Art · Attachment to place · Campbelltown · Campbelltown Art Centre · Colonialism · Convicts · Cowpastures · Entertainment · Heritage · Leisure · Local History · Macarthur · myths · sense of place · Tourism

2017 Fisher’s Ghost Art Award

2017 Fisher’s Ghost Art Award

The CHN blogger was out and about at Campbelltown Arts Centre recently on a Friday night at the opening of the 2017 Fisher’s Ghost Art Award.

A packed Campbelltown Arts Centre was filled with keen supporters of the award. They walked around and viewed the art works that had survived the culling process and made it onto the walls and displays.

Campbelltown Arts Centre Fisher Ghost Art Award 2017
There was quite a crowd the Campbelltown Arts Centre for the opening night of the 2017 Fisher’s Ghost Art Award on Friday 4 November.

55 Years of History

2017 is the 55th year of the prize and the finalists had some pretty stiff competition.

There were a diverse range of works. The categories include Open, Contemporary, Traditional, Sculpture, Photography, Primary Students, Secondary Students, Surrealism, Macarthur award for a local artist, Aboriginal, Mentorship Macability award for a work by an artist with a disability.

The Award has a total prize pool of $38000 supported by a range of local sponsors.

Campbelltown Arts Centre is well regarded art institution in the Sydney area under the leadership of director Michael Dagostino.

Camden artist survives cull at the Award

One entrant at this year’s award was Camden artist Sandra Dodds. She survived the cull with her sculpture work Eclipse.

Camden artist Sandra Dodds with her entry Eclipse in the sculpture category of the 2017 Fisher’s Ghost Art Award on the opening night of Friday 4 November. (I Willis)

Bringelly artist Brian Stratton had his work Shoalhaven Tapestry hung in the Traditional category.

Campbelltown Arts CentreFishers GhostArt BrianStratton Shoalhaven Tapestry 2017
Brian Stratton and his watercolour ‘Shoalhaven Tapestry’ hung at the 2017 Fisher’s Ghost Art Award at Campbelltown Arts Centre (L Stratton)

Brian said about his painting:

‘One of my watercolour paintings of Crookhaven Heads on the south coast of NSW.  Over the past three decades I would have painted more than 200 paintings of the north face of this headland.  To me this work has more of a feeling of a tapestry, as opposed to a watercolour; hence its title.’

Award proceedings

The proceedings on the opening night got under way just after 6.00pm with the official announcements around 7.30pm. The announcement of the winners was introduced by a welcome to country by a local Dharawal elder.

The 2017 judges were curator Tess Allas, artist Dr Daniel Mudie Cunningham and artist Ben Quilty.

The full list of prize winners in all categories can be found here.

Campbelltown 2017 FishGhstArt Awd Signage

The Fisher’s Ghost Festival

The art award is part of the Fisher’s Ghost Festival which is held in November each year and started in 1956. The festival is named after the local 19th century legend of Fisher’s ghost.

The festival website states that celebrations are held over 10 days (4-12 November). The major features of the festival are a street parade,  a fun run, a street fair, craft exhibition, foodie festival in Mawson Park, open days and a giant carnival with fireworks.

In 2017 the carnival was held on Bradbury Oval and was in full swing as the art award winners were announced at the art centre.

The street parade moves along Queen Street and has a variety of community, sporting and business groups with floats and novelties.

Each year the festival has a theme and in the past they have included  The Ghost with the Most, The Spirit of Campbelltown, the International Year of the Volunteers, the Centenary of Federation, the National Year of Reading and most recently, the 30th anniversary of the Campbelltown-Koshigaya Sister City relationship.

The Miss Festival Quest, which ran up until the early 90s, was adapted to form The Miss Princess Quest, which has now been running for more than two decades.

Campbelltown Art Centre forecourt on the opening night of the 2017 Fisher’s Ghost Art Award (I Willis)

The story of the ghost of Fred Fisher

The festival is based around the story of the ghost of Fred Fisher.

The story of Fred Fisher is one full of mystery, murder and mayhem. It really shows the dark gothic influences in Australian history around the former convict turned farmer who was murdered in Campbelltown. The Dictionary of Sydney website tells this story and the grizzly demise of Fred.

The ghost story of Fred Fisher is part of Australian gothic literature and the country’s colonial past.   These stories make a statement about the white Australian psyche and the monster within. The landscape is portrayed as a monster in the genry of  Australian gothic now and in the past when the early colonials viewed the bush as evil and threatening.

The National Library of Australia outlines the story of Fred Fisher and the songs, stories and legends that flow from it. They claim that it is the most forgotten ghost story in Australia..

The Fred Fisher ghost story is an apt ghost story to tell around the time of Halloween. Some even go looking for the Fred ghost today.

There are many who swear that there is a presence around the area of Fishers Ghost Creek in Campbelltown. Is this just a lot of rot or is there something to the story?

The story receives the official sanction of Campbelltown Council and its public library where it is told in all its detail.

The Campbelltown History Buff has many interesting stories about Fred and his ghost. One of the best is about the ghost post from the road bridge and the curse that is linked to it. Or maybe not.

The dark stories of colonial times about Aborigines and convicts fit neatly into  the Australian gothic genre, as does Fred Fisher, a former convict.

2017 Fishers Ghost Festival runs from 4 November to 12 November.

The festival website tells the story from the colonial days of Campbelltown and the festival is fitting to remember the ghostly and ghastly past.

The festival celebrates and embraces the Australian gothic.

 

 

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Local History · Macarthur · Newspapers · war

The local ‘rag’, the future of local newspapers

The future of local newspapers

This post was prompted by an item in the Oran Park Gazette, an A4 newsletter newspaper. Gazette journalist Lisa Finn-Powell asked: What is the future of the community newspaper?

The local ‘rag’ in our suburb is a free tabloid newspaper thrown onto our front driveway each week. Actually there are two of them, the Camden Narellan Advertiser and  the Macarthur Chronicle. Where I live some of these newspapers stay on the neighbour’s driveway for weeks and disintegrate into a mess. Other neighbours just put them in the bin. So not everyone is a fan of the local ‘rag’ in the age of Snapchat, Instagram and Facebook.

Yet others, including those in our household, devour the local newspaper from cover to cover. More than this I clip the local newspapers each week. I compete with others in the household. By the time I get the newspaper there already a holes in it.  There is certainly a future for local newspaper in this household.

 

The local in local newspapers

In the Oran Park Gazette Lisa Finn-Powell maintains that the community newspaper does have a future. She argues that it provides a way for members of the community to support each other by celebrating local events, anniversaries and traditions. Local newspapers make people feel good about their neighbourhood.

From the journalists point of view Finn-Powell maintains that their readers are in their face. Local journalists are ‘up close and personal’ with their readers. The local newspaper, according to Gazette editor Belinda Sanders, shares local stories with local people who all have a story to tell.  (Oran Park Gazette, October 2017)

While the purpose of the Gazette’s story was to bolster local advertising editor Belinda Sanders has a point about the importance of local newspapers. Her self-interest is not pie-in-the-sky dreaming. Scholarly literature on newspapers supports her position.

Survival of the local

Media historian Rod Kirkpatrick maintains that community newspapers have survived because of their closeness  to their community,  their reflections of a community’s values, their contribution to its cohesion, their service to the progress and welfare of their local community.

A similar list has been compiled by regional historian Louise Prowse . She maintains that the local newspaper is central to the life of country towns by underpinning social capital, strengthening social relationships, reflecting the town’s values, valuing local history, having close links to the community, and providing a voice for the community.

Local newspapers, especially country newspapers,  tells stories in a different way to the large metropolitan daily newspapers. The country newspaper editor reports in a narrative style and does not obsess about the inverted pyramid. They write feel good articles that are generally not  sensationalist. The local newspaper is less likely to need to put a negative spin on a story. The editor goes for the known and comfortable and readers  might be living around the corner or have personal knowledge of the people and events.

Camden Advertiser journalist Jeff McGill maintains that the local newspaper creates ‘the strong weave in our social fabric’. After working for the large metro daily he decided he did not like writing negative attack style stories all the time, so he went back to his roots and became a journalist in the local paper. There he could write stories with a positive spin for a readership who personally knew him.

 

How different is different?

The essence of country newspapers, community newspapers, or provincial newspapers is the style of reporting practiced by journalists according to Rod Kirkpatrick in his examination of this issue.

Just as there are significant differences between the closed self-contained rural and regional communities  and the large metropolitan areas. There are distinct differences in the practice of journalism between newspapers these two distinct economic, political, cultural, and social landscapes.

Jock Lauterer who wrote Community Journalism: Relentlessly Local says that community newspapers have three things in common:

  1. a readership of less than 50,000,
  2. an exclusive focus on stories with a local connection and
  3. offices accessible to their readers.

 

Community journalism

So what is community journalism? There are handbooks and guides on community journalism. They  provide sections on how to report local council meetings, writing an obituary, wedding or other local celebration. They provide advice about the peculiarities of dealing with local organisations and businesses and other everyday matters. Interestingly Kirkpatrick maintains that city-based journalism would do well to take heed of this style of writing.

Kirkpatrick maintains that journalists on community newspapers need to understand that the daily doings of the community that are of interest to readers. Local celebrations, traditions and events, for example, weddings, funerals, births, fetes, and anniversaries. Few if any of these stories ever make it to the large metro dailies.

The journalist is up-close-and-personal and need to ‘touch the pulse of the local community and fight its battles against’ outsiders. The journalist might find themselves embedded in a small community where they do not have the anonymity of their city-based journalist colleagues.

Civic journalism

Journalist David Kurpius described community journalism as civic journalism. Central to this type of writing is an in-depth understanding of the community that makes up the newspaper readership.

Journalists in this environment write stories with a degree of depth and understanding of the issue that are important to the local community. He maintains that the journalist has to engage the readership and have a conversation with them about the values that are important to the community.

The journalist needs to capture the ‘priorities, concerns and perspectives on different issues’ of the citizenry.

This is certainly what Lee Abrahams the owner/editor of the The District Reporter does on a weekly basis. She feels that her local newspaper ‘is different from other newspapers’. She aims to tell the ‘local people about their local area and their stories are part of that agenda’.

Abrahams has stated that she writes ‘good stories’ and leaves out the police and ambulance rounds as they often have a negative line.

Abrahams likes reporting the small and strong and raising public awareness, by informing and keeping public interest. In particular she attempts to cut through the spin from the state government and give the story a local angle. (Camden History, vol 3, no 1, 2011)

This type of difference that can be identified in the country press is not new and is typical of earlier times. One example was  wartime.

A point of difference, the local press and war

This blogger has written about the country press in wartime and examined its crucial role in patriotic volunteering and fundraising, keeping up morale, supporting the war effort and a host of other issues.

I particularly looked at the role of the owner/editors of two local newspaper in a small country town during the Second World War and how these local identities used their influential role on their reportage in their newspapers.

I recently put up a conference proposal for a paper on how country newspapers reported during the First World War.  The abstract for the proposal went in part as follows:

 Country newspapers provide an archive record of the First World War that is identifiably different from the large metropolitan daily newspapers of the war period. The local newspaper has a number of differences that are related to their localness and parochialism, their relationship to their readership, their promotion of the community and their approach to the news of the war. The local newspaper recorded the subtleties of local patriotism and wartime voluntarism and fundraising, the personal in soldier’s letters, the progress of the war and a host of other issues.   

 

Digital disruption – just the latest challenge

Will local newspapers survive in the age of digital disruption?

Rachel Matthews says in her article on the provincial media in Routledge Companion to British Media History  writes that the demise of local newspaper has been predicted on numerous occasions. Matthews goes to outline six historical phases to the development of provincial newspapers over the last 300 years and are:

  1. the local newspaper as opportunistic creation;
  2. the characterization of the local newspaper as the fourth estate;
  3. the impact of New Journalism;
  4. the growth of chain control,
  5. the move to computerised production and the advent of free newspapers;
  6. the provincial press in the digital age.

She concludes that these challenges provide ‘far reaching implications’ for the British provincial press.

Local newspapers in the Macarthur region

I have written about the history of some of the mid-20th century newspapers in the Macarthur region on an earlier occasion. These country newspapers were some of the first to use the regional name of Macarthur for the Campbelltown, Camden and Picton areas.

The Macarthur region is located on Sydney’s south-western rural-urban fringe and is one of the  fastest growing regions in Australia.

The local newspapers in the Macarthur region have changed in recent years as online sites suck up their advertising revenue. Where once our local edition of the Camden Narellan Advertiser might have run to 110 pages an issue they have shrunk to 60-70 pages.

Yet where there was once just one local edition of a newspaper there is now three in this ever growing area on Sydney’s rural-urban fringe.

The Advertiser is now published in three separate editions as the Campbelltown, Camden Narellan and Wollondilly Advertiser. A similar thing has happened to the Macarthur Chronicle, a part of the News Ltd stable.

As the regional population has grown so new opportunities have opened up for local suburban newspapers to fill the gap in the market place. The Oran Park Gazette, and its stable mates across Western Sydney, have filled some of these gaps that have appeared in the new suburbs.

Another which has appeared in 2016 was the Independent South-West,  part of the King Media Regional group.

It is interesting to compare the  Camden Narellan Advertiser with the Illawarra edition from the same newspaper stable The Advertiser Lake Times. The Illawarra edition barely makes 50 pages. It has to compete with a provincial daily The Illawarra Mercury. Yet it continues to thrive.

 

Change at the local during wartime

Media historian Rod Kirkpatrick points out that war has had lasting changes on the nature of the provincial press.  He maintains that wars ‘have traditionally been a trigger for the emergence of newspaper or for significant change in their industry’. During the peace politics dominates, but during the conflict the war dominates the stories.

In country newspapers the war is on the front pages. While the First World War put cost pressures on the Australian press the voracious appetite at home for news of the war and sales of metro dailies soared during the conflict.

Newspapers shrunk and reportage of stories became terse and condensed. This contrasted with the convoluted narrative reporting style of the pre-war years.

The future in a digital age

So is there  a future for the local paper in the digital age? I think so.

There is a craving for the authentic and personal to people can connect with their neighbourhood, even in the suburbs.

The internet is impersonal, the local newspaper is not. The local newspaper still has many challenges to meet especially around monetising advertising in the age of Google and Facebook.

With creativity and persistence the local newspaper will meet these challenges and be a part of the media landscape into the future.  The local newspaper has changed in some communities to that it is an A4 newsletter newspaper.

 

Profile of the Oran Park Gazette

The Oran Park Gazette, a free monthly A4 newsletter newspaper which boasts on its banner heading that it is ‘your community news’. It is published on the first week of each month and distributed to the new suburbs of Oran Park, Harrington Park, Gregory Hills and Harrington Grove. It started publication in November 2015 with a circulation of 3,500 and is part of a stable of five mastheads  in the Flynnko Group.

 

Profile of The District Reporter

The District Reporter is a free weekly tabloid of 16pp with a circulation of 17,000 across a footprint of 37,000 homes published by Wombaroo Publications in Camden. The newspaper started in 1997 in the Austral area by Lee Abrahams (editor) and Noel Lowry (sales). The masthead is blue and green to reflect the rural landscape of the sky and grass. They filled a gap left by the demise of the Camden Crier. The Reporter circulates in the Camden and Wollondilly Local Government Areas. (Camden History, vol 3, no 1)

 

Profile of The Menangle News

The Menangle News is a free monthly newsletter newspaper of 4-6 pp. It is published in the Menangle village by husband and wife team Sue and Brian Peacock. It has a circulation of 218 and distributed throughout the village. It started life in 1980 as a duplicated news-sheet run off on a Gestetner copy machine. It only carries stories from the village which as a population of around 1200. It is truly local. (Camden History, vol 4, no 3)

 

Profile of the Independent South-West

This is a free tabloid that has been published twice since its launch in November 2016 in Camden. The Independent South-West is published by King Media Regional in Bowral, and is part of a stable of four mastheads. The 20pp tabloid is printed in colour on glossy paper. Editor Jane King states in Issue 1 that the paper will serve the local community and employ local people. The initial print run of 10,000 was distributed throughout the Camden LGA.

Read more

Free newspaper on the rise as traditional media declines in regional areas. ABC News 21 January 2016

 

Cobbitty · festivals · Macarthur · sense of place · Tourism

Out and about at Cobbitty Markets

On a frosty Saturday recently the CHN blogger attended the Cobbitty Markets. The carpark was covered with a light shade of white while the thermometer hovered around zero degrees.


The markets have been on Cobbitty Public School site for what seems likes for ever. The stalls are tucked around every conceivable corner. In the front yard. In the building courtyards. Every part of the school yard is filled with stallholders displaying their wares.

The markets have a tradition of attracting stallholders with their own genuine wares. Hand-made goods of all sorts. Not the bric-a-brac of the trash-and-treasure markets that you get around the place.

For the foodinistas. The school canteen will sell you an egg-and-bacon sandwich for $4 and an instant hot coffee for $2. Enough to satisfy any appetite. If you want to go gourmet then that is catered for as well. Great cappuccino if that is what you desire.

The frost covered car park at sun-up at the Cobbitty Markets looking out across the Nepean River floodplain (I Willis)

There is the ever popular plant stall attracting one of the largest crowds. Ever before the stallholder has set out all the plants for sale. Sales were hot in the cold. The stall sells tiny seedlings to not so-small seedlings. And even bigger plants.

The crowd at the ever popular plant stall at Cobbitty Markets (I Willis)

There are the fruit and vegie stalls. Stalls selling honey and other organic goods. Cut flowers to make any room pretty.

Lots have artwork of various types. From painting to any type of creative work you can think of including authors flogging their books.

The knick-knack brigade are catered for with candles for the mood creator, and other smelly and feely-make-you-feel-better stuff. Lots to choose from. There is even pottery and lots of other traditional crafts.

Funds raised go to the Cobbitty community directed by the hard-working market committee in their purple shirts.

To learn more go the Cobbitty Village Market website

Camden · Campbelltown · Colonialism · community identity · Historical consciousness · history · Local History · Macarthur · Newspapers · Picton · Place making · sense of place

Macarthur regional identity

The Macarthur region is an area made of the Camden, Campbelltown and Wollondilly Local Government areas and is a formal region with an arbitrary political boundary. Regions come in all shapes and sizes from formal regions with definite boundaries, to geographic regions based on    landform types, to regions of the imagination with no real boundaries at all. They are a useful tool to examine communities, and despite falling out of favour with some, still have a place in the popular imagination and provide a useful analytical tool.

 

Macarthur Signage

 

Origins of the Macarthur region

The first official use of the term Macarthur as a regional place-name was  the proclamation of the new  Federal seat of Macarthur in 1949 after the 1948 re-distribution and the Federal House of Representatives was increased from 75 to 122 members. The new seat of Macarthur was named after the colonial wool pioneers John and Elizabeth Macarthur of Camden Park, which according to a recent heritage report from TKD Architects ‘is the most important surviving early colonial estate in Australia and ranks amongst the most historic houses in Australia’.[1] The original land grant to John Macarthur in 1805 took place on the Nepean River floodplain and eventually the familiy’s colonial estate of Camden Park covered parts of what is now the Campbelltown, Camden and Wollondilly LGAs.

 

John Macarthur (Wikimedia)

 

 

Commercialisation of the Macarthur region

 The use of the Macarthur place-name got a leg up in 1958 when local media baron Sydney Richardson felt that local regionalism provided a great business opportunity. There were enough unifying characteristics across the three country towns of Camden, Campbelltown and Picton, he  thought, that justified launching  a new regional newspaper using the Macarthur masthead. He re-named  the Camden Advertiser, a free Camden weekly newspaper he took over  from Ken Gibson in 1955, as the Macarthur Advertiser. Richardson had two competing newspapers – the Camden News and the Camden Advertiser – in the same Camden market place. He had previously purchased both the Camden News and Campbelltown News from the Sidman brothers in 1952.   Richardson promoted the Macarthur Advertiser as a free regional newspaper and expanded its circulation to included Campbelltown and Picton. The newspaper had  a broad regional compilation of news and advertisements from the three towns  and he ‘forged and popularized a new regional name for Campbelltown, Camden and Wollondilly’.

Elizabeth Macarthur SLNSW

 

In 1982 Richardson merged the Macarthur Advertiser with other local newspapers – Campbelltown-Ingleburn News, Camden News and Picton Post – which he had previously sold to Suburban Publications, a joint venture between John Fairfax and Sons and Australian Consolidated Press, in 1969. [2]  Richardson’s  new regional newspaper prospered and was a  builder of community and  identity by being a regional voice and notice board for the first time, and in the process strengthened people’s attachment to the concept of a regional identity.

 

Town planners and administrators strengthened the official support for the use of the Macarthur place-name in 1975 with the establishment of the Macarthur Development Board, with its head office in Campbelltown’s heritage precinct. Peter Kacirek, the chairman of the  Sydney SW Sector Planning and Development Board, renamed it as the Macarthur Development Board, against much local opposition. Local residents felt that the legacy of Governor Lachlan Macquarie was affronted, by those who proclaimed the town in 1820.

 

Peter Kacirek ealry 1970s Macarthur Development Board

 

The purpose of the Macarthur Development Board was to implement the 1973 New Cities Structure Plan for Campbelltown, Camden and Appin as part of the 1968 Sydney Regional Outline Plan. The New Cities Plan called for the development of the Macarthur growth centre, located away from the Campbelltown central business district in Queen Street. The aim of the Macarthur Development Board was to  ‘plan, co-ordinated implement’ the New Cities Plan with power to compulsory acquisition of land.  Town planner James Deane, from the Urban Development Institute of Australia, felt that the name Campbelltown should be completely abolished and replaced with the City of Macarthur.[3] The New Cities Plan incorporated the colonial story of the Macarthur family and Camden Park and felt that the Macarthur legacy was essential to the identity of the new growth centre. The board stated in 1976 that ‘the area of Macarthur is steeped in rich tradition and much of the early history of New South Wales was recorded here. The aim of the Board it to link the historic past with an exciting and vigorous future and to plan for the enjoyment and benefit of all members of the community’.[4] Unfortunately the Macarthur family felt otherwise and sold most of the pastoral property to housing developers in 1973 against a national outcry.[5]

 

Macarthur Square Shopping Centre in 1980s (Mac Dev Board)

 

To the disappointment of many the Macarthur growth centre was a short lived town planner’s pipe-dream. The new   regional centre was planned to have high-rise office blocks, conference facilities, sports stadiums, transport interchange and become a city within a city and to be located on Campbelltown Golf Course (1971), which was acquired  against significant local opposition. There was some progress within the growth centre precinct with the construction of Macarthur Square  (1979), Macarthur Railway Station (1985), the Macarthur Institute of Higher Education (1983) and the launch of a new Macarthur community radio station 2CT (1978) yet the new TAFE college (1981) and hospital (1977) both carried the place-name Campbelltown, not Macarthur. The Federal Whitlam government promised funding of $25 million in 1975, which was slashed in 1976 to $2 million dollars by the incoming Fraser Government but by 1978 all funding had dried up. Open hostilities broke out between  Campbelltown City Council and Macarthur Development Board over the ‘regional centre’ in 1979 when the Wran state government approved the construction of Macarthur Square funded by State Super. The Macarthur Development Board continued to foster the regional centre over Campbelltown’s Queen Street precinct as the retail and community hub in 1980, and by 1984 the Board was $200 million in debt. Peter Kacirek was sacked and Ian Henry, former Campbelltown council planner, was  appointed by the state government. In  1985 the regional centre was slashed by Wran Labor state government   and the  Board was stripped of planning power and restructured to Macarthur Development Corporation, which was  a small promotion unit.  Ian Henry stated that the Macarthur Development Board was ‘an over-expanded planner’s dream turned nightmare’ and in  1989 the MDC restructured and renamed Business Land Group, which was little more that a sales unit.[6]  The Macarthur growth centre road crash had been driven up onto the rocks of divisiveness by the state government’s push of large scale public housing into the Campbelltown area,  the development of the ‘ugly Campbelltown’ stereotype and the moral panic that ensued.

 

A book titled Colonial Buidlings Macarthur Growth Centre Campbelltown, Camden and Appin published in 1977 by the Macarthur Development Board. Images by prominent Australian photographer Max Dupain

 

With the failure of the Macarthur growth centre another official attempt at developing Macarthur regionalism occurred in 1986. The Hawke Federal Government played a role in development of Regional Organisations of Councils (ROCs) through the Federal Government’s Office of Local Government and its Local Government Development Program. It came out of the Hawke government’s conviction that local authorities could make a positive contribution to the Commonwealth’s national economic reform strategy.[7]  The Camden, Campbelltown and Wollondilly LGAs came together in 1986 as MACROC, the Macarthur Regional Organisation of Councils with its headquarters in Campbelltown. MACROC’s charter states that its aim is to ‘promote a regional approach to issues’ and to develop ‘regional facilitation, planning and coordination’, to promote ‘a regional economic growth strategy’ and ‘provide a voice for regional issues’.[8]  MACROC has had mixed success, and while some accuse it of being a talkfest, its presence has supported Macarthur regionalism. MACROC spokesperson Christine Winning defends its role as in regional advocacy  and states that has a achieved a number of outcomes of regional importance in the areas of job creation, economic growth, education, small business, local government, environment and tourism since its foundation.[9]

Logo of the Macarthur Regional Organisation of Councils

 

Over the years Macarthur regionalism has had mixed support by the local business and community voluntary organizations. A survey of telephone listings of local businesses in 2011 indicated that only 156 business listings used the term Macarthur in their business name, for example, Macarthur Tavern, Macarthur Camera House and of these 61 businesses were located in Campbelltown, while the remainder were located in other local suburbs. On the other hand  the traditional names of the country towns of Camden, Campbelltown and Picton were the preferred option for business names with 134 had Camden in their business name, while 140 used Campbelltown in their business name, for example, Camden Towing Services and Campbelltown Car Detailing. A search of the 2014 Wollondilly Business Directory reveals that  24 businesses have used the Picton place-name, while  at a district level even the Telstra telephone  listings were located in  the  2013 Campbelltown Telephone Directory which included Camden and Picton.

Macarthur Advertiser 1958

Amongst local businesses there are some prominent and enthusiastic supporters of Macarthur regionalism as a coherent market place and branding that has a distinctive identity. Most notably In Macarthur lifestyle magazine publisher David Everett who has stated that his support for Macarthur regionalism for his business ‘seemed obvious and wasn’t really a decision’. Everett’s quarterly magazine started in 1999, has a print run of 20,000, is published in Campbelltown and is distributed throughout the three LGAs at points in Macarthur Square, Campbelltown, Camden, Narellan, Mt Annan, and Picton. Everett feels that Macarthur is a different geographic region to Sydney’s south west, ‘is culturally quite different’ and has ‘a sense of community’, which he maintains is ‘quite rare in the rest of Sydney’. He states that there is ‘a distinct region [which] feels like a region’ and the ‘name describes quite an organic community’ across all three LGAs.[10]  Amongst other local businesses that use the regional branding is the  Macarthur Credit Union, which adopted the Macarthur name in 1978.  The credit union wanted to extend its brand and grow its customer base and changed it name in 1978 from the Clutha Employees Credit Union, which was established in 1971,  to the Macarthur Mutual Credit Union and extended membership to the local community. It then progressively established branches across the region starting with Picton in 1979, Camden 1979, Narellan 1990, Tahmoor 1994. It changed its name in 1994 to Macarthur Credit Union and started a mobile service at Oran Park.[11]

In Macarthur Cover Autumn 2013

Local media outlets are prominent supporters of Macarthur regionalism including Community radio station 2MCR, which started operations on the 1989 and promotes itself as   “Heart of Macarthur”. It was the first radio station aimed at broadcasting to the Macarthur region, are staffed and operated entirely by volunteers and broadcasts 24 hours a day, 7 days a week.[12] The local commercial radio state C91.3, which has been on air since 2001,  uses a call sign 2MAC  and the slogan ‘Macarthur First’. It has a limited broadcast area of the major centres of Campbelltown and Camden under Federal Government broadcast regulations and is owned by WIN Corporation.    The local print media have been supporters of Macarthur regionalism for decades, although in recent years have  responded to the resurgence of localism under the influence of globalization by re-establishing local editions of Macarthur regional newspaper titles (mentioned earlier).

 

The voluntary sector has had a role to play in promoting Macarthur regionalism through the establishment of the Macarthur Country Tourist Association in 1978. The association had the supported of Campbelltown, Camden, Wollondilly and Liverpool councils, although it collapsed in 1994 after Wollondilly Shire withdrew support.[13] In 1996 after the collapse of the association, Camden Council set up the Camden Interim Tourist Committee and continued to operate independently from Oxley Cottage in Narellan.[14] In 2008 Camden and Campbelltown LGAs started a joint tourism project as part of the Macarthur Tourism Action Plan which was marketed as Destination Macarthur, and was influenced by Tourism New South Wales’s Destination Development Program and the 2007 Griffith Local Government and Shires Association Tourism Conference which used the theme Tourism – An Investment.

 

Macarthur Regional Tourism Promotion by Camden and Campbelltown Councils

 

The community voluntary sector has a mixed response for its support of Macarthur regionalism. An examination of the 2005 Camden Community Directory only has 53 voluntary organizations that used  Macarthur in their title, out a total listing of 380 entries. One current regional organization is the Macarthur Community Forum, which is an inter-agency organization which was incorporated in 2000 and changed its name to Sector Connect in 2008. It covers the four local government areas of Campbelltown, Camden, Wollondilly and Wingecarribee and acts a peak organization for the not-for-profit sector across the LGAs. The organization operates Volunteering Macarthur and acts as an agency for other government related services including Macarthur Youth Services Network and MacUnity.   Other regional voluntary organizations range from the Macarthur Rural Fire Service to regional sporting organizations including Macarthur District Soccer Football Association and Macarthur Basketball Association, while 2013 saw the birth of Quota International of Macarthur after the demise of the Camden Quota Club.

 

Conclusion and challenges

Macarthur regionalism in the communities of Campbelltown, Camden and Picton has had a mixed history with government, business and the voluntary sector. While business has identified Macarthur as a separate market place it is yet to be fully developed, and the voluntary sector is still very localised. The Camden, Campbelltown and Wollondilly Local Government Areas do acknowledge the Macarthur story particularly in their tourism promotions, yet little elsewhere.

Camden Park House around 1900 occupied by the Macarthur Onslow family, Work began on the house in 1831 to a design by the architect John Verge and was finished about 1835. Verge’s design for the house was based on the Palladian principle of a central two storied block flanked by symmetrical pavilions; the pavilion to the north west extended into an enclosed courtyard. (Camden Images)

 

Macarthur regionalism has not been fully embraced by each of the former country towns of Camden, Campbelltown and Picton. They were all once small closed rural communities with their own sense of place. Each community had a natural distinctiveness that has contributed to their identity and parochialism that tends to work against regionalism.

 

The most important unifying theme between Campbelltown, Camden and Picton today is their peri-urban location, on the city’s rural-urban fringe. This location fosters Macarthur regionalism as Sydney’s urban growth threatens re-shape place in these communities.

 

Elderslie Autumn Scene Camden Valley Way 2014 (IWillis)

Notes

[1] TKD Architects, Managing the Future of Camden Park, Menangle, New South Wales, Camden Park Preservation Committee, Camden, 2014.

[2] ‘Mr Syd Richardson board chairman’, Camden News, 26, 27 & 28 August 1969. Jeff McGill, ‘Local history caught by newspaper Webb’, Camden Advertiser 2 March 2005. ‘From Camden Advertiser to Macarthur Advertiser’, Wollondilly Advertiser 10 February 2010.

[3] James Deane, ‘Roles in Response to Change’, Royal Australian Planning Institute Journal, January 1974, vol 12 no 1, p.35.

[4] Macarthur Development Board, New Cities With History, Promotional brochure, Campbelltown, 1976.

[5] Ian Willis, ‘Townies, ex-urbanites and aesthetics: issues of identity on Sydney’s rural-urban fringe’, AQ – Australian Quarterly, Vol 83, Issue 2, (Apr/June 2012).

[6] Jeff McGill, Campbelltown, A Modern History, 1960-1999, Campbelltown and Airds Historical Society, Campbelltown, 1999, p. 29.

[7] Neil Marshall, Brian Dollery, & Angus Witherby, ‘Regional Organisations of Councils (ROCS): The Emergence of Network Governance in Metropolitan and Rural Australia?’, Australasian Journal of Regional Studies, Vol 9, No. 2, 2003, pp. 169-188.

[8] MACROC Annual Report 2011-2012, MACROC, 2012. Online @ http://www.macroc.nsw.gov.au accessed 27 May 2013.

[9] Christine Winning, Executive Officer, MACROC, email, 4 April 2014.

[10] In Macarthur Magazine. Online @ http://www.inmacarthurguide.com.au/. Accessed 30 March 2014. David Everett, Publisher In Macarthur Magazine, Email communication, 31 March 2014.

[11] The Macarthur Credit Union. Online @ http://www.themaccu.com.au/ . Accessed 30 March 2014

[12] Macarthur Community Radio. Online @ http://www.2mcr.org.au/ . Accessed 31 March 2014

[13] Camden News 16 August 1978. Betty Yewen, Interview, Camden, 9 April 2014. Betty was the former secretary of the association for a number of years. Pam Down, Macarthur Country Tourist Association, Correspondence, 26 November 1994.

[14] Camden Interim Tourist Committee, Minutes, 26 June 1996.

Appin · Camden · Colonial Camden · Heritage · history · Local History · Transport

The Percival Wagon

One of the larger items in the collection of the Camden museum is an item that few of the current members are aware of or would know the history. It is the Percival wagon that was located next to Macaria for a number of decades, the former headquarters of Camden Council. In 2012 a group of schoolboys got the opportunity to pull it to bits and put it back together again, and now they have finished with it and the wagon is coming home.

Camden Percival Wagon_0003
The Camden Percival Wagon is probably a Bennett construction and was placed in the forecourt area next to Macaria by the Camden Historical Society in 1977. Where is stayed for a number of decades until 2012. (Camden Historical Society)

The Percival wagon is likely to have been built at the Bennetts Wagon Works at St Marys which   started in 1858 and eventually closed down in 1958. The Western Plains Cultural Centre at Dubbo states:

Bennett coach and Wagon works were operated by brothers James and George T. Bennett. Their tabletop wagons became famous throughout Australia; they were capable of carrying from 10 to 20 tonnes, and were regarded as the best heavy transport wagons to be bought. They were used in both rural and urban areas.

The Bennett wagon works at St Marys employed around 25 men at the end of the 19th century, with its wagons selling for between £150 to £250. The wagons were usually painted green and red, or red and blue and some had nick names, like ‘The Maxina’ (in South Creek Park now), ‘King of the Road’, and ‘The Pioneer’.

st-marys-bennett-wagon-works-1910-penrithcitylibrary-e1499829672934.jpg
George T. Bennett’s Wagon Works, St Marys. The photograph, taken in 1910, shows George Bennett’s wheelwright and blacksmith’s workshop in Queen Street, St Marys which was built in about 1875. The business was on the western side of Queen Street, a short distance north of King Street. George’s brother James joined him in the business but after a disagreement, James built his own workshop closer to the highway. George closed his business in 1920. (Penrith City LIbrary)

 

The Penrith City Regional Library states the Bennett wagons were used by teamsters to haul silver from the Burragorang Valley. In 1904 there were 15 teams of horses and bullocks plying the road between Yerranderie and Camden railhead from the silver field which lasted from around 1900 to 1925. The silver ore was originally forwarded to Germany for smelting, and after the First World War it went to Port Pirie in South Australia and then Newcastle. The story of the teamsters who worked out the Burragorang is celebrated in a monument outside Macaria in John Street, which was installed in 1977 by the Camden Historical Society.

 

The historical society’s wagon was one of the last in the Macarthur area. It was around 70 years old when the society purchased  it from Sydney Percival of Appin in 1977 using a public  fundraising appeal organised by society president Owen Blattman and Dick Nixon for $200. Once the society secured the funds and purchased the wagon it was then  restored by retired Camden carpenter Ern Howlett and painted red and blue.

 

The original wagon owner of the society’s wagon was Sydney’s father Norm Percival who died in 1942 with the wagon passing to his son. Norm lived on the property called Northampton Dale which was part of William Broughton 1000 acre grant of Lachlan Vale.  John Percival purchased Northampton Dale when Broughton’s grant was subdivided 1856 and named it after his home in England. The Percival property was used for horse breeding, then beef cattle and later as a dairy farm. During the First World War the farm was a popular venue with local people for playing tennis. (Anne-Maree Whitaker, Appin, the story of a Macquarie Town)

Campbelltown Percival Wagon_0001

Typical of Bennett wagons the society’s Percival wagon was used to cart wheat at Junee in 1913 while around 1900 it had previously been used to cart chaff from Campbelltown Railway Station to the Cataract Dam construction site. The wagon was also used to cart coal in Wollongong and then around the Percival Appin farm of ‘Northampton Dale’ and the Appin district. The Percival wagon had been restored by the Percivals in 1905 and was fitted with new front wheels, and plied for business around with Appin area. The signage along the side of wagon was ‘EN Percival, Appin’.

 

The Percival wagon was placed adjacent to Macaria in John Street in 1977 and by 1992 was a little the worse for wear. A team of society members took to the task with gusto and contributed over 200 hours to the restoration, with Camden Council contributing $600 to the total cost of $1200.  Another decade passed and the weather and the elements again took their toll on the wagon. Repainting was needed in 2001.

Camden HS Teamsters Wagon
The Percival wagon in Argyle Street Camden driven by Mr Biffin before being located next to Macaria in John Street in 1977 (Camden Museum)

In 2012 the Dean of Students at Macarthur Anglican School Tim Cartwright suggested that the wagon become a restoration project for the school boys. Cartwright, who had retrained as a teacher, had been a master carpenter in Europe before coming to Australia. The wagon was taken out to the school later in that year and is currently still at the school. The wagon is about to return to the custody of the society.

Camden HS Wagon SoS Cover

Camden Museum, Teamsters’ Wagon, Statement of Significance, Item No 1995.423.

Read more about Bennett Wagons

http://www.stmarysstar.com.au/story/2590835/historic-wagons-coming-home/

http://www.penrithcitygazette.com.au/story/3331875/historic-wagons-roll-into-town/

Communications · Heritage · history · Local History · Modernism · Place making · Railway · Transport · Utilities

Revealing Newcastle modernism at Civic Railway Station

Modernism is partially revealed in the architectural style of railway buildings and other infrastructure across Australia. The now closed Civic Railway Station on the Hamilton-Newcastle branch line is just one example of how this happens in the regional city of Newcastle.

 

The retail concession and frootbridge at Civic Railway Station on the now closed Newcastle-Hamilton branch railway line. The ghostly deserted station and walkway now provides access to the Newcastle Museum and the Newcastle harbour precinct. (I Willis)

 

Modernism is a form architecture which emerged in the first half of the 20th century and became dominant after World War II. It was based upon new technologies of construction, particularly the use of glass, steel and reinforced concrete; and upon a rejection of the traditional neoclassical architecture and Beaux-Arts styles that were popular in the 19th century. (Wikipedia)

According to the New South Wales Heritage Inventory Civic Railway Station is:

The station building is the first Interwar Functionalist railway building in NSW to employ domestic architectural features, demonstrating the NSW Railways experimentation with new styles during the Interwar period. The footbridge is unique as the only known example of this structure constructed on brickpiers. The signal box is unique as the smallest elevated box constructed on the NSW rail system.

 

The Civic Railway Station and surrounding buildings were built in 1935 in the Interwar Functionalist style using dichromatic and polychromatic brickwork as a simple decorative effect.

The railway station is located between Wickham and Newcastle railway stations.

 

The new Civic Railway Station in 1935 built in Interwar Functionalist style. The new station was located on the site of the previous Honeysuckle station which was built to access the river port of Newcastle and the growing agricultural centre of Maitland. (SARNSW)

 

History

Originally the station was part of the railway line built between ‘East Maitland’  railway station and ‘Newcastle’.

The line was originally built in 1857-1858 as a link between the government town of East Maitland and the river port at Newcastle.

The Newcastle station was re-named Honeysuckle and Honeysuckle Point near the river port and has a number of locations.

The large goods yards east of ‘Newcastle’ railway station was constructed in 1858.

The site of Civic Railway Station is significant as it was the former 1857 site of the Newcastle (Honeysuckle) terminus of the Great Northern Railway Line.

Electrification of the Gosford-Newcastle line occurred in 1984, after the Sydney-Gosford section in 1960.

Civic Railway Station was closed in 2014 by the Baird Liberal Government when the line between Hamilton and Newcastle was finally closed after much community dissent.

The now deserted ghostly platforms of Civic Railway Station on the Newcastle branch line built in 1935 to serve the thriving river port of Newcastle. Build in a Interwar functionalist style and station is largely intact and still retains much of its integrity from the 1930s. (I Willis)

 

Significance

According to the New South Wales Heritage Inventory:

The Civic Railway Station site is historically significant as the location of the Newcastle terminus station on the Great Northern Railway line (1857), one of the first railway lines in Australia. The station building represents the first attempt to adapt domestic architectural styles for railway purposes. The station buildings and footbridge, are good examples of Inter-War Railway Domestic style in regional NSW.

 

The seating and signage at the now deserted platform of the closed Civic Railway Station on the Newcastle branch line. Originally the line was built in the 1850s to serve the thriving farming area of Maitland and the new river port of Newcastle. The station is still largely intact and retains much of its 1930s integrity. (I Willis)

 

Civic Railway Station is largely intact and retains much of its original integrity from 1935, along with the signal box, platform shelter, footbridge and forecourt.

Colonialism · Convicts · Cowpastures · Farming · Heritage · Local History · Macarthur · Place making · Settler colonialism · Tourism

Richlands, an outpost of a colonial farming empire

Richlands Georgian style homestead built in the 1840s  on the 2016 open day (I Willis)

The Richlands estate, north of Goulburn in the NSW Southern Tablelands, was an important part of the Macarthur family pastoral empire for nearly 100 years.  The Richlands estate acted as an outstation about one days ride west of Camden Park estate. The property  reached its hiatus in the 1840s when its extent reached around 38,000 acres including the private village of Taralga.

James Macarthur managed the Richlands estate with his brother William Macarthur from Camden Park. (Belgenny Farm)

James and William Macarthur initially took up adjacent land grants of around 2000 acres between Taralga Creek and Burra Lake in 1822.  The area had been traversed by a party led by Charles Throsby in 1819 looking for an alternative route to Bathurst other than the arduous route across the Blue Mountains. Throsby and company journeyed from the Moss Vale area, crossing the Wollondilly River then the Cookbundoon Ranges near Tarlo, turning north are eventually arriving at Bathurst.

Opening up the Southern Tablelands

Reports of these areas encouraged pastoralists to take up land, one of the first was Hannibal Macarthur, John Macartur’s nephew, at Arthursleigh on the Wollondilly. In a speculative venture in 1822 James Macarthur and partners Lachlan MacAlister and John Hillas, overseer with William Macarthur, moved a mob of cattle over the Cookbundoons and left them in charge an assigned convict Thomas Taylor at Tarlo. Hillas and MacAlister also took up a grants adjacent to the Macarthur holdings.

On the death of John Macarthur in 1834 the Richlands estate passed to Edward Macarthur, a career British soldier, while managed by James and William Macarthur on his behalf.

Governed by absentee landlords

While the Richlands estate was governed by absentee landlords the real story is of those who formed the microcosm of society on the estate. They  included convicts, managers, tenant farmers, servants and the Burra Burra people, who were dispossessed and displaced from their country.

Fledgling settlement of Taralga

For the twenty years of the Richlands estate it was managed from the fledgling settlement of Taralga on the southern edge of the property. There was a central store and a number of skilled tradesmen,  convicts and their overseers were based in the village from the 1820s.

Taralga village main street 2000s. The initial management of the Richlands estate was conducted from the village in the 1820s until it was shifted to the new hilltop homestead built in the 1840s. The village is one of number of private towns that the Macarthur family established in colonial NSW. ULSC

Rural empire of 38,000 acres

James and William Macarthur acquired land by grant and purchase north and south of the hamlet of Taralga including 600 acres from Thomas Howe of Glenlee in the Cowpastures in 1837. The diary of Emily Macarthur’s, James’ wife, showed that William made six-monthly visits to Richlands from 1840. Lieutenant Colonel Edward Macarthur visited Richlands in 1851 after being posted to Sydney as deputy adjutant general.

Edward Macarthur (1789-1872), who inherited the Richlands estate on the death of his father John Macarthur in 1834. ( Richard Daintree and Antoine Fauchery, c1858)

Strategic hilltop

Work began to move the management of the estate from the village to the hilltop overlooking Burra Lake and Guineacor to the east. Hilltop locations for homesteads were common throughout the Cowpastures and were of other Macarthur properties. It followed Laudon principles and provided a defendable strategic location on the estate.

Richlands Georgian style homestead on hilltop location built in the 1840s on 2016 open day (I Willis)

William Campbell was appointed superintendent in 1839 and work began on stone offices on the farm hilltop site, along with underground grain silos, convict accommodation and outbuildings. Work was completed by 1844 when Thomas and Martha Denning occupied the house forming a small quadrangle.  Denning was appointed overseer (farm manager).

Georgian-style residence

Work on a new on a Georgian-style residence began in 1845 for new English estate manager George Martyr, who took up the position after his arrival in the colony in 1848 after marrying Alicia in Sydney.

Martyr took an active interest in community affairs serving on Goulburn Council and supervising construction of the Catholic Church in the village. A qualified surveyor from Greenwich Martyr surveyed the village of Taralga and the Macarthurs offered village lots for sale from 1847. George and Alicia raised six children on Richlands.

Richlands Georgian style homestead built for estate manager George Martr and his family in the 1840s on the 2016 open day (I Willis)

The property was eventually resumed by the New South Wales Government in 1908, broken up for closer settlement and sold in 30 smaller lots in 1910.

Notes

Peter Freeman Pty Ltd, Richlands-Taralga, Conservation Management Plan, Richlands Conservation Management Plan, 1997.