENCE

Ian Willis writes from Camden, NSW: Fairfax Community Newspapers issued a special edition of their Sydney suburban newspapers on 26-27 December 2006 and 2-3 January 2007  called the Holidayer. The issue covered 14 suburban newspapers across the south, south-west  and western parts of Sydney. Titles included: Campbelltown Macarthur Advertiser, Camden  Advertiser, Wollondilly Advertiser, South Western Rural Advertiser, Liverpool City  Champion, Fairfield City Champion, Parramatta Sun, St George & Sutherland Shire Leader, Penrith City Star, Hawkesbury Independent, Blacktown Sun, St Mary’s-Mt Druitt Star, Hills News, Northern News. The Camden edition carried local stories and advertisements from local businesses. There were also stories on holiday activities across western, south-western and southern Sydney under the heading “Get out, go do it”.

Australian Newspaper History Group Newsletter No 41 February 2007 Page 10

 

1.2 LOCAL NEWSPAPERS – LOCAL IDENTIES CONFERENCE

A very successful Conference was held at Chiltern, North East Victoria, on the  weekend of 1-3 October 1999. About 60 participants enjoyed papers on:

  • The history of the Chiltern Federal Standard (Ross Harvey)
  • Dynasties in the NSW provincial press (Rod Kirkpatrick)
  • The Shepparton News’ recent history (John Tidey)
  • Newspaper preservation (Wendy Smith)
  • Old Journalism at Moreton Bay (Denis Cryle)
  • The Barrier Daily Truth’s women’s column in 1910 (Liz Macnamara)
  • The effect of the introduction of radio on the Dimboola Banner (Leigh Edmonds)
  • Newspaper trade directories (Dennis Bryans)
  • Circulation figures for nineteenth-century Victorian country newspapers (Tom Darragh)
  • Newsprint in nineteenth-century Australia (Carol Mills)
  • Weekly and monthly papers in the nineteenth-century (Peter Dowling)
  • Country Catholics and the Melbourne press (Victoria Emery)
  • Patriotism reflected in WWII Camden News and Camden Advertiser (Ian Willis)
  • Community, identity and the ethnic press (Sonia Mycak)

ANHG No 1  October 1999  p1

 

Newspapers Image
Newspapers are an important means of communication and have been around for centuries in print and most recently digital form. (Wikimedia)

 

10.19 COMMUNITY PAPERS (2): ALLIANCE TOWN CRIER FOR BERRY

Ian Willis, of Camden, has sent us a copy of The Berry Alliance Town Crier, a quarterfold produced by the Berry Small Towns Alliance Inc. which sets out to “provide communication to the people of Berry about community activities and to generate a small income for the Berry Alliance to cover administrative costs”. Editor is Bonnie Cassen. Issued monthly, it has a distribution of 1800. The September issue carried 24 pages.

Australian Newspaper History Group Newsletter No 10 December 2000 Page 7

 

37.50 CAMDEN ADVERTISER BACK COPIES

Camden Public Library is trying to find a good home for originals of the Camden Advertiser in a broken run from the 1930s to the 1950s. Ian Willis writes: “I convinced the library to put them on microfilm when I was doing my PhD. It was one of my principal sources. Our historical society cannot house them.”

Australian Newspaper History Group Newsletter No 37 May 2006 Page 15

 

39.27 CAMDEN ADVERTISER 30 AND 20 YEARS AGO

From Ian Willis, of Camden, NSW: The Camden Advertiser (23 August 2006) had a 16-page wrap-around on the theme “Living in the 70s”. It included a series of three articles that recalled the front pages of the Campbelltown-Ingleburn News, the Camden News, and the Picton Post in 1976. The stories related to local issues surrounding planning and the new Macarthur Growth Centre, parking, a new bridge over the Nepean River, and Camden retaining its “rural charm”. The Camden Advertiser (20 Sept. 2006) carried a 12 page advertising feature liftout on “Living in the 80s”. The feature carries an overview of the newspaper stories of the period, with a concentration on 1986. It features the front-page stories of that year including a “heated war of words” between the mayor of Campbelltown, Guy Thomas and Campbelltown’s Labor MP Michael Knight.

Australian Newspaper History Group Newsletter No 39 October 2006 Page 10

 

51.3.1 SMALL PAPERS

Ian Willis reports from Camden, NSW: Our local newspapers treat the men and women who contributed to the Victorian Fire situation as local “heroes” in the finest tradition of the bushman and Anzac legends. The front page of the Camden Advertiser of 18 February reads “FACES OF GENEROSITY” with the story starting: “As bushfires wreaked destruction on lives in Victoria, Camden sprang into action. Our firefighters flew in to meet the flames, and thousands of dollars of donations have poured in to support relief.” The story ran through to pages 2 and 3 with photographs of RFS volunteers, school children holding fundraising events and other community fundraising events.

Our weekly independent, the District Reporter led on 16 February with a story “COMMUNITY SHOWS IT HAS A BIG HEART”, outlining the efforts of a local Catholic independent high school and its fundraising effort with photographs of the young people at the school. This was supported with a page 5 story about donations collected at a local shopping centre.

The Cumberland Newspaper Groups is represented in our local area by the Camden Edition of the Macarthur Chronicle. On 17 February it led with a story headed “OUR FINEST”. The story outlined the efforts of the Macarthur RFS unit and stated “the Macarthur region’s exhausted firefighters arrived home last week into the arms of loved ones after experiencing hell on earth”. The story outlined the efforts of efforts of our local heroes defending homes, electricity switching stations, and general fire fighting. Colin Spinks, the deputy group officer and member of the Camden West RFS brigade stated: ‘(the fire) would come down and the wind would turn back again. There was no saying where the wind was going to come from”. This was supported with extensive coverage of local fundraising events on pages 4, 5 and 6. David Campbell reported that “the heartbreaking plight of the bushfire victims in Victoria has prompted a generous response from the Macarthur region”.

Australian Newspaper History Group Newsletter  No 51  February  2009      Page 7

 

43.26 MACARTHUR NEWSPAPERS

Ian Willis writes: The Macarthur Chronicle, which is part of the Cumberland Newspaper Group, has launched a new website for its local Macarthur newspapers. These are Macarthur Chronicle (Campbelltown Edition), Macarthur Chronicle (Camden Edition), Macarthur Chronicle (Wollondilly Edition). The three newspapers are on the front page of the website then linked to local stories for each edition. The site is located at http://www.macarthurchronicle.com.au/.

Australian Newspaper History Group Newsletter  No 43  July 2007      Page 8

 

Newspapers WW1 Country Mastheads
Local newspapers were an important part of all country towns across Australia. (Trove/IWillis)

 

39.27 CAMDEN ADVERTISER 30 AND 20 YEARS AGO

From Ian Willis, of Camden, NSW: The Camden Advertiser (23 August 2006) had a 16-page wrap-around on the theme “Living in the 70s”. It included a series of three articles that recalled the front pages of the Campbelltown-Ingleburn News, the Camden News, and the Picton Post in 1976. The stories related to local issues surrounding planning and the new Macarthur Growth Centre, parking, a new bridge over the Nepean River, and Camden retaining its “rural charm”. The Camden Advertiser (20 Sept. 2006) carried a 12 page advertising feature liftout on “Living in the 80s”. The feature carries an overview of the newspaper stories of the period, with a concentration on 1986. It features the front-page stories of that year including a “heated war of words” between the mayor of Campbelltown, Guy Thomas and Campbelltown’s Labor MP Michael Knight.

Australian Newspaper History Group Newsletter  No 39  October 2006       Page 8

 

Willis, Ian, presented a paper at the Australian Historical Association 2006 Biennial Conference at the Australian National University on Genres of History. The paper title was “Looking at Regional Identities on the Homefront” and concerned the role of country newspapers as an important historical source. He used the case study of the Camden News and Camden Advertiser, during World War II. The paper examined the regional identity of conservatism and its representation in the wartime reporting in Camden press as patriotism.

Australian Newspaper History Group Newsletter  No 39  October 2006     Page 8

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Live and Local music festival hits the right notes

Camden’s main street was transformed into a ‘Live and Local Beat Street’, or so said the publicity for the festival. And it was.

Camden Live & Local 2018 Signage programmes

 

The publicity flyer promised Live and Local was a ‘unique experience’ and explored ‘new places and spaces’. And it delivered in spades.

An experience

The 2018 Live and Local Camden music festival is in its second year. The crowds were up and so were the number of gigs.

Camden Live & Local 2018 Maddi Lyn Elm Tree Cafe
Maddi Lyn an up and coming young artist from the Macarthur area. Here performing in the courtyard outside the Elm Tree Cafe. A budding country singer she is aiming for Nashville. You can catch Maddi Lyn at venues in and around the Macarthur area.  (I Willis, 2018_

 

There were over 50 musos across 15 venues. This was up from 2017 with 27 artists across 14 venues.

The amount of raw talent was frightening and a little overwhelming. There must be something in the local water around the Camden area.

Camden Live & Local 2018 White Melodies Squeeze&Grind Cafe
Two talented musicians make up White Melodies duo based in the Macarthur area. They are singer song-writers Kellie Marie and Chloe. They have been finalists in country music competitions at Tamworth and the ACT. They play an easy listening repertoire of upbeat classics. (I Willis, 2018)

The crowds enjoyed the music on offer from professional and emerging artists. It is great to see local support for live gigs.

Eclectic Venues

This year the festival grew to include Friday night across a range of venues. This was a good introduction to the festival.

Camden Live & Local 2018 Murray Bishop Quartet Michelles Cafe
This jazz ensemble led by talented local musician, band leader and impresario Murray Bishop on horns. The Murray Bishop Quartet play a range of jazz styles and are found across the Sydney area and are based in the Macarthur region. (I Willis, 2018)

 

There were also the Saturday afternoon gigs similar to 2017 between 2 and 6 with a full program of artists.

Camden Live & Local 2018 Saxing About Saritas Emporium
Saxing About talented muso Will Habbal is playing outside Saritas Emporium in Argyle Street. This cool dude has a keen fan following on his Facebook page. This hip reed player pumps out ‘smooth jazz’ on tenor sax with a 5/5 rating. Check him out ladies. (I Willis, 2018)

 

The music festival used a range of eclectic local venues from cafes, fashion outlets, galleries, local hotels, restaurants, a shoe shop, professional premises and a local arcade.

A new venue in an old space

The festival succeeded in uncovering a music local venue in an unlikely venue. It is a space with the wow factor at the Alan Baker Art Gallery.

Macaria AlanBaker Gallery Alan Baker 2018
Macaria is a substantial town residence from the mid-Victorian period that was influenced by the Picturesque movement and Gothic styling. It has an awesome interior with beautiful timber floors, high ceilings and great acoustics. (I Willis, 2018)

 

The acoustics are to be experienced to be believed with a wooden floor, high ceiling and little echo.

Camden Live & Local 2018 Harpist Fishers Ghost Youth Orch Macaria
This young student harpist from the Fishers Ghost Youth Orchestra showed this room at its best. The beautiful aesthetic of the space was complemented by the sweet tones of the harp from this young musician. The audience listened intently to the performance and then gathered around for an impromptu tutorial from the student’s mother on the specifications of the harp at the end of the performance. (I Willis, 2018)

 

What a venue with lots of atmosphere.

Camden Live & Local 2018 Signage Macaria Entry
The signage at the front of Macaria and the Alan Baker Art Gallery in John Street Camden. This was the best discovery of the 2018 Live and Local music festival in Camden. A great acoustic music space in a colonial gem of a building in Camden’s historic heritage precinct. (I Willis, 2018)

 

This is a natural music venue for a small intimate acoustic gig.

Camden Live & Local 2018 Isabel Estephan Macaria
Set amongst the roses and flowers Isabel Estephan shone in her live performance. A singer songwriter 18 years of age who has been writing her own compositions for the last 5 years. She has music in the blood according to her website and her songs are inspired by things she feels deeply about that define the world we live in. (I Willis, 2018)

 

Help for lots of tastes

All the venues had lots of Local and Live helpers to smooth over any hiccups and  guide and help out lost fans. They made sure that all gigs went smoothly.

Camden Live & Local 2018 Organiser Cheryl CC
One of the chief organisers of the Camden Live and Local. This photographer grabbed a shot of Cheryl on the run between gigs as she made her way through Michelles’ Cafe. She was all go-go-go to ensure the venues ran smoothly and there were no hiccups. (I Willis, 2018)

 

There was music for all tastes from classical to blues, country, jazz as well as a rockabilly. Some good old rock and roll with a funky twist was popular with young fans.

Camden Live & Local 2018 The Shang Upstairs at Fred's
Upstairs at Freds on the new outside area completed the atmospherics for the music festival. The Shang kept a horde of young folk entertained as the sun set over the 2018 Camden Live and Local music festival. We await the 2019 event with anticipation. (I Willis, 2018)

 

A gig guide can be found here.

Camden Live & Local 2018 Signage Gig guide Elm Tree Cafe
Gig guide in the window of the Elm Tree Cafe. (I Willis, 2018)

 

A developing arts precinct

It is great to see how Live and Local contributes to the creation of an arts precinct in Camden for a day and a half. All this live music is good for the local economy, job creation and  helps build local tourism.

Importance of live music

Live music is central to the Live and Local music festival and acknowledges how live performance is an important part of our culture. Performances are authentic and artists provide a screen-time in 3-D without much assistance from tech-gadgets.

Camden Live & Local 2018 Honey Sippers Camden Arcade
The sweet tones of Trish and the picking on guitar of Mark as the Honey Sippers. This local duo appear regularly throughout the Macarthur region and have an enthusiastic rusted-on fan base who follow them around the area. The Honey Sippers perform blues, rock, folk and country and they ‘love to play music that engages and tells a story’. (I Willis, 2018)

 

Performers at Live and Local provided a form of engagement of the imagination  which is sadly lacking with recordings or tech-devices. Live performances at Live and Local are fresh. It is not canned music.

There was an awesome array of talent on display for all to see – warts and all. Performers were in the moment and provided a physical and emotional experience with their audiences.

Live performance is a shared experience between performer and audience. There is an  immediacy that provides an  element of surprise and risk, perhaps even the unexpected.

Place making and storytelling

All Live and Local artists are part of the creative industries. They create stories which are expressed in song and music.   Musicians, poets, raconteurs, performers and writers are all storytellers. All cultures have story tellers.

Camden Live & Local 2018 Rhia Camden Hotel
Rhia performing at the Camden Hotel on Friday night for 2018 Camden Live and Local. She performed her own composition ‘Camden’ and the audience enthusiastically demanded an encore at the end of her bracket. To which there were woops and cheers. Rhia’s composition tells a story about her home town and how she feels about it. (I Willis, 2018)

 

Storytelling as song allows the musicians to connect with their audience. Their stories are captivating, and full of emotion and meaning. These stories are one element in the process of place making and construction of community identity.

Stories as songwriting can connect people with memories of the past in the present. Music can tell the stories of place and the history of a community. Music can create a connection with the landscape and create an attachment to place.

Songs are one form of storytelling that can take a successful part of marketing and branding for a locality and community. In this way they help the local economy and local businesses.

Camden Live & Local 2018 Hickson Circuit Michelles Cafe
This young trio of musicians are called Hickson Circuit and performed at Michelle’s Cafe in Argyle Street. They had a loyal fan club that include friends and family who encouraged them on their performance. (I Willis, 2018)

 

Support for music festival

The Live and Local project is a partnership between the Live Music Office and Camden Council. Funding was provided by Create NSW as part of the Western Sydney Live and Local Strategic initiative.

Camden mayor Lara Symkowiak stated

I encourage you to take the time and visit each venue to hear the diversity of the music and let our talented local artists entertain you for hours.

The director of the NSW government Live Music Office John Wardle stated that it

has been truly inspirational and we once again very much look forward to a day that will be a highlight of the broader cultural program in Western Sydney.

Camden Live & Local 2018 Neilly Rich Camden Hotel
The Camden Hotel hosted NeillyRich on Saturday afternoon. The country duo of Kiwi Matthew McNeilly and Kempsey local Amelia Richards met in Tamworth. The dedicated songwriters are inspired by the likes of Lyall Lovett and Keith Urban. They are focused on ‘storytelling through music in the vein of some of the pioneers of the Australian industry’. They are currently on the road and had arrived from Bega to perform at Live and Local in 2018. (I Willis, 2018)

 

Musicians succeed in gig economy

Camden’s Live and Local festival demonstrated how musicians are part of the gig economy. All trying to make a living. These issues were explored in a recent article in The Conversation. 

Musicians identified that they did meaningful work according article author Alana Blackburn, a lecturer in Music at the University of New England. She maintained that

Their intrinsic success lies not in what others expect of them, but in achieving personal freedom and being true to their beliefs. It’s about meeting personal and professional needs.

More than this a study by the Australia Council for the Arts found that

musicians undertake a wide range of arts-related and non-arts activities.

According to Blackburn 

Musicians can survive under these circumstances by developing important overarching and transferable skills.

This type of career is called a ‘portfolio career’ where musicians have lots of jobs. A mix of paid and unpaid, and mostly short term work and projects. Musicians state that the prefer to be in-charge of their own career, despite the financial challenges. They feel that they can control their creative efforts and their music related activities.

Musicians, like other creative arts types, are mostly self-directed and driven by a passion for their artistic work. Musicians often work across industries and are not locked into the music industry. They consider that they are continually learning and are not afraid of failure.

Blackburn maintains that the success of musicians in the gig economy is down to a number of characteristics that they develop: life-long  learning, adaptability,  flexibility, social networking, entrepreneurial skills, planning, organisation, collaboration, confidence, self-directed, multi-tasking, independence, risk-taking, promotion and others.

Camden Live & Local 2018 Signage

 

Many of the artists at Camden 2018 Live and Local fitted into this category. Some are in the early career stage while others are more successful. The gig economy is here to stay and provides many challenges. It is not for the fainthearted. Live and Local provided a sound platform for the exposure of these artists in a tough industry.

Camden Live & Local 2018 Staff Macaria
A slightly perplexed Live and Local helper at Macaria making sure everything was flowing smoothly. She very patiently posed for this photograph before rushing off to other duties. All the Live and Local staff did a great job. Well done to all in 2018. (I Willis, 2018)

 

Learn more on

Facebook and

Camden Narellan Advertiser and

Wollondilly Advertiser. 

Live and Local Music Festival in Camden town centre’ Camden History Notes (Blogger), 17 June 2017.

Alana Blackburn, ‘The gig economy is nothing new for musicians – here’s what their ‘portfolio careers’ can teach us’. The Conversation, 21 June 2018.

Camden Live & Local 2018 Signage Venue Here

Aesthetics · Anzac · Art · Camden · community identity · Cultural Heritage · First World War · Landscape aesthetics · Memorials · Memory · Place making · sense of place · Streetscapes · war · War at home

An art exhibition of war and peace

Camden artists forewarn with historic contrast of “war and peace” in exhibition.

Isaac Percy

Camden artists Greg Frawley and Roger Percy have an exhibition entitled “War and Peace” opening on the Thursday 7 June at Camden Library.

Camden Art Exhibition Frawley&Percy exhibition g&r 1 (4)

The two artists have very different styles of art, and both are hoping to send a message to the people of Camden with their use of imagery.

The inspiration for this collaborative exhibition took lots of thought and purpose.

Roger says of the exhibition,

I thought about the phrase ‘lest we forget’, and thought about what that could also apply to. We never think of now as being a time where things like war could happen, but if people who come look at the exhibition, older or young, and think ‘lest we forget to appreciate what we have. Greg and I have expressed the message through the medium.

“Greg has his war-influenced paintings and I have my various angles of our historic town. This gave us the idea of the contrast between war and peace” said Roger.

Both Greg and Roger have lived many years in the Camden area and have become passionate about the town.

Camden Art Exhibit Roger Percy 2018 CL
Artist Roger Percy at the War and Peace Exhibition at the opening at Camden Library on Thursday 7 June 2018. Roger is standing in front of his ink and watercolour work ‘Verandah Rest’.

 

“I’ve been painting Camden for about 20 years.” said Roger about what was different about this collection. “I started painting Camden from angles I had never done before… it was inspiring.”

Roger is the peace side of the exhibition, with use of watercolour and ink to create his landscapes of Camden.

“Roger’s work is very sensitive and reflective of a beautiful townscape – which is under threat.” said Greg about Roger’s work. “It is very timely… people have memories of historic Camden… we can only hope it doesn’t change.”

Roger has recently been appointed the position as the curator of the Alan Baker Art Gallery in Camden – a historic building that is now home to the posthumous collection of works by Baker, a local of Camden.

Roger said, “My works for this new exhibition started with a focus on the gallery, and it expanded to doing unique perspectives looking in to Camden.”

Camden Art Exhibit Roger Percy 2018 CL.jLooking into the Ligth pg
Artist Roger Percy’s ‘Looking in the Light’ (2018). Roger says the painting is a particular view into Camden’s Main Street that only locals would recognise. “I call this one my surreal piece.” Using ink pen and watercolour, this work shows three historic buildings, however how they are represented is “like looking into a dramatic, almost European scene with a one-point perspective that connects to locals who may not have thought about it before.”

 

Greg said, “I lived here in the fifties as a kid, I would walk all over this place, back when the town wasn’t very big.”

“I love Camden, that’s why I came back to live here.”

Camden Art Exhibit Greg Frawley Ceasefire Moon 2018 CL
Artist Greg Frawley standing next to his work ‘Ceasefire Moon’ at the opening of War and Peace Exhibition at Camden Library 7 June 2018.

 

Greg’s works are inspired by war and conflict from various perspectives beyond Camden, and is reflective of Australian history in combination with a mixture of artistic styles.

“I’m a bit of a split personality. I love my painting and I try and do it every day. And despite my commercial art, I try and fight with purpose with my work,” says Greg.

Camden Art Exhibit Greg Frawley Ceasefire Moon1 2018 CL
Artist Greg Frawley’s ‘Ceasefire Moon’ (2015). Frawley says that in ‘Ceasefire Moon’ ‘I imagine a moment of peace under a Byzantine Moon where three wounded diggers face us, perhaps questioning what their sacrifice is all about and fearing future horrific battles they will face when they recover’.

 

The painting above is called ‘Ceasefire Moon’. “I’ve taken it from the three wise monkeys – hear no evil, speak no evil, see no evil,” Greg said.

Greg acknowledged the patriotism of the Australian war efforts. “There was a level of ignorance with the soldiers, they didn’t question anything they did.”

Greg says,

 The content of my paintings is a mix of childhood memories and imagined scenarios – of representation and semi-abstraction. Unable to tap into the depth of the real experience of WW1 and not wanting to copy existing images I developed compositions which reflect my personal thoughts on the contradictions of war.

 

 

 

Camden Art Exhibit Percy & Frawley 2018 Catalogue
Catalogue of work by Roger Percy at the War and Peace Exhibition at Camden Library, John Street, Camden. Works are ink and watercolour.

The exhibition has an official opening on the Thursday 7 June starting at 6pm. The exhibition will be on display in the Camden Library for all of June during the library opening hours.

 

Aesthetics · Architecture · Art · Campbelltown · community identity · Cultural Heritage · Entertainment · Heritage · Landscape aesthetics · Leisure · Macarthur · Monuments · Moveable Heritage · Place making · Public art · sense of place · Tourism · Western Sydney University

Sculptures by the Lakes

The CHN blogger was out and about recently at the 8th Western Sydney University Sculpture Award and Exhibition on the Campbelltown Campus. There area 23 artworks from all over the world.

Campbelltown WSU Sculptures 2018[7]
Artist Denese Oates from Australia has created this work called Xerophyte Forest. It is a work in steel presenting the vision of the future. It illustrates peculiar plants living with very little water. This work is a ‘fantastical interpretation of plant form expressed in corten steel, used for its richly rusted colour which links it to the landscape’. Denese studied at the Alexander Mackie CAE. (I Willis, 2018)

The exhibition is in a wonderful setting placed around the lakes at the front of the Campbelltown WSU campus. The aesthetics of the sculpture landscape provided by the exhibition is simply stunning.

The exhibition literature states:

The exhibition showcases major works by significant Australian and international artists who have created sculptures especially for the site.

Looking at the sculpture garden created by the exhibition from the main roadway provides a pleasant enough vista. Once out of your car and on your feet walking the ground the vistas are marvellous.

The layout placement of the sculpture exhibition has been done with a creative flair that creates a landscape of the imagination. Simply it all works.

Campbelltown WSU Sculptures 2018[4]
This work is called Environment IV and was created by artist Marcus Tatton. The wrok is ‘a space for reflection and play’. Marcus is described as a ‘public space sculptor who draws comment from where he lives’ in Tasmania. Tatton explores that interplay between the natural and man-made environments. This work represents ‘the tendrils’ of ‘our journey through time’ or how man has manipulated the earth. (I Willis, 2018)

The site suits the exhibition. Its expansive space giving the sculptors the opportunity to create an aesthetic that sets off their work.

Tour and walk guide Monica outlined the trials and tribulations of getting heavy equipment onto the site to set up the artworks was a feat in itself. To the viewers in our party they were certainly impressed by it all.

Tour guide Monica said that the staff and students have started using the grounds around the lakes since the exhibition and sculpture park were created.

 

Well being and public art

Public art has a positive effect on the community and people’s self-esteem, self-confidence and well being. An article in The Guardian examined the well-being effect of public art on communities and stated:

Alex Coulter, director of the arts advocacy organisation Arts & Health South West believes that: “Particularly when you look at smaller communities or communities within larger cities, [public art] can have a very powerful impact on people’s sense of identity and locality. 

Apparently it is the participatory side of getting community involvement that brings out the positive effects on people.

Campbelltown WSU Sculptures 2018[3]
This is a 2012 work by sculptor Neil Laredo called Fence. The materials are old railway sleepers used to create an impressive work. This is part of the permanent collection of the Western Sydney University Campbelltown Campus. The work was donated to the WSU Art Collection via the Cultural Gift Program in 2012. (I Willis, 2018)

Maybe it is the walking around the picturesque landscape provided by the WSU grounds staff and gardeners. Maybe it is the landscape gardening and native vegetation set off by the water features. Maybe it is the quiet and solitude in the middle of a busy Campbelltown.

Whatever it is in the sculpture garden, whether provided by the permanent WSU sculpture collection or the exhibition works, the site has a positive serenity that is hard to escape. It certainly attracts the staff and students.

The exhibition makes up part of the programme linked to the WSU Art Collection.  Take yourself on a virtual tour of the WSU Art Collection.

Whatever it is, the WSU Sculpture Exhibition is well-worth a visit.

Campbelltown WSU Sculptures 2018[2]
This is a piece by artist Michael Purdy called Gimme Shelter. The work uses radiata pine, wire, sandstone and found objects. This is a powerful work set by its location isolated at the edge of the lake. The sculpture ‘explores the individual’s loss of identity once they become part of the “refugee problem”. Purdy is a landscape architect who uses Sydney sandstone in his work around the city. (I Willis, 2018)

The Eighth Western Sydney University Sculpture Award and Exhibition runs between 4 May to 3 June 2018 at the Campbelltown Campus.

Campbelltown WSU Sculptures & Grounds 2018[2]
The landscape of lakes at the Campbelltown campus of the Western Sydney University is an inspiring setting for this learned institution.. This is the setting for the annual sculpture exhibition that is mounted by the university and the three prizes awarded each year. The campus provides a picturesque setting for the sculpture park located in and around the lakes. (I Willis, 2018)
Aesthetics · Architecture · Attachment to place · camden council · community identity · Cultural Heritage · Cultural icon · Edwardian · Fashion · Heritage · Historical consciousness · Historical thinking · history · Local History · Narellan · Place making · sense of place · Sydney's rural-urban fringe · Town planning · Uncategorized · Urban growth · Urban Planning · Urbanism

The lost world of Carinya

A 2010 meeting of Camden Council on Sydney’s southern outskirts voted five to four to demolish a simple 1890 Federation farm cottage known as Carinya at Harrington Park. The owner, Nepean Pastoral Company, wants to develop a 97-residential lot subdivision on the farm site.

Carinya Cottage
Carinya Cottage c.1890 is a simple Edwardian brick farm cottage at Harrington Park demolished in 2010 (Camden Historical Society)

 

The decision illustrates a wider malaise that has enveloped heritage in this state — a worrying trend that is seeing our past disappear.

Demolition of Carinya

Camden Council’s decision to approve Carinya’s demolition was based on reports written by heritage consultants, Urbis. Urbis stated that, while the cottage was intact and in reasonable condition, it was not of local significance. In their view Federation cottages, while rare in the Narellan area, are not rare in the Camden local government area (LGA). Secondly, Carinya has little associative value with the Cross and Paxton families who lived there.

Many people do agree with these conclusions. In the past Carinya has been overlooked in heritage surveys of the Camden LGA and had not been included on any local lists of historic houses. While not a reason for demolition, it is a contributing factor.

Jonathon Chancellor noted recently in a story on the fight to save the Tilba residence in Burwood Heights that many councils had “neglectful heritage lists” and included Camden.

Even more damming, ”heritage listing at the local level does not provide much protection at all”, wrote Graeme Aplin, from Macquarie University, in Australian Quarterly (May-June 2009).

”What we have witnessed over the last five years is the systematic dismantling of heritage protection,” stated Sylvia Hale, Greens spokeswoman on planning (”Heritage at risk”, National Trust Magazine, February-April 2010).

More than this the imminent loss of Carinya reflects wider problems in heritage affairs across New South Wales. There is a blatant disregard of the importance of simple cottages of historic value especially at a local level. They represent the lives of ordinary folk. Simple salt of the earth people who struggled to make a living from the soil.

The story of Carinya fits within the Australian Historic Themes identified by the Australian Government (Australian Heritage Commission 2001). These are common national standards for idenfication and conservation of heritage places. Yet this does not qualify Carinya for recognition of local significance.

Even examples of Australia’s important early colonial houses on Sydney’s urban fringe, which are of national significance, such as like Oran Park House and Maryland suffer from indecision and dithering by the authorities.

Conflict of interest in heritage

There is a real, or at least a perceived, conflict of interest for some by heritage consultants in the assessment process. Consultants are a gun for hire. There needs to be a separation of roles in the assessment process of historic houses. The judgment concerning the assessment of significance should be conducted by an independent third party. Heritage consultants should not be judge, jury and hangman. There is a need for due diligence.

The assessment process needs the expertise of professional historians to examine the appropriate historical evidence. There were no historians engaged in the assessment process of Carinya. Urbis has largely relied on a cursory examination of documents at the local library and museum.

Carinya Cottage B&W
Carinya Cottage c.1890 is a simple Edwardian brick farm cottage at Harrington Park demolished in 2010 (Camden Historical Society)

 

Council planning and development officers are under incredible pressure to meet timely decisions for development applications. This particularly applies in the Camden LGA, which is a designated growth area for Sydney.

Council officers and their elected councilors rely on reports written by heritage consultants. Officers and councilors may have had little or no specific training assessing heritage significance, local or otherwise. They are not experts in history and heritage.

One of the casualties in the assessment process is the thorough and considered assessment of historic houses.

Loss of interest in heritage

The current political climate in NSW is not conducive to the protection of historic houses. Heritage is not a high priority. Crowded Sydney and a shortfall in housing stock are political priorities. For this read new estates on the urban fringe, like the approved Carinya farm subdivision.

The developers of Carinya farm housing estate are selling a dream that is just that, a dream. The new estates create a bland homogenised suburban streetscape with little charm or character.

The Carinya farm sub-division is part of Sydney’s urbanisation. An octopus that devours all in its path — including ethical standards, community identity, sense of place and apparently local heritage and history.

The destruction of simple charming 19th century cottages is unnecessary. There is a demand from house buyers who want to live in historic cottages. These buyers restore the cottages to their former glory.

What have we come to in the new century? We have certainly not come to appreciate our past, our inheritance.

Learn more

Heritage and urban planning

Originally published in the Sydney Morning Herald online as Heritage: a dismal state of affairs 16 April 2010

Aesthetics · Art · Attachment to place · British colonialism · Camden · Camden Museum · Colonial Camden · Colonialism · community identity · Cowpastures · Edwardian · England · Farming · Historical consciousness · Historical Research · Historical thinking · history · Interwar · Landscape aesthetics · Local History · Macarthur · Modernism · Monuments · NSW History K-10 Syllabus · Place making · Ruralism · Schools · sense of place · Settler colonialism · Tourism · Urbanism · Victorian

The Cowpastures, GLAM and schools

Young visitors to the Camden Museum love the model of the HMS Sirius, in the ground floor display area. HMS Sirius was the flagship of the First Fleet in 1788 under its commanding officer Captain John Hunter. He was later promoted to NSW Governor and in 1795 he visited the local area in search of the wild cattle and named the area the Cow Pastures Plains.

Camden Museum Macarthur Anglican School Visit7 Sirius 2018Apr
School visit by Macarthur Anglican Students viewing the HMS Sirius model 2018 (MAS)

 

The story of the Cowpastures is one of the many told in the displays at the volunteer-run Camden Museum and the Wollondilly Heritage Centre, all part of the Macarthur region’s GLAM sector.

So what is the GLAM sector? For the uninitiated it is Galleries, Libraries, Archives and Museums. The acronym GLAM appeared at the 2003 annual conference of the Australian Society of Archivists.

Organisations that make up the GLAM sector are cultural institutions which have access to knowledge as their main purpose and care for collections of any kind.

One of the key roles of GLAM sector organisations is to allow their visitors to learn things, in both formal (aka classroom) and informal settings. For the visitor this can come in a vast array of experiences, contexts and situations.

The Macarthur region has a number of galleries, museums and libraries. They are mostly small organisations, some with paid staff, others volunteer-run.

 

The local GLAM scene

There is the volunteer-run Camden Museum a social history museum. While out at The Oaks is the pioneer village setting of the Wollondilly Heritage Centre and at Campbelltown the Glenalvon house museum.

camden-library museum
Camden Library Museum in John Street Camden 2016 (I Willis)

 

Local council galleries and libraries have the advantage of paid staff. The Alan Baker Art Gallery is located in the Camden historic town house Macaria. At Campbelltown there is the innovative Campbelltown Arts Centre and its futuristic styling.

The local council libraries and their collections fulfil a number of roles and provide a range of services to their communities.

On a larger scale the state government-run historic Belgenny Farm is Australia’s oldest intact set of colonial farm buildings in the Cowpastures established by John and Elizabeth Macarthur.  A number of other colonial properties are also available for inspection.

 

Doing more with less

Doing more with less is the mantra of volunteer-run organisations. They all have collections of objects, artefacts, archives, paintings, books and other things. Collections of knowledge.

Collections are generally static and a bit stiff. There is a distance between the visitor and the collection. Visitor immersion in these knowledge collections is generally through storytelling of one sort or another.

Camden Museum Macarthur Anglican School Visit6 2018Apr
Story telling by a volunteer at the Camden Museum for a school visit by Macarthur Anglican School (MAS, 2018)

 

The more dynamic the immersion the more memorable the visitor experience. An immersive experience will be informative, exciting and enjoyable.

This is certainly the aim of school visits. Teachers aim to immerse their school students in these collections in a variety of ways through storytelling. Hopefully making the student visit educational, memorable and enjoyable.

 

The learning framework

Local schools connect with local stories through the New South Wales History K-10 Syllabus. A rather formal bureaucratic beast with complex concepts and contexts. Local schools vary in their approach to the units of work within the syllabus.

 

NSW History K-10 Syllabus

Topics

Early Stage 1      Personal and Family Historians

Stage 1                The Past in the Present.

Stage 2                 Australian History: Community and Remembrance. First Contacts.

Stage 3                 Australian History: Colonial and National.

Stage 4                 World History: Ancient, Medieval and Modern.

Stage 5                 Global History: The Modern World and Australia.

 

Field trip

One of the types of engagement recommended by the History Syllabus are field trips through site studies. These can come in all shapes and sizes.

One type of field trip can include taking in local museums and galleries.

Camden Museum Macarthur Anglican School Visit2 2018Apr
School visit by Macarthur Anglican School students outside the Camden Library being told story by a museum volunteer (MAS, 2018)

 

One approach

Stage 2 History -Topic: From Colonisation to Now

Mrs Kathryn Pesic from Macarthur Anglican School visited the Camden Museum with her Year 4 students.

Mrs Pesic said, ‘The students visit was integral in engaging the students and directing them to an area of interest’.

The school teachers posed a number of Key Inquiry Questions throughout the unit of work.  The museum visit, according to Mrs Pesic, was the final part of the unit that started with a broad study of Sydney and narrowed to Camden. The students then had a ‘project’ to complete back at school.

Mrs Pesic reported that the teachers felt that they ‘had achieved the outcomes that they had set for their museum visit’.

 

 

Another approach

Another local school Stage 2 group recently visited the museum, the gallery and had a walk around the Camden town centre. They too addressed the same unit of work from the History Syllabus.

Camden Macaria Gallery MawarraPS Visit 2018April11 lowres
A school visit to the Alan Baker Art Gallery being told a story by the gallery curator (ABAG, 2018)

 

Storytelling – the past in the present

The integration of local studies and inquiry-based learning by school students calls for imagination and creativity. What results is an opportunity to tell the Camden story through a narrative that gives a perspective on the past in the present.

There have been generations of story tellers in the Cowpastures and Camden district since the Dreamtime. Young people can have meaningful engagement with these folk through local GLAM organisations, ‘that cannot always be obtained in the classroom’, says Mrs Pesic.

 

The cows and more. So what do they offer?

All this activity takes place in the former Cowpastures named by Governor Hunter in 1795. This country was formerly Benkennie of the Dharawal people. The Cowpastures is one of Australia’s most important colonial sites.

Under European dispossession the Cowpastures became part of the Macarthur family’s Camden Park Estate from which the family carved out the private township of Camden with streets named after its founders – Macarthur, Elizabeth, John, Edward.

Camden John St (1)
St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

 

The English-style Camden town centre has evolved and illustrates a number of historical architectural styles since 1840 – Victorian, Edwardian, Inter-war, Mid-20th century Modernism.

The Camden district (1840-1973) tells stories of hope and loss around farming and mining in the hamlets and villages across the region. New arrivals hoped for new beginnings in a settler society while the loss of the Burragorang Valley, the Camden Railway and a landscape aesthetic created sorrow for some.

Map Camden District[1]
The extent of the Camden District in 1939 showing the township of Camden in the eastern part of the district (I Willis, 1996)

The Macarthur region (1973 +) named after the famous family and the infamous Macarthur growth centre. The area is on Sydney’s rural-urban fringe and made up of Camden, Campbelltown and Wollondilly Local Government Areas.

 

The more things change the more they stay the same

The Cowpastures and Camden districts, now the Macarthur region, are some of the fastest changing landscapes in Australia. There is a need by the community to understand how the past created the present and today’s urban growth.

Camden Aerial View 1990s CIPP
The AEH Group is using images like this to promote their development at Camden Central. This images was taken in the early 1990s by PMylrea and shows the town with Argyle Street to the right of the image. St John’s Anglican Church is in the left of the image. The old Camden High site is to right of the town centre. This image clearly shows how the town centre is surrounded by the Nepean River floodplain. (CIPP)

 

There is a need for creative and innovative solutions and ways to deliver the Camden and Macarthur stories. These are only limited by our imagination.

 

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
Aesthetics · Attachment to place · Australia · Camden · Camden Airfield · Denbigh · England · Entertainment · Fashion · Heritage · Historical consciousness · Historical Research · Historical thinking · history · Landscape aesthetics · Leisure · Local History · Macarthur · Modernism · Movies · myths · Theatre · TV Series Shows

Movie making Camden style

Smilie Gets A Gun Movie Cover
Smilie Gets A Gun Movie Cover

Movie makers have always had an eye on the Camden district’s large  country houses, rustic farm buildings, quaint villages and picturesque countryside for film locations.

From the 1920s the area has been used by a series of film makers as a setting for their movies. It coincided was an increasing interest in the area’s Englishness from poets, journalists and travel writers. They wrote stories of quaint English style villages with a church on the hill, charming gentry estates down hedge-lined lanes, where the patriarch kept contented cows in ordered fields and virile stallions in magnificent stables.  This did not go un-noticed in the film industry.

Camden Park Publicity

One of the first was the 1921 silent film Silks and Saddles shot at Arthur Macarthur Onslow’s Macquarie Grove by American director John K Wells about the world of horse racing. The film was set on the race track on Macquarie Grove. The script called for a race between and aeroplane and race horse. The movie showed a host good looking racing blood-stock. There was much excitement, according to Annette Onslow, when an airplane piloted by Edgar Percival his Avro landed on the race course used in the film and flew the heroine to Randwick to win the day. Arthur’s son Edward swung a flight in Percival’s plane and was hooked on flying for life, and later developed Camden Airfield at Macquarie Grove.

Camden film locations were sought in 1931 for director Ken G Hall’s 1932 Dad and Dave film On Our Selection based on the characters and writings of Steele Rudd. It stars Bert Bailey as Dan Rudd and was release in the UK as Down on the Farm. It was one the most popular Australian movies of all time but it was eventually shot at Castlereagh near Penrith. The movie is based of Dan’s selection in south-west Queensland and is about a murder mystery. Ken G Hall notes that of the 18 feature films he made between 1932 and 1946 his film company used the Camden area and the Nepean River valley and its beauty for location shooting. The films included On Our Selection (1936), Squatter’s Daughter (1933), Grandad Rudd (1934), Thoroughbred (1935), Orphan of the Wilderness (1936), It Isn’t Done (1936), Broken Melody (1938), Dad and Dave Come to Town (1938), Mr Chedworth Steps Out (1938), Gone to the Dogs (1939), Come Up Smiling (1939), Dad Rudd MP (1940), and Smith, The Story of Sir Charles Kingsford Smith (1946).

Camden Airfield 1930s Camden Images
Camden Airfield 1930s Camden Images

The Camden district was the location of two wartime action movies, The Power and The Glory (1941) and The Rats of Tobruk (1944). The Rats of Tobruk was directored by Charles Chauvel and starred actors Chips Rafferty, Peter Finch and Pauline Garrick. The story is about three men from a variety of backgrounds who become mates during the siege at Tobruk during the Second World War. The movie was run at Camden’s Paramount movie palace in February 1945. The location for parts of the movie were the bare paddocks of Narellan Vale and Currans Hill where they were turned into a battleground to recreated the setting at Tobruk in November 1943. There were concerns at the time that the exploding ammunitions used in the movie would disturb the cows. Soldiers were supplied from the Narellan Military Camp and tanks were modified to make them look like German panzers and RAAF Camden supplied six Vultee Vengeance aircraft from Camden Airfield which were painted up to look like German Stuka bombers. The film location was later used for the Gayline Drive In. Charles Chauvel’s daughter Susanne Carlsson who was 13 years old at the time reported that it was a ‘dramatic and interesting time’.

The second wartime movie was director Noel Monkman’s The Power and The Glory starring Peter Finch and Katrin Rosselle. The movie was made at RAAF Camden with co-operation of the RAAF. It is a spy drama about a Czech scientist who discovers a new poison gas and escapes to Australia rather than divulge the secret to the Nazis. Part of the plot was enemy infiltration of the coast near Bulli where an enemy aircraft was sighted and 5 Avro-Anson aircraft were directed to seek and bombed the submarine. The Wirraway aircraft from the RAAF Central Flying School acted as fighters and it was reported that the pilots were ‘good looking’ airmen from the base mess. There was a private screening at Camden’s Paramount movie theatre for the RAAF Central Flying School personnel.

Camden Park was used as a set for the internationally series of Smiley films, Smiley made in 1956 and in 1958 Smiley Gets a Gun in cinemascope. The story is about a nine-year old boy who is a bit of rascal who grows up in a country town. They were based on books by Australian author Moore Raymond and filmed by Twentieth Century Fox and London Films. Raymond set his stories in a Queensland country town in the early 20th century and there are horse and buggies and motor cars. The town settings were constructed from scratch and shot at Camden Park, under the management of Edward Macarthur Onslow. The movies stars included Australian Chips Rafferty and English actors John McCallum and Ralph Richardson.  Many old time locals have fond memories of being extras in the movies. Smiley was released in the United Kingdom and United States.

In 1999 Camden airfield was used as a set for the television documentary  The Last Plane Out of Berlin which was the story of Sidney Cotton. Actor Geoff Morrell played the role of Cotton, who went to England in 1916 and became a pilot and served with the Royal Naval Air Service during the First World War. He is regarded as the ‘father of aerial photography’ and in 1939 was requested to make flights over Nazi Germany in 1939. Camden Airfield was ‘perfect location’ according to producer Jeff Watson because of its ‘historic’ 1930s atmosphere.

In 2009 scenes from X-Men Origins: Wolverine were filmed at Camden and near Brownlow Hill.

In 2010 filmmaker Sandra Pyres of Why Documentaries produced a number of short films in association for the With The Best of Intentions exhibition at The Oaks Historical Society. The films were a montage of contemporary photographs, archival footage and re-enactments by drama students of the stories of child migrants. The only voices were those of the child migrants and there were many tears spilt as the films were screened at the launch of the exhibition.

In 2011 scenes from director Wayne Blair’s Vietnam wartime true story of The Sapphires were filmed at Brownlow Hill starring Deborah Mailman, Jessica Mauboy and Chris O’Dowd. This is the true story of four young Aboriginal sisters who are discovered by a talent scout who organises a tour of American bases in Vietnam. On Brownlow Hill a large stage was placed in the middle of cow paddock and draped with a sign that read ‘USC Show Committee presents the Sapphires’ and filming began around midnight. The cows were herded out of sight and the crew had to be careful that they did not stand of any cowpats. Apparently Sudanese refugees played the role of African American servicemen of the 19th Infantry Division.

Camelot House early 1900s Camden Images
Camelot House early 1900s Camden Images

The romantic house of Camelot with its turrets, chimney stacks and gables, was built by racing identity James White and designed by Horbury Hunt was the scene of activity in 2006 and 2007 for the filming of scenes of Baz Luhrman’s Australia, starring Nicole Kidman and Hugh Jackman. The location shots were interior and exterior scenes which involved  horse riding by Kidman and Jackman. The film is about an aristocratic woman who leaves England and follows her husband to Australia during the 1930s, and live through the Darwin bombing by the Japanese in the Second World War.

Camelot was a hive activity for the filming of the 1950s romantic television drama A Place to Call Home produced by Channel 7 in 2012. Set in rural Australia it is the story of a woman’s journey ‘to heal her soul’ and of a wealthy family facing changes in the fictional country town of Inverness in the Bligh family estate of Ash Park. Starring Marta Dusseldorp as the mysterious Sarah and Noni Hazlehurst  as the family matriarch Elizabeth, who has a number of powerful independently wealthy women who paralleled her role in Camden in time past on their gentry estates.  The sweeping melodrama about hope and loss is set against the social changes in the 1950s and has close parallels to 1950s Camden. The ‘sumptuous’ 13 part drama series screened on television in 2013 and according to its creator Bevin Lee had a ‘large-scale narrative’ that had a ‘feature-film feel’. He maintained that is was ‘rural gothic’, set in a big house that had comparisons with British television drama Downton Abbey.

The 55-room fairytale like mansion and its formal gardens were a ‘captivating’ setting for A Place to Call Home, according to the Property Observer in 2013. Its initial screening was watched by 1.7 million viewers in April 2013. The show used a host of local spots for film sets and one of the favourite points of conversation ‘around the water-cooler’ for locals was the game ‘pick-the-place’. By mid-2014 Channel 7 had decided to axe the series at the end of the second series. There was a strong local reaction and a petition was circulating which attracted 6000 signatures to keep the show on air. In the end Foxtel television produced a third series with the original caste which screened in 2015.

Camden airfield was in action again and used as a set for the Australian version of the British motoring television show Top Gear Australian in 2010.  Part of the show are power laps in a ‘Bog Standard Car’ were recorded on parts of the runways and taxiways used as a test track.

Camden Showground became the set for Angelina Jolie’s Second World War drama Unbroken in 2013. The main character Louis Zamperini, a former Olympic runner, and Onslow Park was used as part of the story of his early life as a member of Torrance High School track team. The movie is about Zamperini’s story of survival after his plane was shot down during the Pacific campaign. The filming caused much excitement in the area and the local press gave the story extensive coverage, with the showground was chosen for its historic atmosphere. Camden mayor Lara Symkowiak hoped that the movie would boost local tourism and the council was supportive of the area being used as a film set. The council had appointed a film contact officer to encourage greater use of the area for film locations.

Edwina Macarthur Stanham writes that Camden Park has been the filming location for a number of movies, advertisements and fashion shoots  since the 1950s.   They have included Smiley (1956), Smiley Gets a Gun (1958), Shadow of the Boomerang (1960) starring Jimmy Little, My Brilliant Career (1978) was filmed in Camden Park and its garden and surrounds, and The Empty Beach (1985) starring Bryan Brown, House Taken Over (1997) a short film written and directed by Liz Hughes which used  lots of scenes in the house. In the 21st century there has been Preservation (2003) described a gothic horror movie starring Jacqueline Mackenzie, Jack Finsterer and Simon Bourke which used a lot of the scenes filmed in the house.

In 2005 Danny De Vito visited Camden Park scouting for a location for a movie based on the book “The True Confessions of Charlotte Doyle”.  In Sleeping Beauty (2010) an Australian funded film was shot at Camden Park and the short film La Finca (2012). In September 2014 Camden Park was used as a location in the film called “The Daughter” starring Geoffrey Rush. Extensive filming took place over 3 weeks and members of the family and friends and Camden locals played the role of extras.

In September 2014 Camden Park was used as a location in the film called “The Daughter” starring Geoffrey Rush. Extensive filming took place over 3 weeks and members of the family and friends and Camden locals played the role of extras.

The Daughter Movie Set Camden Park 2014 E Stanham
The Daughter Movie Set Camden Park 2014 E Stanham

In 2015 the Camden Historical Society and filmmaker Wen Denaro have combined forces to telling the story of the Chinese market gardeners who settled in Camden in the early twentieth century. The project will produce  a short documentary about the Chinese market gardeners who established vegetable gardens along the river in Camden and who supplied fresh product to  the Macarthur and Sydney markets.

In 2015 an episode of the Network Ten TV show of The Bachelor Australia was filmed at Camden Park in August 2015. They showed scenes of the Bachelor Sam Wood taking one of the bachelorette Sarah on a romantic date to the colonial mansion Camden Park. There were scenes of the pair in a two-in-hand horse drawn white carriage going up and down the driveway to the Camden Park cemetery on the hill overlook the town. There were scenes in the soft afternoon sunlight of the couple having a romantic high-tea on the verandah of Camden Park house with champagne and scones and cup cakes. In the evening there were floodlit images of the front of Camden Park house from the front lawn then scenes of the couple in the sitting room siting of the leather sofa sharing wine, cheese and biscuits in front on an open fire and candles. Sarah is gobsmacked with the house, its setting and is ‘amazed’ by the house’s colonial interior.

 

In 2018 a children’s film Peter Rabbit was been filmed in the Camden district. The movie is based on Beatrix Potter’s famous book series and her iconic characters. The special effects company Animal Logic spent two days on the shoot in Camden in January 2017. The first scene features the kidnap of the rabbit hero in a sack, throwing them off a bridge and into the river. For this scene the Macquarie Grove Bridge over the Nepean River was used for the bridge in the movie. According to a spokesman the reason the Camden area was used was because it fitted the needed criteria. The movie producers were looking for a location that screamed of its Englishness. Camden does that and a lot more dating back to the 1820s. The movie is set in modern day Windermere in the English Lakes District. The location did not have to have too many gum trees or other recognisable Australian plants. John and Elizabeth Macarthur would be proud of their legacy – African Olives and other goodies. Conveniently the airport also provided the location for a stunt scene which uses a bi-plane. The role of the animators is to make Australia look like England.

 

 

In August 2018 the colonial Cowpastures homestead of Denbigh at Cobbitty was the set for popular Australian drama series Doctor Doctor. The series is about the Knight family farm and the show star is Roger Corser who plays doctor Hugh Knight. He said, ‘

The homestead is a real star of the show. The front yard, the dam and barn brewery on the property are major sets – I don’t know what we would do without them.

The show follows the high-flying heart surgeon and is up to season three. Filming lasted three months and the cast checked out the possibilities of the Camden town centre. Actor Ryan Johnson said that Denbigh ‘made the show’.

Denbigh homestead was originally built by Charles Hook in 1818 and extended by Thomas and Samuel Hassell in the 1820s.

denbigh-2015-iwillis
Denbigh Homestead Open Day 2015 has been used as a film set in 2018 for the TV series Doctor Doctor (I Willis)

 

In late 2018 the TV series Home and Away has been using the haunted house at Narellan known as Studley Park as a set for the program. The storyline followed three young characters going into the haunted house and staying overnight. They go into a tunnel and  a young female becomes trapped. Tension rises and the local knock-about character comes to their rescue and he is a hero.  The use of the set by the TV series producers was noted by Macarthur locals on Facebook.

Studley Park at Night spooky 2017 CNA
Spooky Studley Park House is claimed to be one of the most haunted locations in the Macarthur region. The TV series Home & Away on 3 & 4 October 2018 certainly added to those stories by using the house as a set location. (CN Advert)

Studley Park has recently been written up in the Camden-Narellan Advertiser (4 August 2017) as one of the eight most haunted places in the Macarthur region. Journalist Ashleigh Tullis writes;

Studley Park House, Camden 

This impressive house was originally built by grazier William Payne in 1889. The death of two children has earned the house its haunted reputation.

In 1909, 14-year-old Ray Blackstone drowned in a dam near the residence. His body is believed to have been kept at the house until it was buried.

The son of acclaimed business man Arthur Adolphus Gregory died at the house in 1939 from appendicitis. His body was kept in the theatrette.